Hannah Black
Hannah Black | |
---|---|
Born | Manchester, London, England |
Nationality | British |
Education |
Whitney Independent Study Program, New York, 2014 Goldsmiths, University of London, (MFA) 2013 |
Alma mater | University of London |
Known for | Film, video, art and writing |
Notable work | Dark Pool Party |
Style | Mixed media artist |
Website | Vimeo accountTwitter account |
Hannah Black is a conceptual visual artist and writer. Her work spans video, text and performance and draws on communist, feminist, and afropessimist theory, autobiographical fragments, and pop music.[1][2]
Early life
Black was born in Manchester, England. She currently lives in Berlin, Germany, but mostly works in London and New York City.[3]
Career
In 2013, Black received a Masters of Fine Arts in Art Writing from the public research institution Goldsmiths College, University of London.[4] From 2013-2014, she lived in New York City where she was a studio participant in the Whitney Independent Study Program.[4] According to Hatty Nestor in Art in America, "Hannah Black’s practice deals primarily with issues of global capitalism, feminist theory, the body and sociopolitical spaces of control."[5] She is represented by the London gallery Arcadia Missa.[6]
In 2014, Black was a contributing editor to the New York-based magazine, The New Inquiry.[3]
In 2016, Black's first collection of writing titled Dark Pool Party was published. The book consists of seven texts "that blur the lines of fiction, nonfiction, cultural criticism, critique, and poetry."[7][8][9]
In March 2017, Black posted an open letter to the curators of the Whitney Biennial to her Facebook page in response to the painting Open Casket by American artist Dana Schutz.[10] Black's letter advocated for the removal of the painting with the additional "urgent recommendation" that it be destroyed.[10] Black's letter became the focus of an ensuing debate around race, representation, and notions of free speech that "split the art world."[11] The controversy received international attention in both mainstream and art media.[10][11][12][13][14][15][16][17][18]
Partial exhibition history
Solo/duo exhibitions
- Some Context, Chisenhale Gallery, London (2017)[19]
- Small Room, mumok, Vienna (2017)[20]
- Soc or Barb, Bodega, New York (2017)[21]
- Paris Internationale (with Amalia Ulman), Arcadia Missa, Paris (2016)[22]
- Screens Series: Hannah Black, New Museum Theater, New York (2016)[23]
- Credits, Big Screen Commission Focal Point Gallery, Southend-On-Sea (2016)
- Hannah Black & Letitia Beatriz, Transmission, Glasgow (2016)
- Credits, Lisa Cooley, New York (2016)
- Not You, Arcadia Missa, London (2015)
- Intensive Care, Legion TV, London (2013)
Group exhibitions
- If you want to do something, forget this debt, and remember it later, Celaya Brothers Gallery, Mexico City (2017)[24]
- Being There, Vilma Gold, London (2016)[25]
- The world no longer exists, *kurator, Rapperswil (2016)[26]
- No! I Am No Singular Instrument, Various Small Fires, Los Angeles (2016)[27]
- The fraud that goes under the name of love, Audain, Vancouver (2016)[28]
- WHATEVER MOVES BETWEEN US ALSO MOVES THE WORLD IN GENERAL, Murray Guy, New York (2016)
- WELT AM DRAHT, Julia Stoschek Collection Berlin, Berlin (2016)
- Open Source, Gillett Square, London (2016)[29]
- On Limits: Estrangement in the Everyday, The Kitchen, New York (2016)[30]
- Reena’s Bedstuy Glove Affair, offsite, New York (2016)
- Ways of Living, David Roberts Art Foundation, London (2016)[31]
- Active Ingredient, Lisa Cooley, New York (2016)
- In the Flesh Part 2, Gallery Diet, Miami (2016)
- 500 boxes of contraband, David Dale Gallery, Glasgow (2016)
- The Heart is a Lonely Hunter, Yarat Contemporary Art Centre, Baku (2015)[32]
- Workland: The Fence Is A Narrow Place, Chateau Shatto, Los Angeles (2015)[33]
- Does Not Equal, W139, Amsterdam (2015)[34]
- Girls of the Internet Museum, Sala Luis Miro Quesada Garland, Lima (2015)
Performances/screenings/talks
- OR LIFE OR, performance in collaboration with Bonaventure and Ebba Fransén Waldhör, MoMA PS1, New York (2017)[35][36][37]
