Brian Keane

1980s

In the late seventies, still making his living primarily as a guitarist, Brian met film directors Jim Burroughs and Suzanne Bauman, while working in his childhood friend Gary Scovil's recording studio in Norwalk, Connecticut. In 1981, Brian scored his first documentary for them, Against Wind and Tide: A Cuban Odyssey, which was nominated for an Academy Award for best documentary in 1982. That early success led to several more scoring opportunities for Brian in the eighties, an era where few documentaries were scored with original music. Keane's prominence as a composer rose quickly, even as he continued to tour as a guitarist in a duo with Larry Coryell, and eventually as a solo artist with the release of his first solo CD Snowfalls in 1986. In 1987, Keane's score to the documentary Suleyman the Magnificent, was discovered by German publisher Eckart Rahn who heard the documentary on television, and decided to release a soundtrack CD of Brian's score on his Celestial Harmonies label. The record, among the first to harmonize traditional Middle Eastern music, would form the first of a series of enduring, and culturally important collaborations with middle eastern musician Omar Faruk Tekbilek, and the success of that CD would eventually lead to Brian becoming a prominent producer of ethnic and New Age recordings, both for Celestial Harmonies and for a variety of major record labels.

In 1989, Brian Keane scored the music to Chimps: So Like Us, the HBO Academy Award-nominated and Emmy-winning documentary that helped introduce the public to naturalist Jane Goodall. The film was made by Oscar-winning directors Kirk Simon and Karen Goodman whose New York offices happened to be in the same building, one floor down, from the acclaimed film maker Ric Burns. After producing the classic Civil War mini series with his brother Ken Burns in the late eighties, the highest rated television documentary series in history, Ric went on to work with Brian on the 1990 award-winning documentary Coney Island. Brian has scored every one of Ric Burns' award-winning films ever since, and their ongoing collaborations span almost three decades. By the end of the 1980's, Brian Keane had already established himself as the leading pioneer in scoring documentary films with the Hollywood Reporter calling him "the John Williams of documentaries".

1990s

The early 1990s saw Brian's composing career rise dramatically in stature with the multiple-award-winning General Motors' Playwright's Theatre series for Nederlander television, which ran for four years on A&E, the Emmy- and Columbia Dupont-winning miniseries The Great Depression and The War on Poverty for the prominent film maker Henry Hampton, the highly influential Ric Burns film The Donner Party (documentary) which won a Peabody in 1992, and the Emmy- and Peabody-winning film The Battle of the Bulge, for Oscar-winning director Thomas Lennon. Brian scored many award-winning films for the PBS history series American Experience, working with producer Judy Crichton, directors Carl Charlson, Ben Loeterman, Mark Zwonitzer, and others. Brian also scored several award-winning specials for National Geographic working with director Oren Jacoby, and again with the Simon and Goodman picture company. In addition, Brian was hired by ABC News in the early nineties to be the composer for the first prime time, hour-long, news documentary series Turning Point. Working with producers Rudy Bednar and Betsy West, Turning Point would become the first of several news documentary series Brian scored for ABC News in the 1990s, and the musical approach developed for ABC News has been adopted in many subsequent news documentary series. Because of demand, Brian began hiring orchestrators, many of whom would go on to become successful in their own right like Michael Bacon, Richard Fiocca, Don Grady, Michael Terry, and others.

Brian Keane Blue Note Records Press Photo 1992

Keane's prominence as a record producer was also rising with the release of the critically acclaimed, and commercially successful early nineties albums. Tibetan Bells: The Empty Mirror for Celestial, Firedance, and Beyond the Sky with Omar Faruk Tekbilek, John Boswell's Festival of the Heart, Celtic Twilight for Hearts of Space, and Song Of The Irish Whistle featuring Irish whistler Joanie Madden, among others. In 1992, Brian produced the Grammy nominated comedy album You're Good Enough, You're Smart Enough, and Doggone It, People Like You featuring the comic, turned United States senator, Al Franken. Also in 1992, following the success of Brian's production of jazz saxophonist Nelson Rangell's CD for GRP records, working with executive producers Dave Wilkes and Danny Weiss, Brian was signed by legendary music executive Bruce Lundvall, and became a Blue Note recording artist with his debut release of Common Planet. However, despite the successful debut of Common Planet, Brian resigned from his career as a recording artist. By that point, Brian was the father of young children and already in demand as a record producer and composer. He would let go of his career as a touring guitarist from that point on, but continue to record as a guitarist on records and soundtracks.

