Censors are dead men
set up to judge between life and death.
For no live, sunny man would be a censor,
he'd just laugh.

For man, the vast marvel is to be alive. For man, as for flower and beast and bird, the supreme triumph is to be most vividly, most perfectly alive.

David Herbert Lawrence (11 September 1885 – 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter who published as D. H. Lawrence. His collected works, among other things, represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct.

Quotes

• I hold that the parentheses are by far the most important parts of a non-business letter.
  • Letter to Blanche Jennings (15 April 1908), Letters of D.H. Lawrence (1979), edited by James T. Boulton

• If I had my way, I would build a lethal chamber as big as the Crystal Palace, with a military band playing softly, and a Cinematograph working brightly; then I’d go out in the back streets and main streets and bring them in, all the sick, the halt, and the maimed; I would lead them gently, and they would smile me a weary thanks; and the band would softly bubble out the ‘Hallelujah Chorus’.
  • Letter to Blanche Jennings (9 October 1908), Letters of D.H. Lawrence (1979), James T. Boulton, ed., as quoted in The Intellectuals and the Masses: Pride and Prejudice Among the Literary Intelligentsia, 1880-1939 (1992) by John Carey; also quoted in "Art for the Masses : The Death of Culture & the Culture of Death" by Ralph McInery in Touchstone magazine (September 2001)

• My God, these folks don't know how to love — that's why they love so easily.
  • Letter to Blanche Jennings (8 May 1909), The Letters of D. H. Lawrence, ed. James T. Boulton, Vol. 1 (1979), pp. 127

• Tragedy ought really to be a great kick at misery.
  • Letter to A W McLeod (6 October 1912)

• Curse the blasted, jelly-boned swines, the slimy, the belly-wriggling invertebrates, the miserable sodding rotters, the flaming sods, the sniveling, dribbling, dithering palsied pulse-less lot that make up England today. They've got white of egg in their veins, and their spunk is that watery its a marvel they can breed. They can nothing but frog-spawn — the gibberers! God, how I hate them! God curse them, funkers. God blast them, wish-wash. Exterminate them, slime.
  I could curse for hours and hours — God help me.
  • Letter to Edward Garnett, expressing anger that his manuscript for Sons and Lovers was rejected by Heinemann (3 July 1912)

• We have to hate our immediate predecessors to get free from their authority.
  • Letter to Edward Garnett (1 February 1913)

• He talked to her endlessly about his love of horizontals: how they, the great levels of sky and land in Lincolnshire, meant to him the eternality of the will, just as the bowed Norman arches of the church, repeating themselves, meant the dogged leaping forward of the persistent human soul, on and on, nobody knows where; in contradiction to the perpendicular lines and to the Gothic arch, which, he said, leapt up at heaven and touched the ecstasy and lost itself in the divine.
  • Sons and Lovers (1913)

• It's the man who dares to take, who is independent, not he who gives.
  • Letter to John Middleton Murry, 27 November 1913

• Mrs Morel always said the after-life would hold nothing in store for her husband: he rose from the lower world into purgatory, when he came home from pit, and passed into heaven in the Palmerston Arms.
  • Sons and Lovers - Edited out of the 1913 edition, restored in 1992

• Not I, not I, but the wind that blows through me!
  • Song of a Man who has Come Through (1917)

• The nature of the infant is not just a new permutation-and-combination of elements contained in the natures of the parents. There is in the nature of the infant that which is utterly unknown in the natures of the parents.
  • Psychoanalysis and the Unconscious (1921)

• The dead don't die. They look on and help.
  • Letter to John Middleton Murry (2 February 1923)

• California is a queer place — in a way, it has turned its back on the world, and looks into the void Pacific. It is absolutely selfish, very empty, but not false, and at least, not full of false effort.
  • Letter (September 24, 1923); published in The Letters of D.H. Lawrence, James T. Boulton, E. Mansfield, and W. Roberts (1987), vol. 4.

