Dinu Li

Dinu Li is a Hong Kong/British photographer and multimedia artist.

Li, 2017

He has had solo exhibitions across the UK, and his work has been exhibited internationally, including Italy, Romania, Canada, Sweden, Germany, Ireland, China, Uzbekistan and Korea.

His publication The Mother of All Journeys was shortlisted for the 2007 Rencontres d'Arles Photobook Award.[1] His work has been included in numerous publications, such as The Chinese Art Book[2] showcasing artworks by two hundred significant Chinese artists since the Shang Dynasty.[3]

Life and influences

Li was born in 1965,[4] moving with his parents from Hong Kong to England, first to Sheffield and then to Manchester.[5] Weekly school trips to the Whitworth Art Gallery in Manchester, sparked his interest in historical paintings, especially Vermeer[6] and influences his work to this day.[7]

His interest in photography dates back to childhood hours spent re-arranging and fictionalising family photographs on his mother’s dressing table. In his twenties he was inspired by Exiles by Josef Koudelka and In Flagrante by Chris Killip.[5]

His process typically involves travelling to a destination to develop a project, researching it's history and other relevant information. This research becomes an element within the piece, generating new perceptions by creating patterns, repetitions, and compositions.[5]

Themes and Techniques

Migrations, the representation of people who normally avoid identification, and the untrustworthiness of human and photographic memory, are some of Li’s ongoing themes. Translations, the re-presentation of texts, graphic images, architecture, film and photography, and the staging of conflicting interpretations of events, are typical techniques.

Migrations

In his series of fourteen portraits Press The Star, Then Say Hello (2006) [6] Li photographed customers of high-street internet booths in Manchester as they phoned 'home' abroad, their bodies in one space and their minds elsewhere.[8] For his photobook The Mother of All Journeys (2003–2007), Li travelled with his elderly mother back to all her previous homes, in the UK, Hong Kong, and rural China, reflecting on the part photography plays in the construction of personal memory.[9]

Representation

In his photographic series Secret Shadows (2002) Li created 'portraits' of illegal migrants working in London's Chinese restaurant trade, through images of their possessions and living quarters.[10] In We Write Our Own History (2017) he collaborated with political activists unable to safely reveal their identities, who restaged their un-official, alternative memories of the 2014 Umbrella protests by arranging everyday items on table tops. [11]

Memory and Translation

The Anatomy of Place (2007–2017) is a trilogy of films consisting of Ancestral Nation, 2007, Family Village, 2009, and Nation Family, 2017, three alternative translations of the Chinese written word 'country'.[3]

Video still of Nation Family (2017). Single channel video installation

The animation Family Village was inspired by a newspaper article about a Sichuan town built in the style of Dorchester, England, an architectural translation from one vernacular to another.[3] Li sourced a 1950s cartoon story book about a heroic Communist boy who intercepted enemy soldiers, creating an altered narrative overlaid with children chanting the song Pure Imagination from the film Willy Wonka & the Chocolate Factory in Manderin.[12] In Nation Family, Li constructed a fictional narrative inspired by an actual relative's time working in a Cultural Revolution labour camp.[3] Li shows family photographs that are in fact propaganda, and he manipulates and translates film, props and songs into different media or visual languages.[13]

Exhibitions

He has had solo exhibitions across the UK, including The Anatomy of Place, London, 2018,[3] Age of Transition, Bedford, 2005,[14] As If I were a River, Manchester, 2005.[15] and Treasured Island, An Tobar, The Isle of Mull, 2001.[16] His work has been exhibited internationally, including at the Venice Biennale, Italy, 2009[16] the 3rd Bucharest Biennale, Romania;[16] Contact FotoFest 05, Canada;[16] BB3 Manifestation, Bildmuseet, Sweden, 2008;[16] Contemporary Chinese Photography, Oldenburger Kunstverein, Germany, 2010;[3] PhotoIreland, Irish Museum of Modern Art, Ireland, 2012;[3] Family Stories, White Space 798, China, 2004;[16] The Mother of All Journeys, Victoria and Albert Museum, UK, 2004;[16] The Map: Navigating the Present, Konsthall C, Sweden, 2009;[3] The Problem of Asia, Para/Site Art Space HK at Chalk Horse, Australia, 2010;[3] Liminal Britain, San Antonio Art Gallery, USA, 2006;[16] Tashkent Biennale 2007, Uzbekistan;[16] and the Dong Gang International Photography Festival, Korea, 2015.[3]

Further reading

  • The Performance Document: Assimilations of Gesture and Genre by Alice Maude-Roxby & Dinu Li, Photography and Culture magazine, 2018, ISSN 1751-4517
  • Family Village, Artsway and The Arts Institute of Bournemouth, 2009, ISBN 978 0 901196 34 7
  • Mother of All Journeys, publisher Dewi Lewis, 2007, ISBN 978 1 904587 41 5
  • The Mother of All Journeys - Review, by Mark Sinclair, Creative Review, June 2007
  • Press The Star, Then Say Hello: Calling Home, Feature by Pavel Buchler, Portfolio magazine issue 46, 2006, ASIN: B004OR7ZY4
  • Necessary Journeys, Arts Council of England, 2005, ISBN 0 7287 1112 5
  • The Chinese Art Book, Phiadon, 2003, ISBN 978 0 714865 75 1
  • As If I Were a River, Commissions in the Environment , 2003, ISBN 978 0954529703
  • Ten Thousand Li: Chinese Infusion in Contemporary British Culture, Liverpool School of Art and Design, 2002, ISBN 0 952316 19 6

References

  1. ↑ Photo-eye , retrieved 2018.
  2. ↑ The Chinese Art Book, Phiadon, 2003, ISBN 9780714865751.
  3. 1 2 3 4 5 6 7 8 9 10 Danielle Arnaud Gallery , retrieved 2018.
  4. ↑ Necessary Journeys, The Arts Council of England, 2005, ISBN 0 7287 1112 5.
  5. 1 2 3 Interview with Teresa Gleadowe, Family Village, Artsway and The Arts Institute of Bournemouth, 2009, ISBN 978 0 901196 34 7.
  6. 1 2 Feature by Pavel Buchler, Press The Star, Then Say Hello: Calling Home, Portfolio magazine issue 46, ASIN: B004OR7ZY4
  7. ↑ Dinu Li podcast for Enemies of Good Art, retrieved 2018
  8. ↑ , Indra Khanna, retrieved 2018.
  9. ↑ Mother of All Journeys, essay by Lisa Le Feuvre, publisher Dewi Lewis, 2007, ISBN 978 1 904587 41 5
  10. ↑ , Photofusion, retrieved 2018.
  11. ↑ The Performance Document: Assimilations of Gesture and Genre by Alice Maude-Roxby & Dinu Li, Photography and Culture. Taylor & Francis Online, retrieved 2018
  12. ↑ Interview with Wendy Ma for Art Radar Journal, retrieved 2018
  13. ↑ The Selective Avoidance of Cause and Effect: Dinu Li's Film Trilogy. The Anatomy of Place (2007-2017), essay by Dr. Peter Ainsworth, 2018
  14. ↑ Bedford Creative Arts , retrieved 2018.
  15. ↑ Dinu Li's , retrieved 2018.
  16. 1 2 3 4 5 6 7 8 9 Galerie Christian Roellin ; retrieved 2018.
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