Carol Mavor

Carol Mavor
Title Professor of Art History and Visual Culture
Academic background
Alma mater University of California, Santa Cruz
Thesis Utopic imagings of difference within Victorian culture: The little girl, the sleeper, the Virgin Mother and "the-maid-of-all-work" (1989)
Academic work
Discipline Art history
Institutions University of Manchester
Main interests
  • Visual culture
  • photography
  • color
Notable works
  • Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs
  • Becoming: The Photographs of Clementina, Viscountess Hawarden
  • Blue Mythologies: Reflections on a Colour
Website www.carolmavor.com

Carol Jane Mavor is an American writer and professor. Her work includes the books Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs, Becoming: The Photographs of Clementina, Viscountess Hawarden, and Blue Mythologies: Reflections on a Colour. She is Professor of Art History and Visual Culture at the University of Manchester.

Writing

Mavor's first book, Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs, was published by Duke University Press in 1995. Pleasures Taken critically analyzes three Victorian era photograph collections, including photographs of young girls collected by Lewis Carroll, and argues that similarities in fantasies between Victorians and people of the present day make it difficult for current observers to see Victorian desires.[1] While The Times Literary Supplement described her application of literary theory as "strained", it also noted that Mavor "intends to provoke, and she succeeds".[2]

Four years later Mavor's second book, Becoming: The Photographs of Clementina, Viscountess Hawarden, was published by Duke University Press. Becoming examines the photographs taken by Clementina Maude, Viscountess Hawarden of her daughters, and reads them for sensual and erotic content. Susan Freeman, writing for the Journal of Women's History, summarized the book as "a theoretical and provocative examination of female photographers and their subjects, mother-daughter relationships, pleasure, and same-sex sexuality".[3] The Village Voice praised Mavor's "real flair for evoking and elucidating individual images" but criticized her "tendency to fall into erotic flights of fancy", ultimately concluding that "Mavor's analytic foibles far outweigh her strengths".[4] The Times Literary Supplement also found fault with Mavor's "single-minded" interpretations, and noted that the book "shows no interest in how Hawarden herself might have viewed her photography".[5]

Mavor's 2007 book Reading Boyishly: J.M. Barrie, Roland Barthes, Jacques Henri Lartigue, Marcel Proust and D.W. Winnicott, a "boyish" exploration of the work of the authors named in the title, was described by Grayson Perry in The Guardian as a "thrilling mix of philosophy, photography, biography and much more",[6] and by Susan Salter Reynolds in the Los Angeles Times as "a defense of adolescence".[7]

Blue Mythologies: Reflections on a Colour, which Publishers Weekly called a "fine, multi-disciplinary work" that "explores the color’s aesthetic and emotional resonances from a fresh perspective", was published by Reaktion Books in 2013.[8] Visual Studies summarized Blue Mythologies as "a poetic and scholarly exploration of humanity's fascination with blue, written in an unashamedly personal and structurally inventive style".[9] Writing for the Los Angeles Review of Books, Dylan Montanari praised Mavon's ability "to coax us into having a less complacent attitude to our own contradictory investments, even when it comes to something as apparently innocuous as a color", but also noted that some readers might dismiss some of the book's analysis as "fanciful musings on Mavor’s part, fit for a memoir, perhaps, but little else".[10] Philip Hoare of Times Higher Education suggested that "it is easier to read Blue Mythologies as enhanced poetry, rather than prose", concluding that the book "succeeds in directing our eyes anew".[11]

Academic career

Mavor is Professor of Art History and Visual Culture at the University of Manchester.[12] She earned her PhD in the History of Consciousness in 1989 under the direction of Hayden White at the University of California, Santa Cruz.[13]

Bibliography

  • Mavor, Carol (1995). Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs. Duke University Press. ISBN 9780822316190.
  • Mavor, Carol (1999). Becoming: The Photographs of Clementina, Viscountess Hawarden. Duke University Press. ISBN 9780822323556.
  • Mavor, Carol (2007). Reading Boyishly: J. M. Barrie, Roland Barthes, Jacques Henri Lartigue, Marcel Proust and D. W. Winnicott. Duke University Press. ISBN 9780822338864.
  • Mavor, Carol (2012). Black and Blue: The Burning Passion of Camera Lucida, La Jetée, Sans Soleil and Hiroshima mon amour. Duke University Press. ISBN 9780822352525.
  • Mavor, Carol (2013). Blue Mythologies: Reflections on a Colour. Reaktion Books. ISBN 9781780230832.
  • Mavor, Carol (2017). Aurelia: Art and Literature Through the Mouth of the Fairy Tale. Reaktion Books. ISBN 9781780237176.

References

  1. Cline, P. K. (1996). "Pleasures taken: Performances of sexuality and loss in Victorian photographs by Carol Mavor". Choice. Vol. 33 no. 5. p. 831. doi:10.5860/CHOICE.33-2807.
  2. Warner, Marina (October 13, 1995). "Angels and their masquerades". The Times Literary Supplement. No. 4828. p. 20.
  3. Freeman, Susan K. "The Photographs of Clementina, Viscountess Hawarden". Journal of Women's History. 14 (1): 215.
  4. Dieckmann, Katherine (August 24, 1999). "Portrait of a Victorian photographer". The Village Voice. p. 57.
  5. Duguid, Lindsay (October 15, 1999). "Becoming: The photographs of Clementina, Viscountess Hawarden". The Times Literary Supplement. p. 36.
  6. "Critics and public figures on the books they just couldn't put down". The Guardian. November 29, 2008. Retrieved October 9, 2018.
  7. Salter Reynolds, Susan (February 24, 2008). "Lad Tidings". Retrieved October 9, 2018.
  8. "Blue Mythologies: Reflections on a Colour". Publishers Weekly. April 22, 2013. Retrieved October 9, 2018.
  9. Loske, Alexandra (2014). "Blue mythologies: Reflections on a colour / The story of black". Visual Studies. 29 (2): 217–220. doi:10.1080/1472586X.2014.887281.
  10. Montanari, Dylan J. (December 5, 2013). "Lasting Impressions: Carol Mavor's Affective Palette". Los Angeles Review of Books. Retrieved October 9, 2018.
  11. Hoare, Philip (November 7, 2013). "Blue Mythologies: Reflections on a Colour, by Carol Mavor". Times Higher Education. Retrieved October 9, 2018.
  12. "Prof Carol Mavor: Professor of Visual Arts". University of Manchester. Retrieved October 9, 2018.
  13. Mavor, Carol Jane (1989). Utopic imagings of difference within Victorian culture: The little girl, the sleeper, the Virgin Mother and "the-maid-of-all-work" (PhD). University of California, Santa Cruz. OCLC 22096184.
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