- Screen: Hannah Black, Museum of Contemporary Art, Los Angeles (2017)[38]
- APOCALYPTIC THINKING WITH HANNAH BLACK AND EVAN CALDER WILLIAMS, Swiss Institute Contemporary Art, New York (2016)[39]
- Anxietina, performance with Bonaventure, Institute of Contemporary Arts, London (2016)[40]
- Capacity, This is Public Space, Up Projects, London (2016)
- Finding the Body: The Last Transgression?, Central Saint Martins, London (2016)
- What Time Is It on the Clock of the World?, Stadtkuratorin Hamburg, Hamburg (2016)
- Recognizing, Imagining, Relation, Hester, New York (2016)
- Blackness in Circulation, Open Score, New Museum, New York (2016)
- Edition, Toronto (2016)
- YES SCREAMING NO, The One Minutes, Intersections, ArtRotterdam, NL (2015)
- Perspectives, Framer Framed, Amsterdam (2015)
- Fall of Communism, Image Festival winner, Overkill Award, Toronto (2015)
- Canon Today, TZK Gala Conference, Haus der Berliner Festspiele, Berlin (2015)
- In conversation with Andrea Crespo, Swiss Institute Contemporary Art, New York (2015)
- 7 on 7, New Museum, New York (2015)
- Biocode, University of Pennsylvania, Philadelphia (2015)
- Projections Program C, New York Film Festival, New York (2015)
- Screening #1 London, Schwarzwallee, Basel
- Total Body Conditioning, Museum of Modern Art, Warsaw (2014)
- City Built At Night, Rematerialising Feminism, Arcadia Missa, London (2014)
- Columbine Library, Societe, with Bunny Rogers, Berlin (2014)
Partial bibliography
Publications
- Life (with Juliana Huxtable, mumok, 2017)[41]
- Dark Pool Party (Dominica, Arcadia Missa, 2016)[42]
Essays
- Coming to Terms: Ta-Nehisi Coates’s dispatches from the Obama years (Bookforum, 2018)[43]
- Witch-Hunt (Tank, 2017)[44]
- THE IDENTITY ARTIST AND THE IDENTITY CRITIC (Artforum, 2016)[45]
- This is Crap (Frieze, 2016)
- A Kind of Grace (Harper's Magazine, 2016)[46]
- the 9th Berlin Biennale (Artforum, 2016)[47]
- Fractal Freedoms (Afterall, 2016)
- Social Life (Texte zur Kunst, 2015) [48]
- Crazy in Love (The New Inquiry, 2014) [49]
- The Loves of Others (The New Inquiry, 2014) [50]
- My Gay Shame, or, How Patriarchy Stole Sex (The New Inquiry, 2014)[51]
References
- ↑ "The Kitchen: A night with The New Inquiry". thekitchen.org. Retrieved 2017-04-19.
- ↑ "An interview with Hannah Black". atractivoquenobello. 2014-06-26. Retrieved 2017-03-11.
- 1 2 Hurr, Hannah (May 2015). "Interview with Artist and Writer Hannah Black". The Mask Magazine (16). Retrieved 4 March 2017.
- 1 2 "Contemporary Art Talks: Hannah Black". Goldsmith University. University of London. Retrieved 4 March 2017.
- ↑ Nestor, Hatty (27 January 2016). "Hannah Black - Reviews". www.artinamericamagazine.com. Retrieved 4 March 2017.
- ↑ "Hannah Black | Arcadia Missa". arcadiamissa.com. Retrieved 2017-04-09.
- ↑ "Dark Pool Party by Hannah Black". ENTROPY. Retrieved 2017-04-19.
- ↑ "This is a dark pool party". Rhizome. Retrieved 2017-04-19.
- ↑ "Dark Pool Party, Hannah Black, Dominica/Arcadia Missa". www.mottodistribution.com. Retrieved 2017-04-19.
- 1 2 3 Kennedy, Randy. "White Artist's Painting of Emmett Till at Whitney Biennial Draws Protests". New York Times. Retrieved 26 March 2017.
- 1 2 Smith, Roberta (2017-03-27). "Should Art That Infuriates Be Removed?". The New York Times. ISSN 0362-4331. Retrieved 2017-04-17.
- ↑ Basciano, Oliver (2017-03-21). "Whitney Biennial: Emmett Till casket painting by white artist sparks anger". The Guardian. ISSN 0261-3077. Retrieved 2017-04-17.
- ↑ Helmore, Edward (2017-04-02). "The painting that has reopened wounds of American racism". The Guardian. ISSN 0261-3077. Retrieved 2017-04-17.
- ↑ "'The Painting Must Go': Hannah Black Pens Open Letter to the Whitney About Controversial Biennial Work | ARTnews". www.artnews.com. Retrieved 2017-04-17.
- ↑ Frank, Priscilla (2017-03-21). "White Artist's Emmett Till Painting Incites Anger At Whitney Biennial". Huffington Post. Retrieved 2017-04-17.
- ↑ Blay, Zeba (2017-03-22). "When White People Profit Off Of Black Pain". Huffington Post. Retrieved 2017-04-17.
