Étude No. 10 (Villa-Lobos)

Heitor Villa-Lobos's Étude No. 10, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.

History

The autograph manuscript of Etude No. 10 is dated 1929, Paris (Villa-Lobos, sua obra 1989).

Structure

The piece is in B minor and is marked Très animé – un peu animé – vif (Santos 1985, 26).

Analysis

Étude No. 10 is a study in technique that presents great challenges to the player. It is in ternary form (ABA), but the return of the opening material is transformed into dance-like rhythmic cells. An unusual technical feature is the use of the right-hand little finger (Santos 1985, 26, 28).

References

  • Santos, Turibio. 1985. Heitor Villa-Lobos and the Guitar, translated by Victoria Ford and Graham Wade. Gurtnacloona, Bantry: Wise Owl Music.

Further reading

  • Villa-Lobos, sua obra. 1989. Third edition. Rio de Janeiro: MinC-SPHAN/Pró-Memória, Museu Villa-Lobos. Online edition, 2009
  • Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN 0-19-315476-5 (cloth); ISBN 0-19-315475-7 (pbk).
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.