Azoth

Fourth woodcut illustration from Basil Valentine's Azoth (1613)

Azoth was considered to be a universal medication or universal solvent sought in alchemy[1]. Similar to another alchemical idealized substance, alkahest, azoth was the aim, goal and vision of many alchemical works. Its symbol was the Caduceus. The term, while originally a term for an occult formula sought by alchemists much like the philosopher's stone, became a poetic word for the element mercury. The name is Medieval Latin, an alteration of azoc, being originally derived from the Arabic al-zā'būq, "the mercury".

Basis

Azoth was believed to be the essential agent of transformation in alchemy. It is the name given by ancient alchemists to mercury, the animating spirit hidden in all matter that makes transmutation possible. The word comes from the Arabic al-zā'būq which means "mercury". The word occurs in the writings of many early alchemists, such as Zosimos, Mary the Jewess, Olympiodorus, and Jābir ibn Hayyān (Geber).

In texts

The Azoth is related to the Ain Soph (ultimate substance) of the Kabbalah. In his book The Secret Teachings of All Ages. Manly P. Hall explained this connection: "The universe is surrounded by the sphere of light or stars. Beyond that sphere is Schamayim (שמים), the Hebrew word for 'heaven', who is the Divine Fiery Water, the first outflow of the Word of God, the flaming river pouring from the presence of the eternal mind. Schamayim, who is this fiery Androgyne, divides. His Fire becomes Solar fire and his Water becomes Lunar water in our universe. Schamayim is the Universal Mercury or Azoth – the measureless spirit of life. That original spiritual fiery water comes through Edem ("vapor" in Hebrew) and pours itself into the four main rivers of the four Elements. This comprises the River of Living Water—the Azoth—or fiery mercurial essence, that flows out from the throne of God and Lamb. In this Edem (vaporous essence or mist) is the first or spiritual Earth, the incomprehensible and intangible dust out of which God formed Adam Kadmon, the spiritual body of man, which must become fully revealed through time."

In his book Transcendental Magic, Eliphas Levi wrote: "The Azoth or Universal Medicine is, for the soul, is supreme reason and absolute justice; for the mind, it is mathematical and practical truth; for the body it is the quintessence, which is a combination of gold and light. In the superior or spiritual world, it is the First Matter of the Great Work, the source of the enthusiasm and activity of the alchemist. In the intermediate or mental world, it is intelligence and industry. In the inferior or material world, it is physical labor. Sulfur, Mercury, and Salt, which, volatilized and fixed alternately, compose the Azoth of the sages. Sulfur corresponds to the elementary form of Fire, Mercury to Air and Water, Salt to Earth."

Life and the Universe

Sixth woodcut from the series in Basil Valentine's Azoth

Believed to be the Universal Solvent, Universal Cure, and Elixir of Life (elixir vitae), the Azoth is said to embody all medicines, as well as the first principles of all other substances. In late-16th-century Paracelsianism, Paracelsus (d. 1541) was said to have achieved the Azoth, and in the "Rosicrucian" portrait of 1567 the pommel of his sword bears the inscription Azoth. The first part of the pseudo-Paracelsian Archidoxis magica (first printed in 1591) bears the title Liber Azoth, containing various magic sigils and recipes against illnesses and injuries.

As the Universal Life Force, the Azoth is believed to be not only the animating energy (spiritus animatus) of the body but is also the inspiration and enthusiasm that moves the mind. In the cosmos and within each of us, the Azoth is believed to be the mysterious evolutionary force responsible for the relentless drive towards physical and spiritual perfection. Thus, the concept of the Azoth is analogous to the light of nature or mind of God.

Because the Azoth is believed to contain the complete information of the whole universe, it is also used as another word for the Philosopher's Stone. One of the hints for the theoretical preparation of the Stone is Ignis et Azoth tibi sufficiunt ("Fire and Azoth are sufficient"). There are scores of esoteric drawings depicting the Azoth and how it is used in the Great Work of alchemy. Examples include the Azoth of the Philosophers by Basil Valentine and the Hieroglyphic Monad of Dr. John Dee.

The term was considered by occultist Aleister Crowley to represent a unity of beginning and ending by tying together the first and last letters of the alphabets of antiquity;[2] A/𐤀 (Aleph, the first character in the Phoenician alphabet), Z (Zeta, the final character in Latin), O/Ω (Omega, the final character in Greek) and Th/ת (Tav (pronounced "Tau") the final character in Hebrew). In this way permeation and totality of beginning and end was symbolised to consider the supreme wholeness and thus the universal synthesis of opposites as a 'cancellation' (i.e. solvent) or cohesion (i.e. medicine), and in such a way is similar to the philosophical "absolute" of Hegel's dialectic. Crowley further made reference in his works referring to Azoth as "the fluid" calling it the universal solvent or universal medicine of the medieval alchemical philosophers, as a unifier or unification of a certain extreme instance beholden to a contradict, unreconcilable nature if otherwise sought apart of the philosophical ideal of Azoth.

See also

References

  1. ↑ "Definition of Azoth". Merriam-Webster Dictionary. Retrieved 22 July 2013.
  2. ↑ Crowley, Aleister (1996). The Magical Diaries of Aleister Crowley: Tunisia 1923. Weiser Books. pp. 229–230.
  • Crowley, Aleister. 777 And Other Qabalistic Writings of Aleister Crowley. York Beach, ME: Samuel Weiser, 1977. ISBN 0-87728-670-1.
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