By the Bog of Cats

Act One

At the beginning of the play, Hester is dragging a dead black swan across the snow and ice at the Bog of Cats. The Ghost Fancier has come to collect her but realizes that he is early as Hester is still alive. The Ghost Fancier exists and says that he will return at a later time. Hester’s neighbour,^[2] Monica, enters and attempts to convince Hester to accept the impending marriage between Hester’s former lover, Carthage, and his much younger bride, Caroline Cassidy. Upon this marriage, Carthage will inherit Cassidy’s father’s farm. While digging a grave for the swan, Hester talks with the Catwoman about how her mother, Josie Swane, left her in the swan’s lair as an infant and claimed: “that child…will live as long as this black swan, not a day more, not a day less."^[2] During this conversation, the audience learns that Hester has been waiting on the Bog of Cats for her mother, Josie, since she was abandoned at age 7. The Catwoman urges Hester not to wait any longer for her mother, but Hester refuses to leave the Bog. In the next scene, Hester and Carthage's daughter Josie plays cards and discusses Carthage’s upcoming wedding with her grandmother, Mrs Kilbride. Mrs Kilbride cheats her granddaughter at cards and talks disparagingly of Hester because of Hester’s lack of fortune and inferior “tinker” blood. Meanwhile, Caroline Cassidy visits Hester in her wedding dress and attempts to convince Hester to allow her to marry Carthage without disruption and to leave the house on the bog, which Hester has previously signed over to Carthage. Hester scorns Caroline and reminds her that Hester was once her babysitter. Hester challenges Caroline about Carthage and claims: “Carthage Kilbride is mine and only mine. He’s been mine since he was sixteen. You think ya can take him from me? Wrong. All wrong. Now get out of me sight."^[2] Following Caroline’s visit, Carthage also visits Hester in his wedding clothes and also attempts to convince her to leave the house. Hester reminds him that it was with her money that he bought his first land and accuses him of “sellin’ me and Josie down the river for a few lumpy auld acres and notions of respectability."^[2] Xavier Cassidy, Caroline’s father, also visits Hester to urge her to leave. Hester refuses to listen to any of the visitors and insists that she is staying on the Bog of Cats until her mother returns for her.

Act Two

This act depicts the marriage of Caroline Cassidy and Carthage Kilbride, which is disrupted by various individuals, both real persons and ghosts. The ghost of Joseph Swane, Hester’s murdered brother, returns and talks to the Catwoman and Hester to find out why Hester killed him. Father Willow, the officiant, and the Catwoman talk of going on a vacation together. Mrs Kilbride, Carthage’s mother, wears a white dress to the wedding and poses in pictures with her son like a bride and groom. She also interrupts the bride’s father’s toast in order to make her own speech about her son. To scorn Caroline and Carthage’s insult of coming to her house in their wedding clothes, Hester appears at the wedding in a wedding dress that Carthage had bought for her nine years ago, along with promises to marry her. Mrs Kilbride and Xavier Cassidy attempt to violently eject Hester from the wedding, while Hester’s neighbour Monica chides them for being too hard on Hester. Hester lashes out in anger against the wedding guests and pleads with them, insisting: “I can’t lave till me mother comes. I’d hope she’d have come before now and it wouldn’t come to this. Don’t make me lave this place or somethin’ terrible’ll happen."^[2] When she is finally forced to leave the wedding, Hester swears revenge and yells: “You’re lavin’ me no choice but a vicious war against ya." ^[2]

Act Three

The final act is characterized by death and destruction. Hester talks with the ghost of her brother, Joseph Swane, and explains that she did not kill him for money; rather, she envied his relationship with their mother. Hester informs him that Carthage took Joseph’s money, used it to buy land for himself, and left Hester for another woman. Hester’s neighbor, Monica, interrupts this conversation to tell Hester that her house is on fire. Hester, having set the fire herself, is completely indifferent. Monica begs Hester to leave, and Hester insists that she is still waiting for her mother. Xavier Cassidy comes to chide Hester for ruining the wedding. Shortly after Xavier, Carthage arrives and is outraged to see the fire destroying the home and the livestock. Hester angrily accosts Carthage for his role in her brother’s death. Carthage swears that he will take Josie away from Hester by having her declared an unfit mother. Due to the Ghost Fancier’s visit, Hester knows that she is fated to die. When Josie begs Hester not to leave her, Hester slits her throat in order to spare her the same fate of living without her mother. The Ghost Fancier performs a slow death dance with Hester before plunging a blade into her chest, killing her.

Major characters

Hester Swane: Hester is a forty-year-old “tinker” woman who has lived on the Bog of Cats her entire life. When she was seven years old, her mother, Josie Swane (not pictured in the play), abandoned her on the Bog. She has been waiting there for her mother ever since. Hester has a daughter, Josie, with Carthage Kilbride. She is very resentful that Carthage has left her to marry Caroline Cassidy, the daughter of wealthy landowner Xavier Cassidy so that he can inherit the Cassidy farm. Before the action of the play, Hester, with the help of Carthage, murdered her half-brother Joseph Swane, out of jealousy for his life with their mother. Following the Medea myth, Hester kills her daughter, Josie, at the end of the play.

Carthage Kilbride: Carthage is Hester’s former lover with whom she shares a daughter, Josie Kilbride. He leaves Hester due to his greed for land and social ambitions. At thirty years old, he is ten years Hester’s junior. He began a relationship with her at sixteen years old. During their relationship, Hester encouraged Carthage to have ambitions beyond his social class as a labourer’s son, even giving Carthage the money to buy his first land. During By the Bog of Cats, the conflict between Hester and Carthage centres around his attempts to force Hester to leave her home on the bog and give him sole custody of their daughter.

