George Sheringham

George Sheringham (13 November 1884 – 11 November 1937), was a British painter and theatre designer. One of the first recipients of the Royal Designers for Industry distinction in 1937, he is remembered for his work for the D’Oyly Carte Opera Company.

Life and career

Sheringham was born in London, the son of an Anglican clergyman.[1] He was educated at the King’s School, Gloucester, the Slade School of Art (1899–1901), and the Sorbonne, Paris (1904–06).

Painter and illustrator

He first exhibited in Paris and later in Venice, Brussels, and Berlin. His one-man exhibitions included one in Paris in 1905, in London at the Ryder Gallery the same year, one in Melbourne, one in New York and seven more in London.[2] He exhibited with the International Society from 1922.[3]

Frontispiece to Canadian Wonder Tales, 1917

Though best known as a stage designer and decorative artist, Sheringham also illustrated books by Max Beerbohm (including The Happy Hypocrite (1915)) and Edmond Rostand (La Princesse Lointaine, 1919).[4] In 1917, he illustrated Canadian Wonder Tales by Cyrus MacMillan.[5] In 1921, he collaborated with his brother Hugh on a book about fishing, The Book of the Fly Rod.[6] He wrote Drawing in Pen and Pencil (1922), with James Laver, Design in the Theatre (1927).[7] and with Rupert Mason and R. Boyd Morrison he edited Robes of Thespis, Costume Designs by Modern Artists (1928).[8]

Decorator

As a decorator, Sheringham designed the music room at 40 Devonshire House, London; a series of paintings for Seaford House, London, for the 8th Baron Howard de Walden (also Baron Seaford) to illustrate his Celtic poem, The Cauldron of Anwn;[9] the ballroom at Claridge's Hotel; and the Paris Exhibition of 1937.[2] He also created commercial designs used in home decorations.[10] When, in 1936, the Royal Society of Arts established the prestigious Royal Designers for Industry distinction, Sheringham was one of its first recipients in 1937.[11] Sheringham also became known as a designer of fans.[3]

Stage designer

Sheringham designed scenery and costumes for ballets, opera and straight theatre including The Clandestine Marriage, The Skin Game, The Lady of the Camellias, Othello, Love in a Village, Derby Day, The Duenna, and the Stratford Memorial Theatre's opening production of Twelfth Night, and Hamlet.[12] In the theatre he worked closely with the actor-manager Nigel Playfair.

For D’Oyly Carte, he designed new productions of H.M.S. Pinafore (1929); The Pirates of Penzance (1929); Patience (1929, with other designs contributed by Hugo Rumbold);[13] Trial by Jury (costumes only) and Iolanthe (costumes only, 1932).[14]

Last years and honours

Sheringham obtained a Grand Prix at the Paris Salon in 1925 for mural and theatrical design. An invalid from 1932, he continued to paint flowers.

In 1937, George Sheringham died on 11 November in his home in Hampstead, London, two days before his 53rd birthday.[3]

Notes

  1. ↑ "SHERINGHAM, Rev. Harry Alsager". Who's Who. Vol. 59. 1907. p. 1598. Rev. Sheringham was the father of George and Hugh, the Angling Editor for The Field.
  2. 1 2 Who Was Who, A & C Black, London, 1952
  3. 1 2 3 Profile from the Tate Collection
  4. ↑ Information about the illustrations for La Princesse Lointaine, 1919
  5. ↑ Canadian Wonder Tales, 1917
  6. ↑ The Book of the Fly Rod See also The Times, 12 November 1937
  7. ↑ Profile at the Chris Beetles website
  8. ↑ Robes of Thespis
  9. ↑ Paintings illustrating the Celtic poem, The Cauldron of Anwn
  10. ↑ Example of a Sheringham design shown
  11. ↑ The Times, 12 November 1937
  12. ↑ Martin Harvey's production of Hamlet
  13. ↑ Illustrations of the Sheringham designs for Pinafore, Pirates and Patience
  14. ↑ Rollins, Cyril and R. John Witts. The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas (1961) London: Michael Joseph, Ltd.
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