George Wettling

George Wettling
Background information
Birth name George Godfrey Wettling
Born (1907-11-28)November 28, 1907
Topeka, Kansas, U.S.
Origin Chicago, Illinois
Died June 6, 1968(1968-06-06) (aged 60)
New York City
Genres Jazz, swing, Dixieland
Occupation(s) Musician
Instruments Drums
Years active 1920s–1950s
Associated acts Eddie Condon

George Godfrey Wettling (November 28, 1907 – June 6, 1968) was an American jazz drummer.[1]

He was one of the young Chicagoans who fell in love with jazz as a result of hearing King Oliver's band (with Louis Armstrong on second cornet) at Lincoln Gardens in the early 1920s. Oliver's drummer, Baby Dodds, made a particular and lasting impression on Wettling.[2]

Ernie Caceres, Bobby Hackett, Freddie Ohms, and George Wettling, Nick's, NYC, 1940s.
Photography by William P. Gottlieb

Wettling went on to work with the big bands of Artie Shaw, Bunny Berigan, Red Norvo, Paul Whiteman, and Harpo Marx, but he was at his best with bands led by Eddie Condon, Muggsy Spanier, and himself. In these small bands, Wettling demonstrated the arts of dynamics and responding to a particular soloist that he had learned from Baby Dodds.

Wettling was a member of some of Condon's bands, which included Wild Bill Davison, Billy Butterfield, Edmond Hall, Peanuts Hucko, Pee Wee Russell, Cutty Cutshall, Gene Schroeder, Ralph Sutton, and Walter Page. In 1957 he toured England with a Condon band that included Davison, Cutshall, and Schroeder.

Towar the end of his life, Wettling, like his friend clarinetist Pee Wee Russell, took up painting and was influenced by the American cubist Stuart Davis. He has been said to have believed that "jazz drumming and abstract painting seemed different for him only from the point of view of craftsmanship: in both fields he felt rhythm to be decisive".[3]

References

  1. ↑ Yanow, Scott. "George Wettling". AllMusic. Retrieved 2 November 2017.
  2. ↑ Yanow, Scott. "Drummerworld: George Wettling". Drummerworld. Retrieved 2 November 2017.
  3. ↑ Berendt, Joachim E. The Jazz Book. Paladin. p. 286.
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