Kazik Radwanski

Kazik Radwanski
Born 1985 (age 32–33)
Nationality Canadian
Occupation Director, writer, producer
Years active 2007–present

Kazik Radwanski is a Canadian director and screenwriter. He is known for his low budget independent films, including How Heavy This Hammer (2015), which has screened at festivals around the world.[1][2][3][4] His early short films have been cited as part of the New Canadian Cinema movement.[5][6]

Career

2007–2011: Early work

Before transitioning into feature films with his directorial debut Tower (2012),[7] Radwanski wrote and directed several award-winning short films, including Assault (2007), Princess Margaret Blvd. (2008), Out in That Deep Blue Sea (2009), and Green Crayons (2010), all of which screened at film festivals around the world, most notably in Edinburgh, Melbourne, and Berlin.[8]

2012–2013: Tower

Radwanski's first feature Tower made its world premiere at the 2012 Locarno Film Festival,[9] followed by its North American premiere at the 2012 Toronto International Film Festival.[10] It had a long festival run screening at many festivals, including the Viennale,[11] the New Directors/New Films Festival hosted by Film Society of Lincoln Center, and the Museum of Modern Art.[12]

The film was met with critical acclaim upon its release; Mark Peranson, editor of Cinema Scope Magazine, named it "One of the year’s most jarring and accomplished debuts" [13] The Wall Street Journal proclaimed it as "thoroughly compelling, juxtaposing idiosyncratic camerawork with raw insight into the sort of person everyone knows"[14] Eric Kohn of IndieWire described the protagonist as "an awkward loner made mesmerizing" [15] and Scott Foundas for the Village Voice described it as "a Sisyphus for the Asperger’s era" [16]

NOW Magazine named Tower one of the Top 25 Toronto Films of all time.[17]

2015–2016: How Heavy This Hammer

Radwanski's second film made its world premiere at the 2015 Toronto International Film Festival, followed by its international premiere at the 66th Berlin International Film Festival. It subsequently screened on the festival circuit for over two years.[18]

During its festival run it received generally favourable reviews from critics.[19] Adam Cook in a dispatch to Brooklyn Magazine wrote "Radwanski’s sensitive and empathetic approach effectively brings the viewer into this mundanity and helping us understand the silent pressures and tensions of this unremarkable man and his existential woes".[20] Angelo Muredda for Cinema Scope said "In just two features and several shorts, co-conceived with producing partner Dan Montgomery, Radwanski has proven himself a gentler, Southern Ontarian answer to Dardennes-style social realism, finding dignity and pathos in the repetitive rhythms and small pleasures of working-class lives".[21] Mubi Notebook editor Daniel Kasman observed "Such a small story, such an average person to spend time with—this is something no television show would attempt, no mid-tier festival film dare gamble their eligibility for an audience award on. Yet here it is: quiet, a bit pensive, a bit mysterious, and never less than thoughtful. The kind of film you love to discover at a festival". However, The Hollywood Reporter deemed it "an aggressively dreary look at a man who shouldn't have had a family".[22]

During its theatrical run in Canada, the film was met with critical acclaim; it was ultimately nominated for Best Canadian Film at the Toronto Film Critics Association Awards 2016, though it did not win.[23] The National Post named it "a must-see this week when it opens theatrically in Vancouver and Toronto",[24] The Toronto Star praised its "unique combination of empathy and scorn",[25] NOW Magazine said "Radwanski packs a lot of angst into his slim running time",[26] Exclaim! stated it was "one of the very best Canadian films of the year",[27] and The Globe and Mail called it "raw and engrossing".[28]

When the film had a theatrical run in New York in 2016, it was met with mixed reviews: The New York Times wrote that "whatever investigation it’s attempting, the movie is leaden in its pacing — the first 15 minutes feel like an hour — and its constricted shooting style, practically all hand-held almost close-ups, is transparent in its contrivance of realism".[29] Meanwhile, The Village Voice proclaimed that it was, "Striking, clear-eyed, and very, very funny, it's been justly celebrated as one of the best Canadian films in years".[30]

2017–present: Further short film work

Radwanski’s most recent short film, Scaffold, premiered at the 70th Locarno Film Festival,[31] had its North American premiere in the Wavelengths section of the 2017 Toronto International Film Festival,[32][33] and its US premiere at the 55th New York Film Festival.[34]

The film was nominated for an award at the London Film Festival.[35]

