Alex Ross bibliography

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A list of the published works of music critic Alex Ross.

Books

  • The rest is noise : listening to the Twentieth Century. New York: Farrar, Straus and Giroux. 2007.
  • Listen to this. New York: Farrar, Straus and Giroux. 2010.

Essays and reporting

1993–2009

  • "Grand seduction". The Critics. Books. The New Yorker. April 12, 1993.
  • "Generation Exit". Postscript. The New Yorker. April 25, 1994.
  • "Mahlermania". The Critics. Books. The New Yorker. September 4, 1995.
  • "Mann in love". The Critics. Books. The New Yorker. March 11, 1996.
  • "The shock of the true". The Critics. A Critic at Large. The New Yorker. August 19, 1996.
  • "The musical kaleidoscope". The Talk of the Town. Comment. The New Yorker. August 26, 1996.
  • "The battle of Britten". The Critics. Musical Events. The New Yorker. December 16, 1996.
  • "Great soul". The Critics. A Critic at Large. The New Yorker. February 3, 1997.
  • "Native sons". The Critics. Musical Events. The New Yorker. February 17, 1997.
  • "Beautiful nightmare". The Critics. Musical Events. The New Yorker. March 10, 1997.

2010–2014

  • "Baritone poem". Goings on About Town. Critic's Notebook. The New Yorker. 86 (4): 15. March 15, 2010. [1]
  • "House of style". The Critics. Musical Events. The New Yorker. 86 (6): 90–92. March 29, 2010. [2]
  • "Sweet noises". The Critics. Musical Events. The New Yorker. 86 (9). April 19, 2010. [3]
  • "Disquiet". The Critics. Musical Events. The New Yorker. 86 (36): 92–93. November 15, 2010. [4]
  • "Admirable Nelsons". Goings on About Town. Critic's Notebook. The New Yorker. 87 (4): 10. March 14, 2011. [5]
  • "Reverberations". The Critics. Musical Events. The New Yorker. 87 (4): 74–75. March 14, 2011. John Adams' Nixon in China; eighth blackbird's Tune-In Festival; John Luther Adams' Inuksuit.
  • "Third-base blues". Goings on About Town. Critic's Notebook. The New Yorker. 87 (36): 14. November 14, 2011. The Metropolitan Opera production of Siegfried at the Met.
  • "Heart to heart". The Critics. Musical Events. The New Yorker. 87 (36): 86–87. November 14, 2011. The Lincoln Center's White Light Festival.
  • "Prince of darkness". A Critic at Large. The New Yorker. 87 (41): 84–92. December 19–26, 2011. On Carlo Gesualdo.
  • "Number Nine". The Critics. Musical Events. The New Yorker. 88 (1): 116–117. February 13–20, 2012. Philip Glass.
  • "Joyful noise : Michael Tilson Thomas's "American Mavericks" festival". The Critics. Musical Events. The New Yorker. 88 (9): 104–106. April 16, 2012.
  • "Royal command". Goings on About Town. Critic's Notebook. The New Yorker. 88 (36): 20. November 19, 2012. Joyce DiDonato's "Drama Queens" at Carnegie Hall.
  • "Primal scream". The Critics. Musical Events. The New Yorker. 88 (36): 92–93. November 19, 2012. 100 years of Stravinsky's Rite of Spring.
  • "Retaking the stage : The Tempest and Un Ballo in Maschera at the Met". The Critics. Musical Events. The New Yorker. 88 (38): 110–111. December 3, 2012.
  • "After Chopin". Goings on About Town. Critic's Notebook. The New Yorker. 88 (45): 13. January 28, 2013. Witold Lutoslawski.
  • "The power of four : string quartets multiply across New York". The Critics. Musical Events. The New Yorker. 88 (46): 76–77. February 4, 2013.
  • "Good knight". Goings on About Town. Critic's Notebook. The New Yorker. 89 (3): 14. March 4, 2013.
  • "Border crossings : East meets West at Carnegie Hall". The Critics. Musical Events. The New Yorker. 89 (3): 78–79. March 4, 2013. West-Eastern Divan Orchestra and the Afghanistan National Institute of Music.
  • "Illuminated : George Benjamin's long-awaited masterpiece". The Critics. Musical Events. The New Yorker. 89 (6): 104–105. March 25, 2013. Written on Skin.
  • "Shock tactics : smaller opera companies break the routine". The Critics. Musical Events. The New Yorker. 89 (8): 84–85. April 8, 2013.
  • "Singing shadows : early music finds new life downtown". The Critics. Musical Events. The New Yorker. 89 (9): 82–83. April 15, 2013.
  • "Spring kings". Goings on About Town. Critic's Notebook. The New Yorker. 89 (11): 6. April 29, 2013.
  • "Even the score : female composers edge forward". The Critics. Musical Events. The New Yorker. 89 (11): 78–79. April 29, 2013.
  • "Return engagement : James Levine resumes conducting". The Critics. Musical Events. The New Yorker. 89 (17): 100–102. June 10–17, 2013.
  • "Capricious Bach". Goings on About Town. Critic's Notebook. The New Yorker. 89 (19): 13. July 1, 2013.
  • "Water music : John Luther Admas's "Become Ocean," at the Seattle Symphony". The Critics. Musical Events. The New Yorker. 89 (20): 92–93. July 8–15, 2013.
  • "Back to the future : Gotham Chamber Opera offers four mini-operas from 1927". Goings on About Town. Classical Music. The New Yorker. 89 (34): 16. October 28, 2013.
  • "Imperious : the problem with Valery Gergiev". The Critics. Musical Events. The New Yorker. 89 (35): 112–113. November 4, 2013.
  • "Finales : the Minnesota Orchestra cancels, and Hilary Hahn stages a festival". The Critics. Musical Events. The New Yorker. 89 (38): 132–133. November 25, 2013.
  • "Holy fool : 'Falstaff' at the Met". The Critics. Musical Events. The New Yorker. 89 (43): 68–69. January 6, 2014.
  • "The opera lab : the Prototype Festival rethinks a venerable genre". The Critics. Musical Events. The New Yorker. 89 (47): 80–81. February 3, 2014.
  • "Weather man : a percussion virtuoso patrols the outer reaches of sound". Goings on About Town. Classical Music. The New Yorker. 89 (47): 9. February 3, 2014. Steven Schick.
  • "Drowned sounds : Pawel Szymanski's opera 'Qudsja Zaber', in Warsaw". The Critics. Musical Events. The New Yorker. 90 (2): 76–77. March 3, 2014.
  • "The Vienna fixation : the 'City of Dreams' festival, at Carnegie Hall". The Critics. Musical Events. The New Yorker. 90 (5): 94–95. March 24, 2014.
  • "Séance : the pianist Igor Levit plays late Beethoven". The Critics. Musical Events. The New Yorker. 90 (8): 84–85. April 14, 2014.
  • "Notes of dissent : in Hungary, Iván Fischer is shaking up music and politics". Letter from Budapest. The New Yorker. 90 (15): 36–41. June 2, 2014.
  • "Deus ex machina : Beethoven transformed music – but has veneration of him stifled his successors?". Onward and Upward with the Arts. The New Yorker. 90 (32): 44–49. October 20, 2014.
  • "Sound and fury : "Macbeth" at the Met, and Carl Nielsen at the Philharmonic". The Critics. Musical Events. The New Yorker. 90 (32): 104–105. October 20, 2014.

