Anthony Lane bibliography

A list of works by or about Anthony Lane, British journalist and film critic.

This list is incomplete; you can help by expanding it.

Books

  • Nobody's perfect : writings from the New Yorker. New York: Knopf. 2002.

Essays and reporting

2000–2009

  • "Let's put on a show!". The Critics. The Current Cinema. The New Yorker. 84 (35): 122–123. November 3, 2008. Reviews Charlie Kaufman's Synecdoche, New York (2008) and Kenny Ortega's High School Musical 3 (2008).
  • "Hard times". The Critics. The Current Cinema. The New Yorker. 84 (38): 130–131. November 24, 2008. Reviews Danny Boyle's Slumdog Millionaire (2008) and Arnaud Desplechin's A Christmas Tale (2008).

2010–2014

  • "Under the gun". The Critics. The Current Cinema. The New Yorker. 86 (4): 82–83. March 15, 2010. Reviews Paul Greengrass' Green Zone (2010) and Bong Joon-ho's Mother (2009).
  • "Street justice". The Critics. The Current Cinema. The New Yorker. 86 (10). April 26, 2010. Reviews Matthew Vaughn's Kick-Ass (2010) and Banksy's Exit Through the Gift Shop (2010).
  • "Long roads". The Critics. The Current Cinema. The New Yorker. 86 (36). November 15, 2010. Reviews Todd Phillips' Due Date (2010) and Chris Morris's Four Lions (2010).
  • "And the Oscar will go to ..." Shouts and Murmurs. The New Yorker. 87 (4): 28. March 14, 2011.
  • "Time bomb". The Critics. The Current Cinema. The New Yorker. 87 (4): 82–83. April 4, 2011. Reviews Susanne Bier's In a Better World (2010) and James Gunn's Super (2010).
  • "Home movies". The Critics. The Current Cinema. The New Yorker. 87 (35): 90–91. November 7, 2011. Reviews Brett Ratner's Tower Heist (2011) and Lars von Trier's Melancholia (2011).
  • "Theatre on film". The Critics. The Current Cinema. The New Yorker. 87 (41). November 19–26, 2011. Reviews Wim Wenders's Pina (2011) and Roman Polanski's Carnage (2011).
  • "Stings of desire". Goings on About Town. Critic's Notebook. The New Yorker. 87 (42): 14. January 2, 2012. Reviews Otto Preminger's Laura (1944).
  • "Fright nights". The Critics. Books. The New Yorker. 88 (1): 105–108. February 13–20, 2012. [1]
  • "They, the people". Goings on About Town. Critic's Notebook. The New Yorker. 88 (9): 9. April 16, 2012. Reviews Boris Barnet's Outskirts (1933).
  • "The war at home". Goings on About Town. Critic's Notebook. The New Yorker. 88 (36): 9. November 19, 2012. The films of Keisuke Kinoshita.
  • "House divided". The Critics. The Current Cinema. The New Yorker. 88 (36): 82–84. November 19, 2012. Reviews Steven Spielberg's Lincoln (2012).
  • "Tough times". The Critics. The Current Cinema. The New Yorker. 88 (38): 112–113. December 3, 2012. Reviews Andrew Dominik's Killing Them Softly (2012) and Jacques Audiard's Rust and Bone (2012).
  • "Love hurts". The Critics. The Current Cinema. The New Yorker. 88 (42): 80–81. January 7, 2013. Reviews Tom Hooper's Les Misérables (2012), Quentin Tarantino's Django Unchained (2012) and Michael Haneke's Amour (2012).
  • "The evil that men do". The Critics. The Current Cinema. The New Yorker. 88 (46): 78–79. February 4, 2013. Reviews Paolo and Vittorio Taviani's Caesar Must Die (2012) and Kim Jee-Woon's The Last Stand (2013).
  • "Ways to win". The Critics. The Current Cinema. The New Yorker. 89 (2): 84–85. February 25, 2013. Reviews John Moore's A Good Day to Die Hard (2012) and Gael Garcia Bernal's No (2012).
  • "Mad about you". The Critics. The Current Cinema. The New Yorker. 89 (4): 80–81. March 11, 2013. Retrieved 2015-05-19. Reviews Park Chan-wook's Stoker (2013) and Cristian Mungiu's Beyond the Hills (2012).