• Never trust the artist. Trust the tale. The proper function of a critic is to save the tale from the artist who created it
  • Studies in Classic American Literature (1923)

• It was in 1915 the old world ended.
  • Kangaroo (1923) "The Nightmare"

• Men! The only animal in the world to fear!
  • Mountain Lion (1923)

• I want to go south, where there is no autumn, where the cold doesn't crouch over one like a snow leopard waiting to pounce. The heart of the North is dead, and the fingers of cold are corpse fingers.
  • Letter to John Middleton Murry (3 October 1924)

• For Society or Democracy or any political State or Community exists not for the sake of the individual nor should ever exist for the sake of the individual, but simply to establish the Average, in order to make living together possible: that is, to make proper facilities for every man's clothing, feeding, housing himself, working, sleeping, mating, playing, according to his necessity as a common unit, an average. Everything beyond that common necessity depends on himself alone.
  • "Reflections on the Death of a Porcupine" (1925)

• The more scholastically educated a man is generally, the more he is an emotional boor.
  • John Galsworthy (1927)

• Men fight for liberty, and win it with hard knocks. Their children, brought up easy, let it slip away again, poor fools. And their grandchildren are once more slaves.
  • Poem, "Liberty's old story" in Pansies (Third typing, ribbon copy - 231 poems, c. 11-28 February 1929)

• Every man has a mob self and an individual self, in varying proportions.
  • Pornography and Obscenity (1929)

• Pornography is the attempt to insult sex, to do dirt on it.
  • Pornography and Obscenity (1929)

• I can't stand Willy wet-leg,
  can't stand him at any price.
  He's resigned, and when you hit him
  he lets you hit him twice.
  • Willy Wet Leg (1929)

• Censors are dead men
  set up to judge between life and death.
  For no live, sunny man would be a censor,
  he'd just laugh.
  • Censors (1929)

• I never saw a wild thing
  Sorry for itself.
  A small bird will drop frozen dead from a bough
  without ever having felt sorry for itself.
  • Self-Pity (1929)

• The tiny fish enjoy themselves
  in the sea.
  Quick little splinters of life,
  their little lives are fun to them
  in the sea.
  • Little Fish (1929)

• What man most passionately wants is his living wholeness and his living unison, not his own isolate salvation of his "soul." Man wants his physical fulfillment first and foremost, since now, once and once only, he is in the flesh and potent. For man, the vast marvel is to be alive. For man, as for flower and beast and bird, the supreme triumph is to be most vividly, most perfectly alive. Whatever the unborn and the dead may know, they cannot know the beauty, the marvel of being alive in the flesh. The dead may look after the afterwards. But the magnificent here and now of life in the flesh is ours, and ours alone, and ours only for a time. We ought to dance with rapture that we should be alive and in the flesh, and part of the living, incarnate cosmos. I am part of the sun as my eye is part of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea. My soul knows that I am part of the human race, my soul is an organic part of the great human soul, as my spirit is part of my nation. In my own very self, I am part of my family. There is nothing of me that is alone and absolute except my mind, and we shall find that the mind has no existence by itself, it is only the glitter of the sun on the surface of the waters.
  • Apocalypse (1930)

• To the Puritan all things are impure, as somebody says.
  • Sketches of Etruscan Places (1932)

• God is only a great imaginative experience.
  • Phoenix: The Posthumous Papers of D. H. Lawrence, pt. 4, ed. by E. McDonald, (1936)

• Those that go searching for love
  only make manifest their own lovelessness,
  and the loveless never find love,
  only the loving find love,
  and they never have to seek for it.
  • "Search for Love" in The Works of D. H. Lawrence, Wordsworth Editions, (1994), p. 552

A Propos of Lady Chatterley's Lover (1929)

We are today, as human beings, evolved and cultured far beyond the taboos which are inherent in our culture. This is a very important fact to realise.

