< The Devonshire Manuscript
Contents: N O P Q R S T U V W Z



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Narasingha, Sil P. (2001). Tudor Placement and Statesmen: Select Case Histories. Madison, NJ: Farleigh Dickinson University Press. 
Nash, Jerry C. (1997). "Renaissance Misogyny, Biblical Feminism, and Helisenne de Crenne's Epistres Familieres et Invectives". Renaissance Quarterly 50: 379-411. 
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Newlyn, Evelyn S. (1999). "Images of Women in Sixteenth-Century Scottish Literary Manuscripts". in Elizabeth Ewan and Maureen M. Meikle, eds. Women in Scotland : c.1100–c.1750. East Linton: Tuckwell Press. pp. 56-66. 
Nichols, Stephen G. (1991). "On the Sociology of Medieval Manuscript Annotation". Annotation and Its Texts. New York: Oxford UP. pp. 43-73. 
Normand, Lawrence (1997). "Witches, King James, and the Masque of Queens". in Claude J. Summers and Ted-Larry Pebworth, eds. Representing Women in Renaissance England. Columbia: University of Missouri Press. pp. 107-120. 
North, Marcy L. (2003). The Anonymous Renaissance: Cultures of Discretion in Tudor-Stuart England. Chicago: U of Chicago P. 
Nott, George Frederick, ed. (1815). The Works of Henry Howard, Earl of Surrey, and Sir Thomas Wyatt the Elder 1815-16. 2. London: T. Bensley. 

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O'Callaghan, Michelle (2000). "Publication: Print and Manuscript". in Michael Hattaway, ed. A Companion to English Renaissance Literature and Culture. Malden: Blackwell. pp. 81-94. 
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Orth, Myra Dickman (2001). "Family Values: Manuscripts as Gifts and Legacies Among French Renaissance Women". Journal of the Early Book Society for the Study of Manuscripts and Printing History 4: 88-111. ISSN 1525-6790. 
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Ostovich, Helen (2004). "Preface". in Nancy Copeland, ed. Staging Gender in Behn and Centlivre: Women's Comedy and the Theatre. Aldershot; Burlington, VT: Ashgate. pp. 1. 
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Pacheco, Anita (2002). "Introduction". in Anita Pacheco, ed. A Companion to Early Modern Women's Writing. Blackwell Companions to Literature and Culture. Oxford; Malden, MA: Blackwell. pp. xiv-xx. 
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Pearson, Jacqueline (2001). "'An Emblem of Themselves, in Plum or Pear': Poetry, the Female Body and the Country House". in Barbara Smith and Ursula Appelt, eds. Write or Be Written: Early Modern Women Poets and Cultural Constraints. Women and Gender in Early Modern England. Aldershot, England: Ashgate. pp. 87-104. ISBN 1-84014-288-X. 
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Pratt, Kathryn (2003). "'Wounds Still Curelesse': Estates of Loss in Mary Wroth's Urania". in Corrine S. Abate, ed. Privacy, Domesticity, and Women in Early Modern England. Aldershot, England: Ashgate. pp. 45-62. ISBN 0-7546-3043-9. 
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Price, Bronwen (2001). "A Rhetoric of Innocence: The Poetry of Katherine Philips, 'The Matchless Orinda'". in Barbara Smith and Ursula Appelt, eds. Write or Be Written: Early Modern Women Poets and Cultural Constraints. Women and Gender in Early Modern England. Aldershot, England: Ashgate. pp. 223-246. ISBN 1-84014-288-X. 
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Q

Quilligan, Maureen (1990). "Feminine Endings: The Sexual Politics of Sidney's and Spenser's Rhyming". in Anne M. Haselkorn and Betty S. Travitsky, eds. The Renaissance Englishwoman in Print: Counterbalancing the Canon. Amherst: University of Massachusetts Press. pp. 311-326. 
Quinn, D. B. (1934). "Henry Fitzroy, Duke of Richmond, and His Connection With Ireland, 1529-30". Bulletin of the Institute of Historical Research 12: 175-177. 
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Rabb, Melinda Alliker (2002). "The Work of Women in the Age of Electronic Reproduction: The Canon, Early Modern Women Writers and the Postmodern Reader". in Anita Pacheco, ed. A Companion to Early Modern Women's Writing. Blackwell Companions to Literature and Culture. Oxford; Malden, MA: Blackwell. pp. 339-360. 
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