  • "Red shift". Goings on About Town. Critic's Notebook. The New Yorker. 89 (5): 12. March 18, 2013. Reviews Andrzej Wajda's Ashes and Diamonds.
  • "Fun in the sun". The Critics. The Current Cinema. The New Yorker. 89 (6): 108–109. March 25, 2013. Harmony Korine's Spring Breakers and Matteo Garrone's Reality.
  • "Mind games". The Critics. The Current Cinema. The New Yorker. 89 (8): 88–89. April 8, 2013. Reviews Danny Boyle's Trance and Pablo Berger's Blancanieves.
  • "Criminal elements". Goings on About Town. Critic's Notebook. The New Yorker. 89 (10): 26. April 22, 2013. Jean-Pierre Melville's Un Flic.
  • "Home fronts". The Critics. The Current Cinema. The New Yorker. 89 (11): 82–83. April 29, 2013. Reviews Joseph Kosinski's Oblivion and François Ozon's In the House.
  • "Battle weary". The Critics. The Current Cinema. The New Yorker. 89 (12): 88–89. May 6, 2013. Shane Black's Iron Man 3 and Olivier Assayas' Something in the Air.
  • "Never alone". The Critics. The Current Cinema. The New Yorker. 89 (16): 74–75. June 3, 2013. Reviews Jordan Vogt-Roberts's The Kings of Summer and Justin Lin's Fast & Furious 6.
  • "In transit". The Critics. The Current Cinema. The New Yorker. 89 (20): 94–95. July 8–15, 2013. Nat Faxon and Jim Rash's The Way, Way Back and Pedro Almodóvar's I'm so Excited!.
  • "Grim tidings". The Critics. The Current Cinema. The New Yorker. 89 (21): 80–81. July 22, 2013. Reviews Pacific Rim, Only God Forgives and The Act of Killing.
  • "Fast moves". The Critics. The Current Cinema. The New Yorker. 89 (30): 84–85. September 30, 2013. Reviews Ron Howard's Rush and Stuart Blumberg's Thanks for Sharing.
  • "New love". The Critics. The Current Cinema. The New Yorker. 89 (34): 82–83. October 28, 2013. Reviews Abdellatif Kechiche's Blue is the Warmest Color.
  • "Roman conquests". The Critics. The Current Cinema. The New Yorker. 89 (38): 134–135. November 25, 2013. Reviews Paolo Sorrentino's The Great Beauty and Stephen Frears' Philomena.
  • "Only make believe". The Critics. The Current Cinema. The New Yorker. 89 (42): 130–131. December 23–30, 2013. Reviews Her, The Secret Life of Walter Mitty (2013) and Saving Mr. Banks.
  • "The cost of survival". The Critics. The Current Cinema. The New Yorker. 89 (48): 84–85. February 10, 2014. Reviews Claude Lanzmann's The Last of the Unjust (2013).
  • "Best bets". The Talk of the Town. Comment. The New Yorker. 90 (2): 23–24. March 3, 2014.
  • "Following orders". The Critics. The Current Cinema. The New Yorker. 90 (2): 84–85. March 3, 2014. Reviews Hany Abu-Assad's Omar (2013) and Phil Lord and Christopher Miller's The Lego Movie (2014).
  • "Double trouble". The Critics. The Current Cinema. The New Yorker. 90 (4): 78–79. March 17, 2014. Reviews Denis Villeneuve's Enemy (2013) and Roger Michell's Le Week-End (2013).
  • "Her again : the unstoppable Scarlett Johansson". Onward and Upward with the Arts. The New Yorker. 90 (5): 56–63. March 24, 2014.
  • "Candid camera". The Critics. The Current Cinema. The New Yorker. 90 (6): 80–81. March 31, 2014. Reviews John Maloof and Charlie Siskel's Finding Vivian Maier (2013) and Bertrand Tavernier's The French Minister (2013).
  • "After darkness". The Critics. The Current Cinema. The New Yorker. 90 (8): 86–87. April 14, 2014. Reviews Jim Jarmusch's Only Lovers Left Alive (2013) and David Gordon Green's Joe (2013).
  • "High fliers". The Critics. The Current Cinema. The New Yorker. 90 (32): 106–107. October 20, 2014. Reviews Alejandro González Iñárritu's Birdman and Damien Chazelle's Whiplash.

