Dance critique
Dance critique is the act of producing a written or spoken review of a dance performance (often ballet, modern dance, or contemporary dance). The term may also refer to the report itself. As with other topics, a dance critique may employ its own technical language, and may also reflect the critic's opinions generally.
Major newspapers cover the arts in some form and dance critiques may be included. Dance critiques are available in other types of media as well, such as online publishing[1], through blogs, websites, and online videos.
Contemporary dance critics
- Joan Acocella of The New Yorker
- Jack Anderson (dance critic), formerly of The New York Times
- Arlene Croce, formerly of The New Yorker
- George Dorris, former editor of the Dance Chronicle
- Robert Gottlieb of The New York Observer
- Laura Jacobs of The New Criterion
- Deborah Jowitt, formerly of The Village Voice
- Alastair Macaulay of The New York Times
- John Rockwell, formerly of The New York Times
- Michael Seaver of The Irish Times
- Judith Mackrell of The Guardian
- Luke Jennings of The Observer
Historical figures
References
- ↑ Daris, Gabriella (15 September 2015). "Decoding the phantasmagoria of Wayne McGregor's 'Tree of Codes'". Blouin Artinfo. Retrieved March 3, 2018.
Further reading
- Robert Gottlieb (2008), Reading Dance, A gathering of memoirs, reportage, criticism, profiles, interviews, and some uncategorizable extras, Pantheon, ISBN 978-0-375-42122-8
External links
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