Aaj Robibar

Aaj Robibar
DVD release cover
Genre Comedy, Drama
Created by Humayun Ahmed
Written by Humayun Ahmed
Directed by Monir Hossain Jibon
Starring
Theme music composer Maksud Jamil Mintu
Opening theme "Loke Bole" and "Nisha Lagilo Re"
by Hason Raja
Country of origin Bangladesh
Original language(s) Bengali
No. of episodes 7
Production
Production location(s) Bangladesh Television Studios
Cinematography Mahmudur Rahman Sharif
Editor(s) Ahmed Shopon
Running time Around 50 minutes
Production company(s) Nuhash Films
Distributor Nuhash Films
Release
Original network BTV
Original release 1999

Aaj Robibar (Bengali: আজ রবিবার; Today's Sunday) is a Bangladeshi television sitcom, created by Humayun Ahmed, that was originally aired on BTV in 1999. It was re-aired in Hindi on Indian television channel, Star Plus in 2017.[1][2]

Plot

The plot revolves around the day-to-day life of an eccentric household consisting of a man only called Dadajan ("grandpa"), his socially in-adept sons, two granddaughters, a boarder, the manservant and the maid.

A drama about the daily comic incidents taking place in a Dhaka household, the series' opening episode begins with Konka, the younger granddaughter who breaks the fourth wall to introduce characters and premises to the audience. She and her elder sister Titli are fun-loving girls, both secretly in love with the boarder Anis, a nerd who doesn't seem to understand social stuff and never shows affection for any of them. Their father Jamil, the middle son and an architect by profession, is fond of Hason Raja songs and after losing his wife around the time when Konka was born, falls in love with an attractive, mature and intelligent woman named Meera, whom he hires as a governess. The eldest son, Asgor is an eminent psychiatrist and also falls in love with Meera. Meanwhile Farhad, who looks like "Baker vai" becomes involved with the family. Asgor, being convinced by Titli and Konka, hypnotizes Anis to induce the loving soul of him and changes him completely. Anis, then run after Titli and expresses his love for her, and seeks love in turn. In the end, Farhad goes outside with the younger brother of the house to see the miseries of the poor people of the street, and the younger brother says, he needs not to be Himu anymore if Farhad becomes Himu.

Cast

References

  1. Sagor, Faridur Reza. "The Brilliance of Humayun Ahmed". The Daily Star. Retrieved 15 August 2015.
  2. Alom, Zahangir. "Humayun Ahmed's musical creations under spotlight". The Daily Star. Retrieved 15 August 2015.
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