2015–

  • "Society of men". The Critics. The Current Cinema. The New Yorker. 91 (1): 64–66. February 16, 2015. Matthew Vaughn's Kingsman: The Secret Service and Taika Waititi and Jemaine Clement's What We Do in the Shadows.
  • "Feelings". The Critics. The Current Cinema. The New Yorker. 91 (8): 82–83. April 13, 2015. Alex Garland's Ex Machina and Asghar Farhadi's About Elly.
  • "Fighting on". The Critics. The Current Cinema. The New Yorker. 91 (11): 62–64. May 4, 2015. Joss Whedon's Avengers : Age of Ultron and Thomas Vinterberg's Far from the Madding Crowd.
  • "Distant emotions". The Critics. The Current Cinema. The New Yorker. 91 (13): 102–103. May 18, 2015. Andrew Niccol's Good Kill and John Maclean's Slow West.
  • "Small victories". The Critics. The Current Cinema. The New Yorker. 91 (21): 74–75. July 27, 2015. Reviews Peyton Reed's Ant-Man and Joshua Oppenheimer's The Look of Silence.
  • "Tough girls". The Critics. The Current Cinema. The New Yorker. 91 (46): 74–75. February 1, 2016. Reviews Gavin O'Connor's Jane Got a Gun and J. Blakeson's The Fifth Wave.
  • "Spellbound". The Critics. The Current Cinema. The New Yorker. 92 (3): 78–79. February 29, 2016. Reviews Robert Eggers' The Witch.
  • "Daring duos". The Critics. The Current Cinema. The New Yorker. 92 (15): 84–85. May 23, 2016. Shane Black's The Nice Guys and Whit Stillman's Love & Friendship.
  • "Family ties". The Critics. The Current Cinema. The New Yorker. 92 (21): 88–89. July 11–18, 2016. Woody Allen's Café Society (2016) and Roger Ross Williams' Life, Animated (2016).
  • "Find yourself". The Critics. The Current Cinema. The New Yorker. 92 (24): 80–81. August 8–15, 2016. Reviews Paul Greengrass's Jason Bourne (2016) and Ira Sachs' Little Men.[2]
  • "In deep". The Critics. The Current Cinema. The New Yorker. 92 (32): 108–109. October 10, 2016. Reviews Andrea Arnold's American Honey (2016) and Peter Berg's Deepwater Horizon (2016).[3]
  • "Good fights". The Critics. The Current Cinema. The New Yorker. 92 (36): 82–83. November 7, 2016. Mel Gibson's Hacksaw Ridge and Jeff Nichols' Loving.[4]
  • "Mother lode". The Critics. The Current Cinema. The New Yorker. 92 (42): 130–131. December 19–26, 2016. Mike Mills' 20th Century Women and Pedro Almodóvar's Julieta.[5]
  • "Poets' corner". The Critics. The Current Cinema. The New Yorker. 92 (43): 76–77. January 2, 2017. Jim Jarmusch's Paterson and Pablo Larraín's Neruda.[6]
  • "Animal kingdoms". The Critics. The Current Cinema. The New Yorker. 93 (4): 114–115. March 13, 2017. Reviews Jordan Vogt-Roberts's Kong : Skull Island (2017) and Julia Ducournau's Raw (2016).[7]
  • "Last laugh : Jane Austen's final, surprising, unfinished novel". The New Yorker. 93 (4): 77–79. March 13, 2017. [8]
  • "Keeping cool : Jean-Pierre Melville's cinema of resistance". The Critics. A Critic at Large. The New Yorker. 93 (11): 70–73. May 1, 2017. [9]
  • "How the other half lives". The Critics. The Current Cinema. The New Yorker. 93 (17): 74–75. June 19, 2017. Reviews Ken Loach's I, Daniel Blake (2016) and Miguel Arteta's Beatriz at Dinner (2017).[10]
  • "Style and substance". The Critics. The Current Cinema. The New Yorker. 93 (19): 74–75. July 3, 2017. Reviews Edgar Wright's Baby Driver (2017) and Bertrand Tavernier's My Journey Through French Cinema (2016).[11]
  • "Desperadoes". The Critics. The Current Cinema. The New Yorker. 93 (24): 82–83. August 21, 2017. Reviews Josh Safdie and Benny Safdie's Good Time (2017) and Bertrand Bonello's Nocturama (2016).[12]
  • "Sacrificial victims". The Critics. The Current Cinema. The New Yorker. 93 (34): 78–79. October 30, 2017. Reviews Yorgos Lanthimos' The Killing of a Sacred Deer (2017) and Ruben Östlund's The Square (2017).[13]
  • "American conflicts". The Critics. The Current Cinema. The New Yorker. 93 (35): 74–75. November 6, 2017. Reviews George Clooney's Suburbicon (2017) and Richard Linklater's Last Flag Flying (2017).[14]
  • "Intertwined". The Critics. The Current Cinema. The New Yorker. 93 (39): 82–83. December 4, 2017. Reviews Luca Guadagnino's Call Me by Your Name (2017).[15]
  • "Ties that break". The Critics. The Current Cinema. The New Yorker. 94 (1): 104–105. February 12–19, 2018. Reviews Andrey Zvyagintsev's Loveless (2017) and Brian Crano's Permission (2017).[16]
  • "Unusual suspects". The Critics. The Current Cinema. The New Yorker. 94 (7): 94–95. April 2, 2018. Reviews Steven Soderbergh's Unsane (2018) and Aaron Katz's Gemini (2017).[17]

