Yesterday (Beatles song)

"Yesterday" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was first released on the album Help! in August 1965, except in the United States, where it was issued as a single in September. The song reached number one on the US charts. It subsequently appeared on the UK EP Yesterday in March 1966 and made its US album debut on Yesterday and Today, in June 1966.

"Yesterday"
US picture sleeve
Single by the Beatles
B-side"Act Naturally"
Released
  • 6 August 1965 (1965-08-06) (UK Help! album)
  • 13 September 1965 (US single)
Format7-inch single
Recorded14, 17 June 1965
StudioEMI, London
GenreChamber pop[1]
Length2:03
LabelCapitol
Songwriter(s)Lennon–McCartney
Producer(s)George Martin
The Beatles US singles chronology
"Help!"
(1965)		 "Yesterday"
(1965)		 "Day Tripper" / "We Can Work It Out"
(1965)
Audio sample
  • file
  • help

McCartney's vocal and acoustic guitar, together with a string quartet, essentially made for the first solo performance of the band. It remains popular today and, with more than 2,200 cover versions,[2] is one of the most covered songs in the history of recorded music.[note 1] "Yesterday" was voted the best song of the 20th century in a 1999 BBC Radio 2 poll of music experts and listeners and was also voted the No. 1 pop song of all time by MTV and Rolling Stone magazine the following year. In 1997, the song was inducted into the Grammy Hall of Fame. Broadcast Music Incorporated (BMI) asserts that it was performed over seven million times in the 20th century.[4]

"Yesterday" is a melancholy ballad about the break-up of a relationship. The singer nostalgically laments for yesterday when he and his love were together, before she left because of something he said.[5] McCartney is the only member of the Beatles to appear on the track. The final recording was so different from other works by the Beatles that the band members vetoed the release of the song as a single in the United Kingdom, although other artists were quick to record versions of it for single release. The Beatles recording was issued as a single there in 1976 and peaked at number 8.

Origin

According to biographers of McCartney and the Beatles, McCartney composed the entire melody in a dream one night in his room at the Wimpole Street home of his then girlfriend Jane Asher and her family.[6] Upon waking, he hurried to a piano and played the tune to avoid forgetting it.[7]

McCartney's initial concern was that he had subconsciously plagiarised someone else's work (known as cryptomnesia). As he put it, "For about a month I went round to people in the music business and asked them whether they had ever heard it before. Eventually it became like handing something in to the police. I thought if no one claimed it after a few weeks then I could have it."[7]

Upon being convinced that he had not robbed anyone of their melody, McCartney began writing lyrics to suit it. As Lennon and McCartney were known to do at the time, a substitute working lyric, titled "Scrambled Eggs" (the working opening verse was "Scrambled eggs/Oh my baby how I love your legs/Not as much as I love scrambled eggs"), was used for the song until something more suitable was written.[8] The original song, "Scrambled Eggs", was written to hold the music and phrasing in place.

During the shooting of Help!, a piano was placed on one of the stages where filming was being conducted and McCartney took advantage of this opportunity to tinker with the song. Richard Lester, the director, was eventually greatly annoyed by this and lost his temper, telling McCartney to finish writing the song or he would have the piano removed.[9] The patience of the other Beatles was also tested by McCartney's work in progress; George Harrison summed this up when he said: "Blimey, he's always talking about that song. You'd think he was Beethoven or somebody!"[10]

McCartney originally claimed he had written "Yesterday" during the Beatles' tour of France in 1964; however, the song was not released until the summer of 1965. During the intervening time, the Beatles released two albums, A Hard Day's Night and Beatles for Sale, each of which could have included "Yesterday". Although McCartney has never elaborated on his claims, a delay may have been due to a disagreement between McCartney and George Martin regarding the song's arrangement, or the opinion of the other Beatles who felt it did not suit their image.[7]

Lennon later indicated that the song had been around for a while before:

The song was around for months and months before we finally completed it. Every time we got together to write songs for a recording session, this one would come up. We almost had it finished. Paul wrote nearly all of it, but we just couldn't find the right title. We called it 'Scrambled Eggs' and it became a joke between us. We made up our minds that only a one-word title would suit, we just couldn't find the right one. Then one morning Paul woke up and the song and the title were both there, completed. I was sorry in a way, we'd had so many laughs about it.[11]

McCartney said the breakthrough with the lyrics came during a trip to Portugal in May 1965:

I remember mulling over the tune 'Yesterday', and suddenly getting these little one-word openings to the verse. I started to develop the idea ... da-da da, yes-ter-day, sud-den-ly, fun-il-ly, mer-il-ly and Yes-ter-day, that's good. All my troubles seemed so far away. It's easy to rhyme those a's: say, nay, today, away, play, stay, there's a lot of rhymes and those fall in quite easily, so I gradually pieced it together from that journey. Sud-den-ly, and 'b' again, another easy rhyme: e, me, tree, flea, we, and I had the basis of it.[12]

