Alexander Rehding

Alexander Rehding is Fanny Peabody Professor of Music at Harvard University.[1][2] He received his B.A., M.A., M.Phil., and Ph.D. from Cambridge University, where he also held a research fellowship at Emmanuel College.[3] He held positions at the Penn Humanities Forum and the Princeton Society of Fellows before joining Harvard's Department of Music in 2003. Rehding is co-editor of Acta musicologica (with Philippe Vendrix).

In 2009 Rehding was awarded fellowships from the John Simon Guggenheim Memorial Foundation and the American Council of Learned Societies (ACLS).[4] He has also received support from the Alexander von Humboldt Foundation.

Primary Works

  • Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany (2009).
  • Hugo Riemann and the Birth of Modern Musical Thought (2003).
  • Clark, S., and Rehding, A., eds., 2001. Music Theory and Natural Order from the Renaissance to the Early Twentieth Century. Cambridge: Cambridge University Press.

References

  1. ↑ "Harvard Department of Music". Music.fas.harvard.edu. Retrieved 2010-09-19.
  2. ↑ "Alexander Rehding". Archived from the original on 2007-02-08. Retrieved 31 May 2018.
  3. ↑ Music theory and natural order from ... - Google Books. Books.google.com. Retrieved 2010-09-19.
  4. ↑ "Alexander Rehding F'09". Acls.org. Archived from the original on 11 October 2010. Retrieved 2010-09-19.
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