Notes

  1. ↑ Discusses the horror of M. R. James.
  2. ↑ Online version is titled "Jason Bourne and Little Men".
  3. ↑ Online version is titled "American Honey and Deepwater Horizon reviews".
  4. ↑ Online version is titled "The madness and majesty of 'Hacksaw Ridge'".
  5. ↑ Online version is titled "20th Century Women and Julieta".
  6. ↑ Online version is titled "Paterson and Neruda".
  7. ↑ Online version is titled "'Kong: Skull Island' and 'Raw'".
  8. ↑ Online version is titled "Reading Jane Austen's final, unfinished novel".
  9. ↑ Online version is titled "Jean-Pierre Melville's cinema of resistance".
  10. ↑ Online version is titled "'I, Daniel Blake' and 'Beatriz at Dinner'".
  11. ↑ Online version is titled "'Baby Driver' and 'My Journey Through French Cinema'".
  12. ↑ Online version is titled "'Good Time' and 'Nocturama'".
  13. ↑ Online version is titled "'The Killing of a Sacred Deer' and 'The Square'".
  14. ↑ Online version is titled "'Suburbicon' and 'Last Flag Flying'".
  15. ↑ Online version is titled "'Call Me by Your Name' : an erotic triumph".
  16. ↑ Online version is titled "'Loveless' and 'Permission'".
  17. ↑ Online version is titled "'Unsane' and 'Gemini'".
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