Hagfish (album)

Hagfish
Studio album by Hagfish
Released March 24, 1998
Recorded September 16, 1997 to October 3, 1997 at The Blasting Room in Fort Collins, Colorado
Genre Punk rock, alternative rock
Length 35:47
Label Honest Don's Records
Producer Bill Stevenson, Stephen Egerton
Hagfish chronology
...Rocks Your Lame Ass
(1995)...Rocks Your Lame Ass1995		 Hagfish
(1998)		 Caught Live
(1999)Caught Live1999
Professional ratings
Review scores
SourceRating
Allmusic[1]

Hagfish is the self-titled third studio album by the American rock band Hagfish, released in March 1998 on Honest Don's Records, a subsidiary label of Fat Wreck Chords. The album was reworked following a long delay with the band's previous label, London Records, who rejected the band's initial offering and eventually dropped the group. Bill Stevenson and Stephen Egerton would both reprise their roles as producers, having previously worked with the band on Rocks Your Lame Ass. An early version of "18 Days" (originally titled "New Year's Song") and a live version of "Twisting" previously appeared as b-sides to the "Happiness" promotional single in 1995. Alternate versions of "Hand" and "Agent 37" later appeared on the compilation album That Was Then, This Is Then in 2001.

Track listing

All songs written by George Stroud Reagan III and Hagfish except where noted.

  1. "Anniversary Song" – 2:26
  2. "Band" – 2:29
  3. "Envy" – 2:20
  4. "18 Days" – 1:05
  5. "Hand" – 2:35
  6. "Doo Doo Noggin" – 1:49
  7. "Bop" – 1:51
  8. "Closer" – 2:26
  9. "Sucker" – 2:56
  10. "Twisting" (John Flansburgh, John Linnell) – 1:48
  11. "Goes Down" – 1:33
  12. "Fruit" – 2:49
  13. "100% Woman" – 2:24
  14. "Alien" – 2:51
  15. "Agent 37" – 4:27

Personnel

Additional personnel

  • Bill Stevenson – producer, mixer, engineer
  • Stephen Egerton – producer, mixer, engineer
  • Jason Livermore – engineer
  • Joe Gastwirt – mastering (Oceanview Mastering)
  • Jennifer Stevens – cover model
  • Blag Dahlia – photography
  • Melanie Grizzel – photography

References

  1. ↑ Allmusic review
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