Keith Sykes (musician)

1960s - 1970s and Jimmy Buffett

After hitchhiking to the Newport Folk Festival in 1967, Sykes saw Arlo Guthrie perform "Alice's Restaurant Massacre" and was inspired to pursue music as a full-time career.^[3] He landed his first paid gig performing at a Holiday Inn in downtown Charleston, South Carolina after auditioning with “Alice’s Restaurant Massacre.”^[4] Sykes continued to perform at Holiday Inns until August 1968, when he learned of the College Coffee House Circuit in New York City. He auditioned for it and was accepted, and moved to New York. He toured colleges and coffeehouses across the US, playing about 75 dates a year. It was during his years in New York that Sykes met and befriended prolific songwriters like Jerry Jeff Walker, Emmylou Harris, John Prine, Kris Kristofferson, Gary White and Loudon Wainwright III. Sykes was soon signed to Vanguard Records where he would release his first two albums, his debut self-titled album in 1970, and his sophomore album1-2-3 in 1972, putting Sykes on the map.

Occasionally visiting his management's office in Coconut Grove, Florida, Sykes traveled down from Coconut Grove to Key West in 1972 where he met and developed a long-lasting friendship and eventual career with successful and humorous singer-songwriter Jimmy Buffett. Buffett would record two songs from Sykes' third album The Way That I Feel for his 1978 certified-platinum album Son of a Son of a Sailor.^[5] In January 1979, Kris Kristofferson and Rita Coolidge asked Sykes to attend an event for UNICEF in NYC. It was there that Jimmy Buffett asked Sykes to join his touring and recording band, The Coral Reefers. Sykes became the utility guitar player in The Coral Reefer Band for Buffett's 1979 tours, which included the Volcano Tour.^[6]

1980s and Saturday Night Live

After recording the Volcano album in Montserrat, Sykes recorded I’m Not Strange, I’m Just Like You, his third studio album, and released it on the independent Memphis Records label. After it became a hit locally in 1980, Tom Petty’s Backstreet Records, released it and it spent 11 weeks on the Billboard charts.^[7] Recorded at Ardent Studios^[6] in Memphis, I’m Not Strange includes bluesy track “B.I.G.T.I.M.E.,” which Sykes performed as the musical guest on Saturday Night Live^[7] and was eventually recorded by George Thorogood.

In 1982 Backstreet Records released It Don’t Hurt To Flirt, which featured the single “In Between Lies”. The single did not hit and Sykes left the label.^[8] Sykes went on to record two more albums on his own independent label Memphis Records, Play X Play (1983) and Fun Rockin’ (1984).

Sykes stopped touring in 1986 in order to focus on writing, publishing and producing. During this time, Sykes signed Memphis songwriter John Kilzer to his publishing company Keith Sykes Music, and was the driving force behind Kilzer’s deal with Geffen Records. Sykes is also credited with the discovery of renowned singer-songwriter Todd Snider. After receiving a cassette tape from the young, then-unknown Snider in the mail, Sykes invited him to Memphis and became solely responsible for landing Snider his first recording contract on Margaritaville Records.^[9]

1990s and Beale Street Songwriters Series

With the release of It's About Time, 1992 saw Sykes' first solo album in close to a decade and what would become known as a “songwriter’s record.” The album was released on John Prine’s independent record label Oh Boy Records and led to another year on the road, during which Sykes played Mountain Stage, Nashville Now and many shows with John Prine.

In the fall of 1993, Sykes made a deal the renown publisher Carlin International and built The Woodshed Recording Studio. He recorded all his publishing company’s demos there, plus numerous indy albums and tracks.

From 1993 to 2003, Sykes hosted a popular songwriting series on Memphis' iconic Beale Street. This series showcased numerous acclaimed songwriters including folk icons Steve Earle and Guy Clark, Nashville Songwriters Hall of Fame writers Richard Leigh and Roger Cook, and then-newcomers Rivers Rutherford and Jimmy Davis.^[10]

Teaming up with Dallas businessman and investor Kelcy Warren in 1997, Sykes began to expand the abilities of his Woodshed recording studio as well as open new publishing companies. With Warren, the two formed a new label called Syren Records, which released Sykes’ next two albums, rocker Advanced Medication for the Blues in 1998 and Americana-friendly Don’t Count Us Out in 2001 which features duets with friends like Iris DeMent, John Prine, Rodney Crowell, and Susan Marshall.

2000s - Present

After opening a tour for Todd Snider in late 2000, Sykes was inspired to return to performing full time, a move he has described as “the right move at the right time.” Sykes continued to write and record, releasing All I Know for MadJack Records in 2004 and Let It Roll for Fat Pete Records in 2006. In 2008 Sykes released the album Country Morning Music, produced by Todd Snider and Peter Cooper. 2011 saw the release of Sykes’ blues album, Bucksnort Blues, released on KSM Entertainment. KSME also released a “best-of” album in 2012 called 20 Most Requested featuring songs like Prine co-write "You Got Gold," heartfelt autobiographical ballad “Broken Home,” and Jimmy Buffett hit "Volcano."

Known as a "troubadour of Trop Rock,"^[11] Sykes latest release is a six song EP called Songs From A Little Beach Town, inspired by Sykes’ time spent in Port Aransas, TX. The album was recorded in Nashville by engineer and producer Brent Maher (The Judds, Kenny Rogers, Willie Nelson) and released in 2016. The single “Come As You Are Beach Bar” hit #1 on Radio A1A's TropRock Top 40 for seven weeks,^[12] and “The Best Day” charted at #3 and has remained on the charts since August 2016. "Coast of Marseilles" hit #1 on the Trop Rock Chart in February 2018.^[13]

Two of Sykes' co-writes, “Volcano” and “Coast of Marseilles,” are featured in the 2018 Broadway musical “Escape to Margaritaville."^[14]

April 2018 will see the release of The Tree of Forgiveness John Prine’s first album in 13 years, which contains “No Ordinary Blue”, a new Prine/Sykes composition written in the mold of “You Got Gold” and “Long Monday.”^[15]

Studio Albums

Compilation Albums

Songwriting Credits

Producer Credits