By the mid 1990s Brian Keane was firmly established as a leading composer in documentary film, and a prominent producer of ethnic and New Age music simultaneously. The later 1990s brought Keane widespread success as a record producer with over three dozen Billboard charting albums for Windham Hill, RCA, Sony, Hearts of Space, and other record labels. Brian produced several successful Windham Hill records including the billboard chart topping CD's Carols of Christmas, Thanksgiving, and several CD's in the hugely popular Winter's Solstice, and Summer Solstice series. Brian also signed Sean Harkness (a former guitar student) to a deal with Windham Hill. Brian also produced several critically acclaimed ethnic records including: Via Jo, and Afrika Wassa for Senegalese artist Vieux Diop, and Este Es Mi Mariachi featuring Linda Ronstadt and Mariachi Cobre. In addition, Brian became well established in producing prominent Irish artists including several RCA records for the female Irish traditional group Cherish The Ladies, Riverdance fiddling sensation Eileen Ivers, and others. In 1998, Brian collaborated with Chieftains founder Paddy Moloney composing and producing the music for the Disney and PBS joint production Long Journey Home: The Irish in America. The RCA soundtrack, featuring the Chieftains, Van Morrison, Elvis Costello, and others, won the Grammy Award for best traditional folk album in 1998.

Brian Keane with Walter Cronkite and Jim Mckay 2003

In 1997, Brian started working with Hollywood agent Bruce Teitell, and scored several feature films including The Vernon Johns Story: Road to Freedom with James Earl Jones, Stephen King's Night Flier for New Line Cinema, and Illtown for director Nick Gomez. Brian's continued scoring documentaries as well, with the award-winning Burns mini series and Shanachie double CD soundtrack The Way West, Thomas Lennon's Oscar-nominated and Peabody Award-winning The Battle over Citizen Kane, the award-winning PBS Nova series A Science Odyssey, and more award-winning American Experience documentaries for its new executive producer Margaret Drain. American Experience won Prime Time Emmy awards for Outstanding Non-Fiction Series in both 1998 and 1999. Also in 1999, Brian scored the multiple-Emmy-winning Ric Burns series New York: a documentary film, which after the World Trade Center attack of September 11, 2001, became among the biggest selling documentary series of its time.

Brian Keane and director Ric Burns working on The Way West 1995

In 1996, Brian was asked to score Spirit of the Games, a documentary on the subject of the Olympics by the Emmy-winning director George Roy for HBO Sports. It began a long relationship with HBO Sports and a very successful run of sports documentaries including the Peabody-winning films Babe Ruth, Ali Frazier: One Nation Divisible, Dare to Compete, and Fists of Freedom, among others, all scored in the late nineties as part of a new series of documentaries entitled Sports of the 20th Century. Brian also scored HBO's Inside the NFL during that period.

2000s

By the year 2000, Napster and other downloading entities were beginning to take over record distribution, and several long established record companies went out of business. In the space of just a year, the record producing business that Brian Keane had enjoyed and accumulated over the previous decade and a half collapsed, along with most record companies. Brian was still among the most widely recognized composers for documentary film however, and by then, he had extended his notoriety to become a leading composer in the world of sports. In addition to continuing to score Emmy-winning documentaries like Ric Burns Ansel Adams, Bill Moyers' Becoming American: The Chinese Experience collaborating with Chinese musician George Gao, and several more award-winning American Experience episodes for its new executive producer Mark Samels, Keane composed the music to many classic Emmy- and Peabody-winning HBO sports documentaries in the early 2000s including Do You Believe in Miracles, Legendary Nights, Picture Perfect, The Curse of the Bambino, and Nine Innings From Ground Zero. Brian worked with producer Ross Greenburg, directors George Roy, Joe Lavine, and other Emmy-winning sports documentarians, and he composed a number of Emmy-nominated and Peabody-winning films for ESPN as well such as Kentucky Bluegrass Basketball, The Complete Angler, You Write Better Than You Play, and David Halberstam's Teammates for directors Fritz Mitchell, Johnson McKelvey, Neil Leifer, and others. Brian also scored several documentary specials for CBS Sports including Pistol Pete, for which he won a music Emmy for his collaborative score with Cajun musician Buckwheat Zydeco.

