Cello Concerto No. 2 (Haydn)
Joseph Haydn's Concerto No. 2 in D Major for cello and orchestra, Hob. VIIb/2, Op. 101, was composed in 1783 for Antonín Kraft, a cellist of Prince Nikolaus's Esterházy Orchestra.
The piece's authenticity was doubted for some time, and at one stage it was suggested that Kraft himself had written it,[1] but most experts now believe that the work is indeed authentic after Haydn's autograph score was discovered in 1951.
Although the concerto sounds more relaxed and lyrical than its C major predecessor it is more technically difficult for the soloist.
Movements
In the first movement of the D Major Concerto, the tone is leisurely and soothing. However, the piece soon enters the development phase, where another theme, building upon the opening theme, is discovered. Finally, the recapitulation returns to the main theme.
In the second movement, the key shifts to the dominant, A major. The tempo marking is "Adagio", slower than many of Haydn's slow movements which are marked "Andante". In the middle of the second movement there is an episode in the rather distant key C major.
The final movement is the shortest movement of the concerto. It is in rondo form, featuring an episode in the dominant key of A major and a more somber digression in D minor. The work ends with a rather cheerful affirmation, less overtly virtuosic than its sister C Major Cello Concerto.
Media
 |
Cello Concerto in D, 1st movement
Performed by orchestra with cellist John Michel Cello Concerto in D, 3rd movement
Performed by orchestra with cellist John Michel |
Problems playing these files? See media help. | |
References
- ↑ Donald Tovey, Essays in Musical Analysis, Concertos
External links
- EMI Recording Notes
- Cello Concerto No. 2: Scores at the International Music Score Library Project (IMSLP)
