Hedvig Willman

Hedvig Willman as Margareta in Faust.

Hedvig Charlotta Konstantina Willman née Harling (Stockholm, 18 July 1841 – 15 August 1887, Stockholm) was a Swedish stage actor, opera singer and drama teacher. She was co-principal of Dramatens elevskola in 1877-86.

Life

Hedwig Willman was the daughter of the clothe's seller P. A. C. Harling and Emelie Charlotta Wàhlsten. She married the actor Anders Willman in 1871.

Career

Hedvig Willman made her debut in Ladugårdslandsteatern in Stockholm in 1857, and was engaged at the theater company of Oscar Andersson, and then by Edvard Stjernström at the Mindre teatern. From 1863 onward, she was employed as an actor at the Royal Dramatic Theatre and, from 1865, as an opera singer at the Royal Swedish Opera in parallel.

About her career at the Mindre teatern it was said:

"She was there given the opportunity to demonstrate an intelligent judgement, which in union with a lively acting and an elegant appearance made her noted by the audience and resulted in her being among those of the Stjernström staff selected to remain in employment when the Mindre Teatern was sold to the Royal Theater in 1863. [1]

In her capacity of a singer, she was often used within the Opéra comique. She performed as a guest artist in Denmark and Germany, notably at the Royal Danish Theatre in 1869. About her career as a singer it was said:

"... while not the owner of any remarkable resources she managed, by her acting talent and energic work, solve several important tasks very well."[2]

In 1877, she and her spouse were appointed joint principals of Dramatens elevskola. She also gave singing lessons. One of her notable pupils was John Forsell. Of Willman as an instructor it was said that:

"... there she exposed the energy and the sense, which illustrated her as an professional artist."[3]

Hedvig Willman died in Stockholm in 1887 "after a long lasting illness". In retrospect it was said about her career:

"Mrs Willman was in possession of a great deal of stage talent, much will power and perseverance. As a purely dramatic artist she would with no doubt, if she had acted exlusively as such, reached an immensely more important position, than what she was able to reach now, when she gave her strongest efforts to the opera. "[4]

References

  1. ↑ Kungl. teatrarne under ett halft sekel 1860-1910: personalhistoriska anteckningar (vol. 1)
  2. ↑ Kungl. teatrarne under ett halft sekel 1860-1910: personalhistoriska anteckningar (vol. 1)
  3. ↑ Kungl. teatrarne under ett halft sekel 1860-1910: personalhistoriska anteckningar (vol. 1)
  4. ↑ Kungl. teatrarne under ett halft sekel 1860-1910: personalhistoriska anteckningar (vol. 1)
  • Nordensvan, Georg, Svensk teater och svenska skådespelare från Gustav III till våra dagar. Andra delen, 1842-1918, Bonnier, Stockholm, 1918 ['Swedish theatre and Swedish actors from Gustav III to our days. Second Book 1822–1918'] (Swedish)
  • Europas konstnärer, 1887
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