Here, There and Anymore

Here, There and Anymore
Studio album by Greg Connors
Released April 24, 2006 (US)
Recorded 2004,
Brooklyn
Genre Alternative rock
Length 40:51
Label Scared Records
Producer Joseph Arthur
Greg Connors chronology
Invisible Tape
(2000)Invisible Tape2000
Here, There and Anymore
(2006)
Full Moon Flashlight
(2009)Full Moon Flashlight2009
Professional ratings
Review scores
SourceRating
Melodic.net
Performer Magazine(8/10)

Here, There and Anymore is the third full-length album by Greg Connors, released on April 24, 2006. It was his first major release on Atlanta independent record label, Scared Records. The album was produced by renowned artist, Joseph Arthur after Greg had sent him a cassette demo of his latest songs.

Greg had known Joseph for many years, having met in Atlanta when he worked at a local music store. Upon hearing the demo, Joseph invited Greg into his Brooklyn home studio where they commenced to record the songs which would become Here, There and Anymore.

Joseph Arthur discussed meeting Greg and described his friendship and songs from the album in an article submitted to a major music magazine:[1]

Track listing

  1. "Monster" – 4:54
  2. "Heading Home From A Funeral" – 4:37
  3. "Catty Perhaps" – 3:49
  4. "Regards (Painting And Departure)" – 4:25
  5. "Anymore (Long Time Starting)" – 4:59
  6. "Lodge" – 5:20
  7. "She's Talented" – 5:20
  8. "Changing Lightbulbs in The Dark" – 3:39
  9. "Amasakist (Sic)" – 3:50

Album credits

  • All songs written by Greg Connors.
  • Produced by Joseph Arthur.
  • Greg Connors: vocals, acoustic and electric guitars, hand claps
  • Joseph Arthur: background vocals, bass, synthesiser and programming, acoustic and electric guitars, pedal steel, percussion and violin
  • Cerise Leang: "Amasakist!" vocals
  • Mixed by Joseph Arthur
  • Recorded by Joseph Arthur
  • Mastered by zod at duplex left.
  • Artwork by Greg Connors and Stan Satin.
  • Photographs by A. Lea R., Mike Connors, Greg Connors and Cerise Leang.
  • Art Direction and assemblage by Stan Satin.

References

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