Brian Keane at the 2004 Emmy Awards with his son Dylan

In 2001, Brian Keane became the first, and only composer in the history of the Emmys to sweep all the Emmy nominations for music composition in a single year,^[3] and he won Emmys in 2002, 2003, and 2004 for music composition as well. In 2005, Brian had three more Emmy nominations for music composition, and scored all five Emmy nominated films for best sports documentary that year, including the best documentary Emmy-winning Rhythm In The Rope for ESPN.^[11] In 2006, Brian scored Thomas Lennon and Ruby Yang's The Blood of Yingzhou District, which won an Academy Award for best documentary: short subject. In addition, Brian scored the Emmy- and Peabody-winning Ric Burns films Andy Warhol for American Masters, and Eugene O'Neil featuring Christopher Plummer Al Pacino, Liam Neeson, and others. In 2007, Brian received Emmy nominations for his scores to HBO's Barbaro, Mickey Mantle and Johnson McKelvey's Kabul Girls Club. In addition to all this, Brian Keane's compositions were being used in several major feature films, and being adapted for symphony orchestras throughout the world, including the London Symphony Orchestra, The Istanbul State Symphony Orchestra, The Boston Pops Orchestra, and the Colorado Symphony Orchestra to name a few.

Brian enjoyed a nonstop series of successes in the entertainment business for over two decades, but by 2008, the era of reality TV, digital media, and multi channel cable television was coming of age. The high end documentary was falling out of favor due to the expense of making them. A 2007 writer's strike crippled the film and television industry. Budgets for live musicians were becoming a thing of the past, and the abundance of new cable channels meant smaller budgets and lower standards. Emmy judging was no longer monitored, and although Brian continued to score Emmy nominated films such as Ric Burns' Into the Deep for American Experience, HBO's Joe Louis: A Hero Betrayed, and The Running Rebels of UNLV, as well as the 2011 Academy Award nominated documentary The Warrior of Quigang for Ruby Yang and Thomas Lennon, Brian decided not to work as much, even considering retirement, preferring to have a period of time that was more balanced with his private life. That period would only last a few years.

Brian Keane at the 2005 Emmy Awards with his son Wylder

2010s

In 2012, after scoring Death and the Civil War, which won the Erik Barnauw Award and received an Emmy nomination for outstanding non-fiction program, Keane got a call from Oscar-winning director Barry Levinson to score the dramatic television series Copper, about an Irish cop set in 1864 New York. The Levinson Fontana produced series debuted as the highest rated series in the history of BBC America, and garnered Keane another Primetime Emmy Award nomination for Outstanding Main Title Music. Copper was renewed for a second season in 2013, with the soundtrack, Copper: Original Soundtrack, released via Valley Entertainment.

Brian Keane performing with Omar Faruk Tekbilek to a sold-out Carnegie Hall on April 14, 2018

Beginning in 2014, Keane returned to a "semi-retired" schedule. He launched his music library “ScoreToPicture.com” which was leased to several networks and movie studios, and continued scoring music at a more relaxed pace. He continued scoring more Emmy award winning shows for ESPN, including Fritz Mitchell’s “It’s Time”, which garnered Brian his 20th Emmy nomination for music, and worked on several other projects including the unusual festival film “Enquiring Minds” about the history of the National Enquirer, a commission to compose music for the 75th anniversary of the American Ballet Theatre, the joint BBC and PBS special of "The Pilgrims”, a world music symphony commission resulting in finishing his first symphony “A Speck of Time” (which was actually mostly written in 1984), he produced an early music soundtrack to the 1922 Douglas Fairbanks Sr. silent film of "Robin Hood”, and composed the score to an important film about racism and American history for the PBS, Ric Burns and Li Shin Yu film "Chinese Exclusion Act”. Keane also returned to performing on guitar occasionally in 2017 following the death of his one time duo partner Larry Coryell, playing numerous tribute concerts at first, and eventually playing a wide variety of concerts and selling out Carnegie Hall in April of 2018 with Omar Faruk Tekbilek.

In addition to performing some concerts, Brian continues to work on composing music with his long time engineer Jeff Frez-Albrecht and others, helping out promising musicians with their music, and occasionally making appearances as a guest lecturer for universities and film festivals. Many of Brian’s former employees, interns, and students have gone on to substantial careers of their own.