Aleksandr Drevin

Aleksandr Drevin
Self portrait.
Native name Russian: Александр Давыдович Древин
Born Latvian: Aleksandrs Rūdolfs Drēviņš
(1889-07-03)July 3, 1889
Died February 26, 1938(1938-02-26) (aged 48)
Resting place Butovo firing range
55°32′00″N 37°35′39″E / 55.53333°N 37.59417°E / 55.53333; 37.59417
Spouse(s) Nadezhda Udaltsova
Portrait of a Young Man, 1933

Aleksandr Davydovich Drevin (Latvian: Aleksandrs Rūdolfs Drēviņš, Russian: Александр Давыдович Древин, 3 July 1889 26 February 1938) was a Latvian painter.[1]

Biography

Drevin was born in Cēsis, Latvia. He attended art school in Riga under Vilhelms Purvītis, thus initially adapting the style of impressionist painting[2], and first came to Moscow in 1914.[3] He studied under Kuzma Petrov-Vodkin. Since 1917 he worked in the Fine Arts Department of the People’s Commissariat of Education.[4] Drevin was part of the "Green Flower" association of avant-garde artists, notably with Konrāds Ubāns (lv), Valdemārs Tone (lv) and Kārlis Johansons (lv). Between 1920 and 1921 he was a member of the Inkhuk but later left, together with Wassily Kandinsky, Kliunkov, and Nadezhda Udaltsova, because of the Constructivist-Productivist stylistic manifesto urging the rejection of easel painting. Drevin became a professor of painting at Vkhutemas. In 1922, he was sent to work the First Russian Art Exhibition at the Van Diemen Gallery in Berlin. He travelled across Russia, to Kazakhstan Ural, Altai and Armenia creating a series of artworks of the Soviet landscape. These trips where organised and supervised by soviet art officials[4]

Drevin often painted a "brutal primitivism", lacking any political message or any purpose at all. His paintings have been compared to those of de Vlaminck. Drevin's paintings intentionally were empty of illusionism and decorativeness. After a period of constructivist abstract painting, his style became progressively more realistic during the 1920s.[5]

Personal life

He was married to Nadezhda Udaltsova; their son was Andrey Drevin, born 1921, who became a sculptor.

Drevin was arrested by the NKVD on 17 January 1938, during the Great Purge, and executed on 26 February near Moscow. He was posthumously rehabilitated in 1957.[1]

References

  1. 1 2 "Drevin, Aleksandr (Rudolf) Davidovich". tretyakovgallery.ru. Archived from the original on August 6, 2016. Retrieved January 3, 2016.
  2. Dombrovskis, Jānis (1925). Latvju Māksla: Glezniecības, grafikas, tēlniecības un lietišķās mākslas attīstības vēsturisks apskats ( Latvian Art: Historical Review of Painting, Graphics, Sculpture and Applied Arts) (1 ed.). Rīga, Latvija: Valters un Rapa. p. 154.
  3. Sarabianov, Dmitri (1977). Russian and Soviet Painting: An Exhibition from the Museums of the USSR ... Metropolitan Museum of Art. p. 166. ISBN 978-0-8709-9162-2.
  4. 1 2 Kathleen Tahk (August 28, 2014). "A Revolution Beyond Borders:The Soviet Art of the Latvian Riflemen" (PDF). americancouncils.org. Retrieved January 3, 2016.
  5. Kirill Sokolov (June 3, 2002). "Aleksandr Drevin, Nadezhda Udal'tsova: An Exhibition That Never Was". jhu.edu. Retrieved January 3, 2016.

Works cited

  • A History of Painting, Alan Bird

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