Alexis Kirke

Alexis Kirke is an award-winning composer and filmmaker known for his interdisciplinary practice. He has been called "the Philip K. Dick of contemporary music".[1][2] Alexis is British and lives in Plymouth, in South West England. Alexis says he takes his inspiration from both the Arts and from Science/Technology – and has two doctorates – one from each of those Faculties at Plymouth University.[3] In particular, his highest profile work has been motivated by interests in quantum mechanics, marine science, stock markets, and artificial intelligence. Alexis is senior research fellow at the Interdisciplinary Centre for Computer Music Research at the Plymouth University, and is composer-in-residence for the Plymouth Marine Institute.[4]

Sound projects

Alexis' most recent musical projects include Come Together a celebration of the 60th anniversary of Lennon and McCartney meeting,[5][6][7][8] and Superposition, a collaboration with the University of Southern California, a live duet between acclaimed Mezzo Soprano Juliette Pochin and the quantum computer installed at USC.[9][10] Other projects in recent years include Bat Wars: The Four Awaken, in which a violinist and pianist duet with a live AI-generated script based on characters from iconic movies,[11] Conducting Shakespeare,[12] wherein he remixed Shakespeare live for two actors at the Victoria and Albert Museum, based on the real-time bio-signal readings of four audience members; and Remember a Day,[13] which was a collaboration with a lady with Alzheimer's setting her daily plan and medication reminders to music as an aid to memory, and performing the tunes as part of a piece for mezzo-soprano, cello and electronics.

Prior to that Alexis created Sound-Wave,[14] wherein he turned the UK's most advanced wave tank into a giant musical instrument for the opening of the Plymouth Marine Institute building by the Duke of Edinburgh; and the financial "reality opera" Open Outcry,[15] in which performers trade real money by singing, sponsored by Barclays.[16]

Alexis initially gained recognition for his performance Sunlight Symphony,[17][18] which turned the University of Plymouth's iconic Roland Levinsky Building into a musical instrument played by the rising sun. His first performance supported by Plymouth Marine Institute was Fast Travel,[19] in which a saxophonist interacted with live artificially-intelligent whale schools. Other prominent works include Cloud Chamber[20][21][22] with a violinist playing a duet with subatomic particles in real-time – and Insight[23] in which Alexis (who has the harmless visual condition palinopsia) simulated his hallucinations live on an iPad, which were turned into sound accompanied by a flautist.

Alexis has collaborated with composers and performers such as John Matthias, Eduardo Reck Miranda, DJ Pierre, Lola Perrin, and Martyn Ware.[24]

Film projects

Alexis' best known film project is the writing, directing, and soundtracking of the short film Many Worlds (2013)[25][26] – a 15-minute movie about a human version of a Schrodinger's Suicide experiment. The movie has four possible scripts, with four possible endings. All four scripts were filmed, and then bio-signals are collected from a sample of the audience live during the screening; a computer used this data to select live which version of the film is shown at any moment, depending on how bored or interested the audience is at the time. The film has premiered at the Peninsula Arts Contemporary Music Festival 2013,[27] had invited showings in Israel[28] and at BBC Research and Development,[29] and won a Media Innovation Award in 2014.[30]

Alexis' second short film in 2017 was "Buddha of Superposition",[31] an 11-minute short that uses innovative visual and sound techniques to take the viewer inside of the experience of psychosis. The film features actor Lois Meleri-Jones.[32]

References

  1. ↑ "Plymouth University composer Alexis Kirke turns movie maker for a cinema revolution with Many Worlds". Plymouth Evening Herald. 25 February 2013.
  2. ↑ "Click Episode 04/09/2012". BBC World Service. 4 September 2012.
  3. ↑ https://www.plymouth.ac.uk/staff/alexis-kirke
  4. ↑ "The payoff of 'buy' or 'sell' will be harmony or discord". Times Higher Education. 15 November 2012.
  5. ↑ https://creators.vice.com/en_au/article/lennon-mccartney-duet-musical-data-performance
  6. ↑ https://soundcloud.com/alexiskirke/alexis-on-bbc-radio-3-the-verb-talking-about-come-together
  7. ↑ https://soundcloud.com/alexiskirke/alexis-speaks-on-bbc-radio-3-music-matters-with-tom-service
  8. ↑ https://soundcloud.com/alexiskirke/alexis-on-bbc-radio-4-inside-science-speaking-about-the-beatles
  9. ↑ "Quantum Computers don't make sense, but this one makes music". Wired USA. 30 July 2016.
  10. ↑ "Seven ways that AI could be A-OK". The Guardian. 7 August 2016.
  11. ↑ "Screenwriter's Block? This Artificially Intelligent Algorithm Could Help". Creators Project. 9 March 2016.
  12. ↑ "Biofeedback and the Bard: Alexis Kirke Debuts "Conducting Shakespeare"". Scientific American. 2 May 2014.
  13. ↑ "Can musical jingles help dementia sufferers?". BBC Music Magazine. 13 February 2014.
  14. ↑ "Dr. Kirkes' Orchestra Worlds tune swimming pool waves". Daily Mail. 30 October 2012.
  15. ↑ "Open Outcry Financial Reality Opera (full 8-minute video)". Retrieved 3 October 2014.
  16. ↑ "Reality opera about the stock market". The Daily Telegraph. 10 November 2012.
  17. ↑ Geere, Duncan (2 March 2010). "The building that became a musical instrument". Wired UK.
  18. ↑ Coleman, Nick (21 February 2010). "Plymouth...a pearl on the seashore". The Independent (UK).
  19. ↑ Solon, Olivia (25 July 2011). "Virtual whales react to saxophonist in musical composition". Wired UK.
  20. ↑ de Lange, Catherine. (8 February 2011). New Scientist TV. https://www.newscientist.com/blogs/nstv/2011/02/violinist-plays-duet-with-radioactive-particles.html Violinist plays duet with radioactive particles.
  21. ↑ Dammann, Guy. (15 February 2011). The Guardian UK. https://www.theguardian.com/music/2011/feb/15/peninsula-arts-contemporary-music-festival-review Peninsula Arts Contemporary Music festival – review.
  22. ↑ Austen, Kat. (22 February 2011). New Scientist UK. https://www.newscientist.com/blogs/culturelab/2011/02/playing-music-at-random.html Playing music at random.
  23. ↑ Solon, Olivia. (17 January 2012). Wired. 'https://www.wired.com/underwire/2012/01/alexis-kirke-insight/ Composer Seeks to Turn His Hallucinations Into Music.
  24. ↑ "Data analysis of David Bowie's career turned into musical 'sonifications'". Wired. 19 April 2013.
  25. ↑ Whipple, Tom (February 2013). London Times http://www.thetimes.co.uk/tto/arts/film/article3697157.ece.
  26. ↑ Astle, Randy (February 2013), "Interactivity Through Biology with many worlds", Filmmaker Magazine
  27. ↑ "Reviewed: Sensing Memory festival at the University of Plymouth". New Statesman. 21 February 2013.
  28. ↑ "Lest we forget". The Jerusalem Post. 30 April 2014.
  29. ↑ http://www.bbc.co.uk/rd/blog/2013/09/many-worlds-showing-at-media-city
  30. ↑ "{title}". Archived from the original on 3 May 2015. Retrieved 1 June 2015.
  31. ↑ https://www.imdb.com/title/tt6658284/
  32. ↑ https://www.imdb.com/name/nm5810823/

See also

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