References

  1. ↑ Luers, Erik. ""I've Always Been Cautious of Measuring Success": Kazik Radwanski on How Heavy This Hammer". Filmmaker Magazine. Retrieved 2017-02-19.
  2. ↑ "The secret to Canadian film success? Lentils (and lots of luck)". The Globe and Mail. Retrieved 2017-02-19.
  3. ↑ "'I want there to be some chaos': Kazik Radwanski's How Heavy This Hammer brings his 'ordinary insanity' to life". National Post. Retrieved 2017-02-19.
  4. ↑ "MDFF". mdff.ca. Retrieved 2017-02-19.
  5. ↑ "Meet the millennial filmmakers out to revolutionize Canadian content". Retrieved 2018-02-03.
  6. ↑ "Bad Film Students". Bad Film Students. Retrieved 2018-02-03.
  7. ↑ ADAMS, JAMES; Radwanski, Kazik (2013-02-22). "Tower: Portrait of a weirdly memorable man-child". Retrieved 2017-07-22.
  8. ↑ "Kazik Radwanski". IMDb. Retrieved 2017-07-22.
  9. ↑ "Canadians hope to extend string of Locarno success". The Globe and Mail. Retrieved 20 February 2017.
  10. ↑ "Kazik Radwanski ascends at TIFF with debut Tower". Playback. Retrieved 22 June 2018.
  11. ↑ "Viennale Tower". The Viennale. Retrieved 20 June 2018.
  12. ↑ "The World's Riches: New Directors/New Films Is the Year's Best Local/Global Movie Celebration". Village Voice. Retrieved 22 June 2018.
  13. ↑ "Tower Press Release". College Street Pictures. Retrieved 15 July 2018.
  14. ↑ "Tower Reviews". Simple Machine. Retrieved 15 July 2018.
  15. ↑ "Locarno Review: An Awkward Loner Made Mesmerizing in the Canadian Feature 'Tower'". IndieWire. Retrieved 15 July 2018.
  16. ↑ "The World's Riches: New Directors/New Films Is the Year's Best Local/Global Movie Celebration". The Village Voice. Retrieved 15 July 2018.
  17. ↑ "Top 25 Toronto Films". Now Magazine. Retrieved 15 July 2018.
  18. ↑ "The secret to Canadian film success? Lentils (and lots of luck)". The Globe and Mail. Retrieved 20 February 2017.
  19. ↑ "'Toronto 2015:How Heavy This Hammer'". Fandor. Retrieved 2 March 2017.
  20. ↑ "'At the Toronto International Film Festival': Film Review". Brooklyn Magazine. Retrieved 2 March 2017.
  21. ↑ "'How Heavy This Hammer — Contemporary World Cinema': Film Review". Cinema Scope. Retrieved 2 March 2017.
  22. ↑ "'How Heavy This Hammer': Film Review". The Hollywood Reporter. Retrieved 20 February 2017.
  23. ↑ "Toronto Film Critics Association names Moonlight best film of the year". The Globe and Mail. Retrieved 2017-03-02.
  24. ↑ "'I want there to be some chaos': Kazik Radwanski's How Heavy This Hammer brings his 'ordinary insanity' to life". National Post. Retrieved 2 March 2017.
  25. ↑ "How Heavy This Hammer". Toronto Star. Retrieved 2017-03-02.
  26. ↑ "Nothing matters but the online fantasy game in How Heavy This Hammer". NOW Magazine. Retrieved 2017-03-02.
  27. ↑ "How Heavy This Hammer Directed by Kazik Radwanski". Exclaim!. Retrieved 2017-03-02.
  28. ↑ "Director Kazik Radwanski on creating How Heavy This Hammer". The Globe and Mail. Retrieved 20 February 2017.
  29. ↑ Kenny, Glenn (2017-02-16). "Review: In 'How Heavy This Hammer,' Life Takes a Toll on Dad". The New York Times. ISSN 0362-4331. Retrieved 2017-02-20.
  30. ↑ "At MoMI's First Look Fest, Behold the Films Too Bold for Release". The Village Voice. Retrieved 2017-03-02.
  31. ↑ "Scaffold". www.locarnofestival.ch. Retrieved 2018-06-29.
  32. ↑ "Scaffold". www.tiff.net. Retrieved 2018-06-12.
  33. ↑ "Toronto Plays Itself". TIFF. 2017-08-15. Retrieved 2018-06-12.
  34. ↑ "Narrative 2". www.filmlinc.org. Retrieved 2018-06-29.
  35. ↑ Scaffold, retrieved 2018-06-12
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