''Dead Man Walking'' (book)

Louisiana State Penitentiary, the setting of the work

Dead Man Walking (1993) is a work of non-fiction by Sister Helen Prejean, a Roman Catholic nun and one of the Sisters of Saint Joseph of Medaille based in New Orleans. Arising from her work as a spiritual adviser to two convicted murderers on Death Row, the book is set largely at the Louisiana State Penitentiary (Angola) in West Feliciana Parish, Louisiana. It examines moral issues related to the men's acknowledgement of their crimes and to the state's use of the death penalty.^[1]

Background

Prejean has become a leading American advocate for the abolition of the death penalty. Her campaign was initiated following her correspondence and visits that she maintained with two convicted murderers. She started this ministry in 1982. The first man was Elmo Patrick Sonnier, who was sentenced to death by electric chair. She visited Sonnier in prison and agreed to be his spiritual adviser in the months leading up to his death. The second was Robert Lee Willie, for whom she also served as spiritual adviser.

Prejean gained insight into the minds of these convicted murderers and the process involved in executions, including its effects on the prison guards and other personnel. She became convinced that the state's use of the death penalty was morally wrong and began speaking out against capital punishment. At the same time, she founded Survive, an organization devoted to providing counseling to the families of victims of violence.

Name

The title of the book comes from a phrase once traditional in American prisons, to designate a man condemned to death. They were held on what was known as Death Row, deprived of most social contact and unable to work or participate in prison programs. Prior to the 1960s, when guards would lead a condemned man down the prison hallway, they would call out, "Dead man walking! Dead man walking here!" The origin of the phrase is debated. It may have been to warn other staff or prisoners, to let them know they should be on their guard since a death row prisoner has nothing to lose and could be violent. It may also have been a kind of honorific declamation, to let other prisoners know that they should move out of the way - death row prisoners being seen as an elite within the prison system. Alternatively, the call may have been a stigma attached to the condemned man, to remind others within earshot not to touch him in order not to catch his bad luck. In any case, its symbolism is clear: the condemned prisoner, in the eyes of the law, was dead already.

Adaptations

References

• Prejean, Helen (1993). Dead Man Walking. Random House. ISBN 0-679-75131-9 (paperback)

External links

• 'Dead Man Walking' School Theatre Project
• Sister Helen Prejean's website
• Sister Helen's Facebook page
• Interview with Alan Moroney
• "Sister Helen Prejean: The Real Woman Behind 'Dead Man Walking'", American Catholic, April 1996
• Study Guide on Dead Man Walking