The great necessity is that we should act according to our thoughts, and think according to our acts. But while we are in thought we cannot really act, and while we are in action we cannot really think. The two conditions, of thought and action, are mutually exclusive. Yet they should be related in harmony.

Sex is the balance of male and female in the universe, the attraction, the repulsion, the transit of neutrality, the new attraction, the new repulsion, always different, always new.

• We are today, as human beings, evolved and cultured far beyond the taboos which are inherent in our culture. This is a very important fact to realise. Probably, to the Crusaders, mere words were potent and evocative to a degree we can't realise. The evocative power of the so-called obscene words must have been very dangerous to the dim-minded, obscure, violent natures of the Middle Ages, and perhaps are still too strong for slow-minded, half-evoked lower natures today. But real culture makes us give to a word only those mental and imaginative reactions which belong to the mind, and saves us from violent and indiscriminate physical reactions which may wreck social decency. In the past, man was too weak-minded, or crude-minded, to contemplate his own physical body and physical functions, without getting all messed up with physical reactions that overpowered him. It is no longer so. Culture and civilisation have taught us to separate the reactions. We now know the act does not necessarily follow on the thought. In fact, thought and action, word and deed, are two separate forms of consciousness, two separate lives which we lead. We need, very sincerely, to keep a connection. But while we think, we do not act, and while we act we do not think. The great necessity is that we should act according to our thoughts, and think according to our acts. But while we are in thought we cannot really act, and while we are in action we cannot really think. The two conditions, of thought and action, are mutually exclusive. Yet they should be related in harmony.

• Men and women aren't really dogs: they only look like it and behave like it. Somewhere inside there is a great chagrin and a gnawing discontent.

• Of course Celia shits! Who doesn't? And how much worse if she didn't.

• Augustine said that God created the universe new every day: and to the living, emotional soul, this is true. Every dawn dawns upon an entirely new universe, every Easter lights up an entirely new glory of a new world opening in utterly new flower. And the soul of man and the soul of woman is new in the same way, with the infinite delight of life and the ever-newness of life. So a man and a woman are new to one another throughout a life-time, in the rhythm of marriage that matches the rhythm of the year.

• Sex is the balance of male and female in the universe, the attraction, the repulsion, the transit of neutrality, the new attraction, the new repulsion, always different, always new. The long neuter spell of Lent, when the blood is low, and the delight of the Easter kiss, the sexual revel of spring, the passion of midsummer, the slow recoil, revolt, and grief of autumn, greyness again, then the sharp stimulus of winter of the long nights. Sex goes through the rhythm of the year, in man and woman, ceaselessly changing: the rhythm of the sun in his relation to the earth. Oh, what a catastrophe for man when he cut himself off from the rhythm of the year, from his unison with the sun and the earth. Oh, what a catastrophe, what a maiming of love when it was a personal, merely personal feeling, taken away from the rising and the setting of the sun, and cut off from the magic connection of the solstice and the equinox! This is what is the matter with us. We are bleeding at the roots, because we are cut off from the earth and sun and stars, and love is a grinning mockery, because, poor blossom, we plucked it from its stem on the tree of Life, and expected it to keep on blooming in our civilised vase on the table.

• Marriage is the clue to human life, but there is no marriage apart from the wheeling sun and the nodding earth, from the straying of the planets and the magnificance of the fixed stars. Is not a man different, utterly different, at dawn from what he is at sunset? And a woman too? And does not the changing harmony and discord of their variation make the secret music of life?

Quotes about Lawrence

• The picture of D.H Lawrence suggested by the obituary notices of ‘competent critics’ is of a man morose, frustrated, tortured, even a sinister failure. Perhaps this is because any other view of him would make his critics look rather silly...Lawrence was as little morose as an open clematis flower, as little tortured or sinister, or hysterical as a humming bird. Gay, skilful, clever at everything, furious when he felt like it but never grieved or upset, intensely amusing, without sentimentality or affection, almost always right in his touch for the content of things or persons, he was at once the most harmonious and the most vital person I ever saw.
  • Catherine Carswell, Time and Tide Magazine, 16 March 1930. Reprinted in H. Coombes, D. H. Lawrence; a critical anthology. Penguin Books, 1973.