- ↑ Frank, Priscilla (2017-03-23). "A White Artist's Painting Of Emmett Till Sparks Protest, Controversy And A Viral Hoax". Huffington Post. Retrieved 2017-04-17.
- ↑ Eckardt, Stephanie. ""The Painting Must Go": The Protests and Reactions to Dana Schutz's Painting of Emmett Till in the 2017 Whitney Biennial". W Magazine. Retrieved 2017-04-17.
- ↑ "Hannah Black". chisenhale.org.uk. Retrieved 2017-10-06.
- ↑ "Hannah Black". www.mumok.at. Retrieved 2017-04-17.
- ↑ "Bodega". bodega-us.org. Retrieved 2017-04-17.
- ↑ "Paris Internationale 2016, Arcadia Missa". Arcadia Missa. Retrieved 2018-04-08.
- ↑ "Screens Series: Hannah Black". www.newmuseum.org. Retrieved 2017-04-17.
- ↑ "If you want to do something, forget this debt, and remember it later - Celaya Brothers Gallery". www.celayabrothersgallery.com. Retrieved 2018-03-01.
- ↑ "Vilma Gold – Being There". vilmagold.com. Retrieved 2018-03-01.
- ↑ www.kurator.ch. "kurator.ch » The world no longer exists". www.kurator.ch (in German). Retrieved 2018-03-01.
- ↑ "No! I am No Singular Instrument - Various Small Fires, Los Angeles". Various Small Fires, Los Angeles. 2016-05-24. Retrieved 2018-03-01.
- ↑ "The Fraud - SFU Galleries - Simon Fraser University". www.sfu.ca. Retrieved 2018-03-01.
- ↑ "OPEN SOURCE is a contemporary arts festival". OPEN SOURCE. Retrieved 2018-03-01.
- ↑ "The Kitchen: On Limits: Estrangement in the Everyday". thekitchen.org. Retrieved 2018-03-01.
- ↑ "Exhibition: Curators' Series #9. Ways of Living. By Arcadia Missa (15 Apr – 23 Jul 2016) | DRAF – David Roberts Art Foundation". DRAF – David Roberts Art Foundation. 2015-11-13. Retrieved 2018-03-01.
- ↑ "The Heart is a Lonely Hunter | Yarat Contemporary Art Space | Artsy". www.artsy.net. Retrieved 2018-03-01.
- ↑ "Workland: the fence is a narrow place | Chateau Shatto". chateaushatto.com. Retrieved 2018-03-01.
- ↑ "W139 - Does Not Equal". w139.nl. Retrieved 2018-03-01.
- ↑ "Hannah Black's Performance "OR LIFE OR" at MoMA PS1". artnet News. 2017-04-11. Retrieved 2017-04-17.
- ↑ "Hannah Black, OR LIFE OR | MoMA". The Museum of Modern Art. Retrieved 2017-03-11.
- ↑ "Role Play: At MoMA PS1, Hannah Black Alights as Artist and Heroine | ARTnews". www.artnews.com. Retrieved 2017-04-17.
- ↑ "SCREEN: Hannah Black". The Museum of Contemporary Art, Los Angeles. Retrieved 4 March 2017.
- ↑ "Conversation | Apocalyptic Thinking with Hannah Black and Evan Calder Williams | Swiss Institute". www.swissinstitute.net. Retrieved 2017-04-17.
- ↑ "ANXIETINA: A performance by Hannah Black and Bonaventure". www.ica.art. Retrieved 2017-04-17.
- ↑ "Averting the end of the world: Hannah Black + Juliana Huxtable's LIFE book release + opening at Mumok, Mar 16". atractivoquenobello. 2017-03-16. Retrieved 2017-04-19.
- ↑ "DOMINICA". dominicapublishing.com. Retrieved 2017-04-19.
- ↑ Black, Hannah. "Coming to Terms". Bookforum. Retrieved 2018-03-01.
- ↑ "Tank Magazine". Tank Magazine. Retrieved 2017-04-17.
- ↑ Black, Hannah. "THE IDENTITY ARTIST AND THE IDENTITY CRITIC by Hannah Black". artforum.com. Retrieved 2017-04-17.
- ↑ Black, Hannah (2016-03-01). "A Kind of Grace". Harper's Magazine. ISSN 0017-789X. Retrieved 2017-04-19.
- ↑ Black, Hannah. "Hannah Black on the 9th Berlin Biennale". artforum.com. Retrieved 2017-04-17.
- ↑ https://www.textezurkunst.de/98/social-life/
- ↑ https://thenewinquiry.com/essays/crazy-in-love/
- ↑ https://thenewinquiry.com/essays/the-loves-of-others/
- ↑ Black, Hannah (2014-05-13). "My Gay Shame, or, How Patriarchy Stole Sex". The New Inquiry.