''Die Freude reget sich'', BWV 36b

Die Freude reget sich
BWV 36.3 (before: 36b)
Secular cantata by J. S. Bach
Related Schwingt freudig euch empor, BWV 36.1
Composed 1735 (1735)
Vocal SATB choir and solo
Instrumental
  • 2 oboes d'amore
  • 2 violins
  • viola
  • continuo

Die Freude reget sich (Joy awakens), BWV 36.3 (formerly BWV 36b), is a secular cantata composed by Johann Sebastian Bach.[1] The work appears to date from c. 1737-1738, when Bach was living in Leipzig.[1] Bach drew on material he had composed more than a decade earlier for the cantata Schwingt freudig euch empor, BWV 36.1.[2]

Text

The text pays homage to Johann Florenz Rivinius, who was appointed Rector of Leipzig University in October 1735. The cantata was probably performed in the university church, the Paulinerkirche.

In 1727 Christian Friedrich Henrici (Picander) had published an earlier version of the text, the birthday cantata Steigt freudig in die Luft, BWV 36.2, which was also set by Bach.[3] Picander was probably the author of the adaptation for the university celebration.[4][5][6]

Scoring and structure

The cantata is scored for four soloists, soprano, alto, tenor and bass, a four-part choir, flauto traverso, two oboes d'amore, two violins, viola and basso continuo.[7]

  1. Chorus: Die Freude reget sich
  2. Recitative (tenor): Ihr seht, wie sich das Glücke
  3. Aria (tenor): Aus Gottes milden Vaterhänden
  4. Recitative (alto): Die Freunde sind vergnügt
  5. Aria (alto): Das Gute, das dein Gott beschert
  6. Recitative (soprano): Wenn sich die Welt mit deinem Ruhme trägt
  7. Aria (soprano): Auch mit gedämpften, schwachen Stimmen
  8. Chorus and recitative (tenor, alto, soprano): Was wir dir vor Glücke gönnen

Music

As in BWV 36.1, the first movement is cheerful in nature, and the tenor aria includes a significant oboe d'amore line. The final movement is a "jolly chorus with interpolated recitative".[8]

There are also related sacred cantatas, two versions of the church cantata for the First Sunday in Advent, Schwingt freudig euch empor, BWV 36.[9]

The cantata is unusual in being a secular work which was parodied as a sacred work and then, some five years later again as a secular work. Bach's parodies are usually secular to sacred rather than sacred to secular. The explanation given for the prevalence of secular to sacred parodies is that occasional secular works such as birthday cantatas had a single use and then Bach was able to reuse them as sacred works.

Recordings

References

  1. 1 2 Work 0050 at Bach Digital website
  2. ↑ Work 0051 at Bach Digital website
  3. ↑ Work 0049 at Bach Digital website
  4. ↑ Finlay, I. (1950). Bach's Secular Cantata Texts. Music and Letters. pp. 189–195.
  5. ↑ Wolff, Christoph (2006). Die Welt der Bach-Kantaten. Metzler/Bärenreiter, Stuttgart and Kassel. ISBN 3-476-02127-0.
  6. ↑ Terry, C. S.; Litti, D. (1917). Bach's Cantata Libretti. Journal of the Royal Musical Association. pp. 71–125. doi:10.1093/jrma/44.1.71. ISBN 3-476-02127-0.
  7. ↑ Dürr, Alfred (1971). Die Kantaten von Johann Sebastian Bach (in German). 1. Bärenreiter-Verlag. OCLC 523584.
  8. ↑ Crouch, Simon (1999). "BWV 36b". Classical Net. Retrieved 29 May 2013.
  9. ↑ Work 0048 and 0047 at Bach Digital website

Sources

Scores

General

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.