• Lawrence’s special and characteristic gift was an extraordinary sensitiveness to what Wordsworth called “unknown modes of being.” He was always intensely aware of the mystery of the world, and the mystery was always for him a numen, divine. Lawrence could never forget, as most of us almost continuously forget, the dark presence of the otherness that lies beyond the boundaries of man’s conscious mind. This special sensibility was accompanied by a prodigious power of rendering the immediately experienced otherness in terms of literary art.
  • Aldous Huxley, "Introduction", in The letters of D. H. Lawrence,London, William Heinemann Limited, 1932.

• Isn’t it remarkable how everyone who knew Lawrence has felt compelled to write about him? Why, he’s had more books written about him than any writer since Byron!
  • Aldous Huxley, as quoted in Interview, The Paris Review (1960)

• Is there no name later than Conrad's to be included in the Great Tradition? There is, I am convinced, one: D.H. Lawrence. Lawrence, in the English language, was the great genius of our time (I mean the age, or climatic phase, following Conrad's).
  • F. R. Leavis, The Great Tradition (1948)

• The number of people who can copulate properly may be few; the number who can write well are infinitely fewer.
  • Hugh MacDiarmid, Review of Lady Chatterley's Lover (1928)

• He had a mystical philosophy of "blood" which I disliked. "There is," he said, "another seat of consciousness than the brain and nerves. There is a blood consciousness which exists in us independently of the ordinary mental consciousness. One lives, knows and has one's being in the blood, without any reference to nerves and brain. This is one half of life belonging to the darkness. When I take a woman, then the blood percept is supreme. My blood knowing is overwhelming. We should realize that we have a blood being, a blood consciousness, a blood soul complete and apart from a mental and nerve consciousness." This seemed to me frankly rubbish, and I rejected it vehemently, though I did not then know that it led straight to Auschwitz.
  • Bertrand Russell, in Portraits From Memory And Other Essays (1956), p. 114

• It seems to us now that his system, for all its fervour, was largely negative, a mere assertion of his denial of the system of his upbringing. His God, for instance, must be the exact opposite of the 'gentle Jesus' of his childhood. There must be nothing at all gentle about the "dark" force to which the dark independent outlaws of his dreams would owe a sort of reverence. . . .The community to which Lawrence looked forward, the leaders and the led, is established. Men act, instead of wasting their energies in abstract thought. And yet, if Lawrence had seen it, he would have been appalled. Fascism finally succeeded, at least temporarily, in making the synthesis that eluded Lawrence.
  • Rex Warner, The Cult of Power (1946)

• Although written many years ago, Lady Chatterley's Lover has just been reissued by Grove Press, and this fictional account of the day-by-day life of an English gamekeeper is still of considerable interest to outdoor-minded readers, as it contains many passages on pheasant-raising, the apprehending of poachers, ways to control vermin, and other chores and duties of the professional gamekeeper. Unfortunately, one is obliged to wade through many pages of extraneous material in order to discover and savour these sidelights on the management of a Midland shooting estate, and in this reviewer's opinion this book cannot take the place of J. R. Miller's Practical Gamekeeping.
  • Ed Zern, Field & Stream magazine, November 1959. Reprinted in Best of Ed Zern: Fifty Years of Fishing and Hunting from One of America's Best-Loved Outdoor Humorists, ISBN 1585743429

External links

• Works by D. H. Lawrence at Project Gutenberg
• Works by D. H. Lawrence at Project Gutenberg Australia (includes content not in the public domain in some jurisdictions)
• With the Guns article by Lawrence. Guardian (18 August 1914)
• The D. H. Lawrence Review