Invisible Men

Invisible Men
Studio album by Anthony Phillips
Released October 1983 (US)
13 April 1984 (UK)
Recorded April–September, October–December 1982
Studio Englewood Studios, Clapham, London and Atmosphere Studios, central London
Genre Progressive rock
electronic music
Label Passport Records (US)
Street Tunes (UK)
Producer
Anthony Phillips chronology
Private Parts and Pieces III: Antiques
(1982)		 Invisible Men
(1983)		 Private Parts and Pieces IV: A Catch at the Tables
(1984)
Alternative cover
Original UK cover.
Professional ratings
Review scores
SourceRating
Allmusic[1]

Invisible Men is the eighth studio album by English multi-instrumentalist and composer Anthony Phillips. It was released in October 1983 by Passport Records in the United States and in April 1984 by Street Tunes in the United Kingdom. After he released his Private Parts and Pieces III: Antiques, the third instalment in his generic album series, Phillips started work on his next full studio album. Phillips was pressured by his US label Passport Records to deliver more radio friendly songs, and produced Invisible Men as a collaborative effort with musician and songwriter Richard Scott.

Phillips would not release a complete and arranged album of solo material until Slow Dance (1990).

Background and recording

In early 1982, Phillips released Private Parts and Pieces III: Antiques, the third instalment in his generic album series containing incomplete compositions, demos, and outtakes. For his next release Phillips committed to a full, standard album, his first since 1984 (1981). At this point in his career, Phillips was pressured by management at his record label, the US-based Passport Records, to deliver more radio friendly songs. To help him with the project, Phillips invited musician and songwriter Richard Scott to assist in its production. The album was recorded at Phillips's home studio named Englewood Studios in Clapham, south London, and Atmosphere Studios in central London.

"Exocet" is a political song inspired by the Falklands War between Argentina and the United Kingdom, which took place during the recording of the album. In one incident in the conflict, an Exocet missile struck a British warship and killed 20 crew members. One of Phillips's musician friends, Enrique Berro Garcia, an Argentinian, had to leave the United Kingdom. The end of the song includes a segment of a news report of the war, which was originally a recording error but Phillips decided to keep it. Upon finishing the album, management of Street Tunes Records, the UK label that released it in the country, deemed "Exocet" too political and ordered its removal. It was replaced with "It's Not Easy". The track "The Women Were Watching" also concerns the Falklands War.

Invisible Men was cut by Ian Cooper at Townhouse Studios in London.[2] Phillips encountered problems in finalising the album's release in the United States as the label rejected two cuts that Cooper had prepared. After the second rejection, Phillips recalled that Cooper "was a bit beside himself - he just didn't know what else to do", and received notes from the label's engineer in New York with suggestions to improve it, which Phillips expressed some disagreement on. Following a three month delay the label suggested a new mix but realised it would cost additional money, so it agreed to release the album.[2]

Release

Invisible Men was released in the United Kingdom on 13 April 1984 on Street Tunes, an independent label. Phillips was pleased with the label's enthusiasm towards the album.[2] A 12-inch single of "Sally" was released which Phillips believed was not the best track for a single.[2] The 1996 Blueprint reissue states that its track order was rearranged to the originally intended order.

On October 13, 2017, Esoteric Recordings (a Cherry Red Records label) released a 2-disc deluxe edition of the album. Disc 1 contains a new remaster of the original stereo mix of the album. Disc 2 contains 16 previously unreleased demos and contemporaneous material. The deluxe edition also includes an illustrated booklet with a new essay by Jonathan Dann.[3]

Track listing

Side one

  1. "Sally" (Phillips) - 3:53
  2. "Golden Bodies" (Phillips, Scott) - 3:16
  3. "Going for Broke" (Phillips, Scott) - 3:30
  4. "Exocet" (Phillips, Scott) - 3:19 (US version) / "It's Not Easy" (Phillips) - 4:47 (UK version)*
  5. "Love in a Hot Air Balloon" (Phillips, Scott) - 3:42
  6. "Traces" (Phillips, Scott) - 4:49

Side two

  1. "I Want Your Heart" (Phillips, Scott) - 3:51
  2. "Falling for Love" (Phillips, Scott) - 3:33
  3. "Guru" (Phillips) - 4:42
  4. "The Women Were Watching" (Phillips, Scott) - 4:46
  5. "My Time Has Come" (Phillips) - 4:46

2017 reiussue bonus disc[4]

  1. "Gimme Love"
  2. "Falling for Love" (Alternate Version)
  3. "My Time Has Come" (Instrumental Mix)
  4. "Golden Bodies" (Demo)
  5. "Mysterious Constitution of Comets"
  6. "She's Gone"
  7. "Graciella"
  8. "Over and Over Again"
  9. "Tonight"
  10. "Alien"
  11. "Refugee from Love"
  12. "Something Blue"
  13. "Holding You Again"
  14. "Darling"
  15. "Shadow in the Desert"
  16. "Finale (Atmosphere Studios Version)"

Personnel

Credits adapted from the album's 1984 release.[5]

Musicians

  • Anthony Phillips – vocals, Stratocaster, Polymoog synthesiser, bass guitar, ARP 2600 synthesiser, organ, piano, Colorama electric guitar, Yari classical guitar, Jupiter 8 keyboard, Rickenbacker electric 12-string guitar, Mellotron, editing block, tubular bells, Fender Rhodes guitar, Les Paul guitar
  • Richard Scott – Roland 808 keyboard, vocals, scamp, Stratocaster, vocoder
  • Paul Robinson – drums
  • Bimbo Acock – saxes
  • Morris Pert – tambourine, kalimba
  • Joji Hirota – marimabas, wood blocks, tambourine, timpani, shakers, jawbone, cabasa, bell tree
  • Martin Robertson – soprano saxophone
  • Uti Koofreh – backing vocals
  • Jeff Dunne – drums
  • Martin Drover – trumpet, flugelhorn solo
  • "Vic Stench" – bass, contrabass, camp bass
  • Malcolm Griffiths – trombone
  • Ralph Bernascone – sarrusaphone
  • Jonathan Snowden – piccolo
  • "The Vicar" – church organ
  • Jack Emblow – accordian on "Darling"
  • Kitty Grant – backing vocals on "Gimme Love" and "Refugee From Love"

Production

  • Anthony Phillips – production
  • Richard Scott – production
  • Trevor Vallis – production
  • Ian Cooper – cutting at Townhouse Studios, London[2]
  • Elliot Brothers, C and M Audio, Mike Rutherford, Andrew Latimer, Lob Tumsey, Dave Hill, Robin Clarke – equipment thanks
  • Simon Heyworth – remastering

References

  1. ↑ Thompson, Dave. Invisible Men at AllMusic
  2. 1 2 3 4 5 Parkyn, Geoff (April 1984). "Anthony Phillips – Anthony Phillips interview on the 'Invisible Men' album and the 'Alice' musical". Genesis Information. No. 31. pp. 3, 5, 7. Retrieved 13 October 2018.
  3. ↑ Anthony Phillips website
  4. ↑ Cherry Red Records website
  5. ↑ Invisible Men (Media notes). Anthony Phillips. Street Tunes. 1984. STLP 0013.
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