On 27 May 1965, McCartney and Asher flew to Lisbon for a holiday in Albufeira, Algarve, and he borrowed an acoustic guitar from Bruce Welch, in whose house they were staying, and completed the work on "Yesterday".[13] The song was offered as a demo to Chris Farlowe before the Beatles recorded it, but he turned it down as he considered it "too soft".[14] In a March 1967 interview with Brian Matthew, McCartney said that Lennon came up with the word that would replace "scrambled eggs": Yesterday.[15]

Resemblance to other songs

In 2001, Ian Hammond speculated that McCartney subconsciously based "Yesterday" on Ray Charles' version of Hoagy Carmichael's "Georgia on My Mind". Hammond concluded his article by saying that, despite the similarities, "Yesterday" is a "completely original and individual [work]".[11]

In July 2003, British musicologists stumbled upon superficial similarities between the lyric and rhyming schemes of "Yesterday" and Nat King Cole's and Frankie Laine's "Answer Me, My Love"; originally a German song by Gerhard Winkler and Fred Rauch called Mütterlein, it was a number 1 hit for Laine on the UK charts in 1953 as "Answer Me, O Lord", leading to speculation that McCartney had been influenced by the song. McCartney's publicists denied any resemblance between "Answer Me, My Love" and "Yesterday".[16] "Yesterday" begins with the lines: "Yesterday, all my troubles seemed so far away. Now it looks as though they're here to stay." In its second stanza, "Answer Me, My Love" has the lines: "You were mine yesterday. I believed that love was here to stay. Won't you tell me where I've gone astray".

Composition and structure

Ostensibly simple, featuring only McCartney playing an Epiphone Texan steel-string acoustic guitar[17] backed by a string quartet in one of the Beatles' first uses of session musicians,[18] "Yesterday" has two contrasting sections, differing in melody and rhythm, producing a sense of variety and fitting contrast.[19] The main melody is seven bars in length, extremely rare in popular song, while the bridge, or "middle eight", is the more standard form of eight bars; often two four-bar phrases combined.

The first section ("Yesterday, all my troubles seemed so far away ...") opens with an F chord (the 3rd of the chord is omitted), then moving to Em7[20] before proceeding to A7 and then to D-minor.[21] In this sense, the opening chord is a decoy; as musicologist Alan Pollack points out, the home key (F-major) has little time to establish itself before "heading towards the relative D-minor".[21] He points out that this diversion is a compositional device commonly used by Lennon and McCartney, which he describes as "deferred gratification".[21]

The second section ("Why she had to go I don't know ...") is, according to Pollack, less musically surprising on paper than it sounds. Starting with Em7,[20] the harmonic progression quickly moves through the A-major, D-minor, and (closer to F-major) B♭, before resolving back to F-major, and at the end of this, McCartney holds F while the strings descend to resolve to the home key to introduce the restatement of the first section, before a brief hummed closing phrase.[21]

Pollack described the scoring as "truly inspired", citing it as an example of "[Lennon & McCartney's] flair for creating stylistic hybrids";[21] in particular, he praises the "ironic tension drawn between the schmaltzy content of what is played by the quartet and the restrained, spare nature of the medium in which it is played".[21]

The tonic key of the song is F major (although, since McCartney tuned his guitar down a whole step, he was playing the chords as if it were in G), where the song begins before veering off into the key of D minor. It is this frequent use of the minor, and the ii-V7 chord progression (Em and A7 chords in this case) leading into it, that gives the song its melancholy aura. The A7 chord is an example of a secondary dominant, specifically a V/vi chord. The G7 chord in the bridge is another secondary dominant, in this case a V/V chord, but rather than resolve it to the expected chord, as with the A7 to Dm in the verse, McCartney instead follows it with the IV chord, a B♭. This motion creates a descending chromatic line of C–B–B♭–A to accompany the title lyric.

The string arrangement reinforces the song's air of sadness, in the groaning cello line that connects the two halves of the bridge, notably the "blue" seventh in the second bridge pass (the E♭ played after the vocal line "I don't know / she wouldn't say") and in the descending run by the viola that segues the bridge back into the verses, mimicked by McCartney's vocal on the second pass of the bridge.[22][21] This viola line, the "blue" cello phrase, the high A sustained by the violin over the final verse and the minimal use of vibrato are elements of the string arrangement attributable to McCartney rather than George Martin.[23]

When the song was performed on The Ed Sullivan Show, it was done in the above-mentioned key of F, with McCartney as the only Beatle to perform, and the studio orchestra providing the string accompaniment. However, all of the Beatles played in a G-major version when the song was included in tours in 1965 and 1966.

