Anita Ratnam

Anita Ratnam
Anita Ratnam, 2012 in Cologne
Born (1954-05-21) 21 May 1954
Madurai, Tamil Nadu
Residence Chennai
Nationality Indian
Education Kalakshetra
Occupation dancer, choreographer
Known for Director, Arangham Interactive, Chennai
Website www.anitaratnam.com

Anita Ratnam (Tamil: அனிதா ரத்னம்; born 21 May 1954) is an Indian classical and contemporary dancer and choreographer. Classically trained in Bharat Natyam, she has also received formal training in Kathakali, Mohiniattam, and T'ai chi and Kalarippayattu, thus creating a dance style which she has coined "Neo Bharat Natyam".[1][2][3]

She is the founder-director of Arangham Trust, set up in 1992 in Chennai. She also founded Arangham Dance Theatre, a performance company in 1993 and in 2000 she created Narthaki.com, an Indian dance portal. Over the years, she has received numerous awards and recognition for her work in the performing arts in India and abroad as a choreographer, scholar and cultural activist.[4][5]

Education and training

Anitha Rathnam had her initial dance training under Bharatanatyam guru, Adyar K. Lakshman[6] and later went to Rukmini Devi Arundale's 'Kalakshetra' for advanced training and earned a Post graduate diploma in Dance. She trained in Bharatanatyam as well as Kathakali and Mohiniattam, the classical dances of Kerala.[7]

Career

Anita Ratnam, Festival "Ramayana in Performance" in the Rautenstrauch-Joest-Museum, Cologne, 2012

She did her MA in Theatre and Television from the University of New Orleans, and spent the next ten years as a Television Producer/commentator in the United States with productions including a weekly series on art, travel and culture in India. She set up Arangham Trust, set up in 1992 in Chennai, followed by Arangham Dance Theatre, a performance company in 1993.[8][9]

A modernist, passionately convinced about creating from her immediate environment, Ratnam has explored various streams of movement and ritual traditions connected with her initial training in classical Bharatanatyam.

Quoting about her inspiration and her works, she says:

"I am in dance because this is my own way of connecting with myself and the world. I consider myself a contemporary classicist.[9]

All my ideas are from traditional sources, but they can also be from readings and from nature: a lotus flower floating in a small brass vessel, a child blowing soap bubbles, even a piece of paper flying in the wind gives me inspiration.

The whole world of ideas and a host of people and their mannerisms can all be suggested by a flicker of an eyelid, a flourish of the hand and the attitude of the body. The ideas come from many sources but I use them and put them together in my own style of dance, movement and theatre techniques.

When people see my work, they can tell that it is Indian in spirit but very contemporary in approach. Folk dancers and drummers who dance every evening after a hard day's work in the fields, traditional temple performers whose lives depend upon serving GOD during important festivals, actors who fuse movement with voice culture, young performers and students all over the world who want to learn new movement and the dynamics of cultural memories embedded into our South Asian bloodstream – these are the artistes who are the focus of my work.

I call myself a cultural activist because I believe in my culture. My culture doesn't mean just the performing arts. To me it stands for finding out about my roots and knowing who I am. And the classical arts are a very vital part of our culture.".[4]

In 2007, she performed her solo operatic performance "7 Graces" at Joyce SoHo, New York in collaboration with Hari Krishnan, a Canada-based dancer-choreographer.[10]

She has also appeared in some Tamil movies over the years, such as Kandukondain Kandukondain (2000) and Boys (2003).

Choreographies

  • A Map to the Next World (1997), With Native American poet Joy Harjo
  • Inner World (1998), ; with Pangea World Theatre in Minneapolis
  • Daughters of the Ocean (1999), ; with writer Shobita Punja
  • Dust (2002), with Mark Taylor of Dance Alloy, Pittsburgh, USA.[11]
  • Hyphenated (2002), for Toronto's Lata Pada.
  • Seven Graces (2005), with Canada-based Hari Krishnan
  • Vortext (2006), with Canadian dance artist Peter Chin
  • MA3KA (2009).[12][13]

Awards

Anita Ratnam has received several awards and recognition for her work in the performing arts in India and abroad. Some of them are:

Nritya Choodamani(1996) by Sri Krishna Gana Sabha, Chennai
Kalaimamani (1998) for Dance Research by Govt. of Tamil Nadu
Media Achievement award (1991) by National Organisation of women in New York
Mahatma Gandhi Award for Cultural Harmony (1986) US
Lalithakalaratna (2003) by Sri Lalithakala Academy Foundation Trust (Inc.),Mysore, 2003
Natya Ratna (2003) by Sri Shanmukhananda Sangeeta Sabha, New Delhi

References

  1. ↑ "Potent rasa". Business Line. 17 August 2007.
  2. ↑ "Stirs the intellect: Anita Ratnam does it, with her holistic approach to choreography, the spoken word, sets, lighting design and costumes". The Hindu. 4 January 2008.
  3. ↑ "Dance diva waltzes on: Anita Ratnam has struck a fine balance between the commercial and aesthetic components of her art". The Hindu. 15 March 2005.
  4. 1 2 Anita Ratnam Profile www.arangham.com.
  5. ↑ Anitha Ratnam's profile at Center for Cultural Resources and Training Archived 24 February 2011 at the Wayback Machine. Ministry of Culture, Government of India
  6. ↑ "Singing paeans to a guru". The Hindu. 25 December 2009.
  7. ↑ Anita Ratnam
  8. ↑ Kothari, Sunil (2003). New directions in Indian dance. Marg Publications on behalf of the National Centre for the Performing Arts. p. 186.
  9. 1 2 "Interview:'I Call Myself A Contemporary Classicist...'". Outlook. 17 December 2003.
  10. ↑ "Anita Ratnam presents "7 Graces" in New York". The Hindu. 19 October 2007.
  11. ↑ "Spirituality in dance: Popular danseuse Anita Ratnam in partnership with Mark Taylor." The Hindu. 4 December 2002.
  12. ↑ Anita Ratnam: Classical dancer & Choreographer Profile Archived 16 April 2008 at the Wayback Machine.
  13. ↑ "Celebrating woman power". The Hindu. 29 December 2009.
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