2015–

  • "The quiet man : the soft tones of the viol speak volumes at Carnegie Hall". Goings on About Town. Classical Music. The New Yorker. 91 (8): 8. April 13, 2015. Jordi Savall.
  • "Fish out of water". The Talk of the Town. The Pictures. The New Yorker. 92 (3): 18–19. February 29, 2016. David Lang.
  • "A sudden shadow : the Met highlights the darkness in Rossini's William Tell". The Critics. Musical Events. The New Yorker. 92 (36): 76–77. November 7, 2016. [6]
  • "Holy dread : Bach has long been seen as a symbol of divine order. But his music has an unruly obsession with God". The Critics. A Critic at Large. The New Yorker. 92 (43): 66–73. January 2, 2017. [7]
  • "Nordic fire : the Los Angeles Philharmonic celebrates the music of Iceland". The Critics. Musical Events. The New Yorker. 93 (11): 78–79. May 1, 2017. [8]
  • "Departures and arrivals : end-of-season changes at the Met and the New York Philharmonic". The Critics. Musical Events. The New Yorker. 93 (19): 72–73. July 3, 2017. [9]
  • "Power play : fresh provocations at the Salzburg Festival". The Critics. Musical Events. The New Yorker. 93 (24): 80–81. August 21, 2017. [10]
  • "Tremors : the deep sounds of Ashley Fure's 'The Force of Things'". The Critics. Musical Events. The New Yorker. 93 (34): 74–75. October 30, 2017. [11]

Notes

  1. ↑ Discusses baritone Gerald Finley.
  2. ↑ Peter Gelb and the 2010/11 season at the Metropolitan Opera.
  3. ↑ William Christie at the Brooklyn Academy of Music.
  4. ↑ New York City Opera's production of Leonard Bernstein's opera A Quiet Place.
  5. ↑ Andris Nelsons.
  6. ↑ Online version is titled "The cosmic message of 'William Tell'".
  7. ↑ Online version is titled "Bach’s holy dread".
  8. ↑ Online version is titled "The L.A. Philharmonic celebrates Iceland".
  9. ↑ Online version is titled "Renée Fleming and Alan Gilbert take their bows".
  10. ↑ Online version is titled "The Salzburg Festival reawakens".
  11. ↑ Online version is titled "Infrasound opera".
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