Josie Kilbride: Josie is Hester’s and Carthage’s seven-year-old daughter. She is the same age that Hester was when her mother left her and the Bog of Cats. She is a generous, loving little girl who enjoys spending time with both her mother, father and mean-spirited, greedy grandmother. Josie sings several songs throughout the course of the play which foreshadow her death on the Bog of Cats.

Mrs. Kilbride: She is Carthage’s mother and in her sixties. She looks down on Hester because Hester belongs to the “tinker” class and tries to hide the fact that her own grandfather was a tinker. Mrs Kilbride calls her granddaughter a “little bastard” because she was born out of wedlock. She is very greedy and constantly focuses on issues of social class and money. She even cheats her granddaughter for money while they are playing cards. Mrs Kilbride also has an inappropriate attachment to her son, Carthage. She appears in a white dress at Carthage’s wedding and interrupts the bride’s father’s speech to make her own toast dedicated to her son.

Young Dunne: Often referred to as the waiter, who serves the guests at the wedding of Carthage and Caroline.

Minor characters

Monica Murray: She is Hester Swane’s sixty-year-old neighbour on the Bog of Cats. While she does at times seem sympathetic to Hester, she attempts to carry out the community’s wishes and convince Hester to leave her house on the bog so that Carthage and his new bride can move in there. She also tries to convince Hester to accept the marriage between Caroline and Carthage. Despite this, Hester begs Monica to tell her stories about her mother.

The Catwoman: The Catwoman is a strange mystical figure who most closely echoes the blind prophet Tiresias from Greek myths. She eats mice and drinks milk from a saucer. She has magical powers that include prophecy and talking to ghosts. She has a strange relationship with the eighty-year-old priest, Father Willow. Even though the community sees the Catwoman as eccentric, they still invite her to all of their functions and consider it bad luck not to do so.

Xavier Cassidy: Xavier is a farmer who schemes to marry his daughter to someone he can easily control since his daughter cannot inherit his land. He convinces Carthage to marry Caroline and promises to sign over the farm to him. Hester believes that Xavier was in love with her mother and attempted to woo her before she left the Bog.

Caroline Cassidy: Caroline is the twenty-year-old daughter of Xavier Cassidy who marries Carthage Kilbride. To add insult to injury, Hester often babysat Caroline as a child. Caroline is very meek and follows orders from both Xavier and Carthage. However, she does express guilt about the marriage to Xavier because she feels that they are being unfair to Hester.

The Ghost Fancier: This ghostly figure appears at the beginning of the play to collect the spirit of Hester. However, Hester is still alive, so the Ghost Fancier realizes he is too early. He comes back at the end of the play after Hester kills Josie, and Hester kills herself.

The Ghost of Joseph Swane: Hester’s brother’s ghost returns to the Bog of Cats to find out why Hester killed him. He believes that Hester was just trying to steal money from him. However, in their conversation, Hester reveals that she was jealous of his relationship with their mother.

Father Willow: He is the town priest who officiates Caroline and Carthage’s wedding. He is inappropriately close with the Catwoman. He appears confused and forgetful.

Original production

By the Bog of Cats premiered at Dublin's Abbey Theatre on Wednesday, October 7, 1998 and ran for 45 performances until Saturday, November 14, 1998. Actress Olwen Fouere created the role of Hester Swane.^[4]

Selected revivals

The American premiere was staged by Irish Repertory of Chicago, opening May 31, 2001. Carr made several script changes for this production, mostly having to do with the Joseph Swane scene in Act III. The production was directed by Kay Martinovich, and featured Tracy Michelle Arnold as Hester, along with Mark Montgomery, Mary Ann Thebus, and David Darlow in the principal roles. Critical reception was strongly positive, with Chicago Sun-Times critic Hedy Weiss writing "...the play is now receiving a riveting, brilliantly acted American premiere by Irish Repertory, in a production superbly directed-with chilling inevitability and unexpected humour-by Kay Martinovich."

The 2004 West End revival of By the Bog of Cats starred Holly Hunter. Reviews of this production were mixed. While most reviewers praised Hunter's performance, many found issues with the play itself. Matt Wolf, in a review for Variety, decries the "blarney in which 'Bog' is bogged down."^[5] Charles Spencer, in a scathing article for the Telegraph, states that Marina Carr "delivers little more than a ludicrously rich stew of over-heated tosh" in By the Bog of Cats. ^[6] Alan Bird, writing for London Theatre, differs in calling By the Bog of Cats "an outstanding dark psychological drama" and a "hilarious dark comedy."^[7]

By the Bog of Cats returned to Dublin's Abbey Theatre from August–September 2015. Elements of this production were slightly satirical. For example, the Ghost Fancier was depicted as a "singing cowboy" who is "trailed by country and western music."^[8] Additionally, reviewer Peter Crawley connects the Kilbride family to the newly rich Irish at "the crude beginnings of the Celtic Tiger years." Crawley had several criticisms for the play, including finding Hester a less than interesting character and calling the second act "structurally unwieldy." ^[9]

A recent production of By the Bog of Cats premiered at Chicago's Artistic Home Theater on February 15 and ran through April 15. The production received a rating of 3 stars from reviewer Kerry Reid. Reid noted that Carr's plays are produced "stateside far less" than other Irish playwrights, despite a "long-running relationship with Dublin's celebrated Abbey Theatre, which has served as a pipeline for Irish dramatists to American stages for decades." ^[9] Reid contends that the play has not been produced locally since the defunct Irish Repertory of Chicago produced it in 2001.^[9]