Araya Rasdjarmrearnsook

Araya Rasdjarmrearnsook
Born July 26 1957 (age 60)
Trad, Thailand
Residence Chiang Mai, Thailand
Nationality Thai

Araya Rasdjarmrearnsook (born 1957, Thailand) is a Thai artist who works primarily with film and video. She lives in Chiang Mai, Thailand. She represented Thailand at the 51st Venice Biennale (2005), and exhibited at dOCUMENTA(13) in Kassel, 2012.[1] In January 2015 her first retrospective in the United States opened at SculptureCenter, New York.[2]

She studied at Silpakorn University, Bangkok, and Hochschule für Bildende Künste Braunschweig in Germany.[3]

Artworks

Araya Rasdjarmrearnsook experimented with intaglio printmaking and sculptural installations in the 1980s and '90s, before starting to focus in on film and video.

Several of her early sculptural installations have been interpreted as speaking to the position of women in Thai society.[4] In Isolated Hands (1992) and Departure of Thai Country Girls (1995), dismembered parts of female-coded bodies are presented in isolation; in the former, a pair of hands rest on a plate of water, and in the latter, pairs of upside-down legs are lined up on a wooden boat. In Isolated Moral Female Object, in a Relationship with a Male Bird II (1995), an isolated woman's head gazes out through a circular frame containing an image of the sky, while a sculptural bird flies freely through the frame.

In the late 1990s and 2000s, Rasdjarmrearnsook began to bring the rituals of the dead into her practice, accompanied by a shift to video work. She created a series of video works dealing with human corpses. This involved her filming her own rituals for the dead at morgues, in collaboration with the medical community.[5] This includes works like A Walk (1996, 2003), Reading for Corpses, (2002), Chant for Female Corpse (2001, 2002), Sudsiri and Araya (2002), I'm Living (2003), Wind Princess, White Birds (2006), the Conversation series (2005) and The Class series (2005).[4] In The Class (2005), for example, she gives a tutorial to six corpses who are lined up in morgue trays.

In her series Two Planets (2008) and Village and Elsewhere (2011), Rasdjarmrearnsook looked at the interactions between viewers and artworks when placing reproductions of iconic Western paintings in rural areas in Thailand.[5] In Two Planets (2007–08), a group of locals in a Thai countryside are presented with reproductions of 19th-century European paintings. They sit with their backs to the camera and their unpretentious reflections on the artworks are subtitled in English.[3]

References

  1. ↑ ""DOCUMENTA (13) - Information regarding accessibility"". Archived from the original on March 6, 2015. Retrieved March 8, 2015.
  2. ↑ "SculptureCenter Exhibition - Araya Rasdjarmrearnsook". Sculpture-center.org. Retrieved 2015-03-06.
  3. 1 2 "Araya Rasdjarmrearnsook". Guggenheim.org. Retrieved 18 June 2015.
  4. 1 2 Veal, Clare. "Can the Girl be a Thai Woman? Reading the Works of Araya Rasdjarmrearnsook from Feminist Perspectives". Storytellers of the Town: Works by Araya Rasdjarmrearnsook.
  5. 1 2 "Tyler Rollins Fine Art - Artists - Araya Rasdjarmrearnsook". Tyler Rollins Fine Art. Retrieved 2018-03-27.



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