When McCartney appeared on The Howard Stern Show, he stated that he owns the original lyrics to "Yesterday" written on the back of an envelope. McCartney later performed the original "Scrambled Eggs" version of the song, plus additional new lyrics, with Jimmy Fallon and the Roots on Late Night with Jimmy Fallon.[24]

Recording
Replica of the Epiphone Texan acoustic guitar played by McCartney on the song

The track was recorded at Abbey Road Studios on 14 June 1965, immediately following the taping of "I'm Down", and four days before McCartney's 23rd birthday. There are conflicting accounts of how the song was recorded. Some sources state that McCartney and the other Beatles tried a variety of instruments, including drums and an organ, and that George Martin later persuaded them to allow McCartney to play his Epiphone Texan steel-string acoustic guitar, later overdubbing a string quartet for backup. Regardless, none of the other band members were included in the final recording.[25][26]

McCartney performed two takes of "Yesterday" on 14 June 1965.[27][28] Take 2 was deemed better and used as the master take. On 17 June, an additional vocal track by McCartney and a string quartet were overdubbed on take 2 and that version was released.[28]

Take 1, without the string overdub, was later released on the Anthology 2 compilation. On take 1, McCartney can be heard giving chord changes to Harrison before starting, but while Harrison does not appear to actually play, he was most certainly present because his voice is captured on the session tapes. Take 2 had two lines transposed from the first take: "There's a shadow hanging over me"/"I'm not half the man I used to be",[29] though it seems clear that their order in take 2 was the correct one, because McCartney can be heard, in take 1, suppressing a laugh at his mistake.

In 2006, just before the album Love was released, George Martin elaborated on the recording set-up of the song:[30]

Paul played his guitar and sang it live, a mic on the guitar and mic on the voice. But, of course, the voice comes on to the guitar mic and the guitar comes on to the voice mic. So there's leakage there. Then I said I'd do a string quartet. The musicians objected to playing with headphones, so I gave them Paul's voice and guitar on two speakers either side of their microphones. So there's leakage of Paul's guitar and voice on the string tracks.

The leakage of sound from one track to another caused concern when the surround version of the song was mixed for Love, but it was decided to include the track nevertheless. As Martin explained in the liner notes of Love:[31]

We agonised over the inclusion of "Yesterday" in the show. It is such a famous song, the icon of an era, but had it been heard too much? The story of the addition of the original string quartet is well known, however, few people know how limited the recording was technically, and so the case for not including it was strong, but how could we ignore such a marvellous work? We introduced it with some of Paul's guitar work from "Blackbird", and hearing it now, I know it was right to include it. Its simplicity is so direct; it tugs at the heartstrings.

Release

Concerning the debate on how the song should be released, Martin later said: "['Yesterday'] wasn't really a Beatles record and I discussed this with Brian Epstein: 'You know this is Paul's song ... shall we call it Paul McCartney?' He said 'No, whatever we do we are not splitting up the Beatles.'"[32] Since "Yesterday" was unlike the Beatles' previous work and did not fit in with their image, the Beatles refused to permit the release of a single in the United Kingdom. This did not prevent Matt Monro from recording the first of many cover versions of "Yesterday". His version made it into the top ten in the UK charts soon after its release in the autumn of 1965.[26]

The Beatles' influence over their US record label, Capitol, was not as strong as it was over EMI's Parlophone label in Britain. A single was released in the US, pairing "Yesterday" with "Act Naturally", a track which featured vocals by Starr.[33] The single was released on 13 September 1965 and topped the Billboard Hot 100 chart for four weeks, beginning on 9 October. The song spent a total of 11 weeks on the chart, selling a million copies within five weeks.[34] The single was also number one for three weeks on the US Cash Box pop singles chart the same year.

"Yesterday" was the fifth of six number one The Beatles' singles in a row on the American charts, a record at the time.[35] The other singles were "I Feel Fine", "Eight Days a Week", "Ticket to Ride", "Help!" and "We Can Work It Out".[36] On 4 March 1966, the song was issued as the title track of the British EP Yesterday. On 26 March, the EP went to number one, a position it held for two months.[34] Later that year, "Yesterday" was included as the title track of the North American album Yesterday and Today.

"Yesterday" was released on the album A Collection of Beatles Oldies a compilation album released in the United Kingdom in December 1966, featuring hit singles and other songs issued by the group between 1963 and 1966.

On 8 March 1976, "Yesterday" was released by Parlophone as a single in the UK, featuring "I Should Have Known Better" on the B-side. The single peaked at number 8 on the UK Singles Chart. The release came about due to the expiration of the Beatles' contract with EMI, which allowed the company to repackage the Beatles' recordings as they wished. EMI reissued all 22 of the Beatles' UK singles, plus "Yesterday", on the same day, leading to six of them placing on the UK chart.[34]

In 2006, a version of the song was included on the album Love. The version begins with the acoustic guitar intro from the song "Blackbird" transposed down a whole step to F major from its original key G to transition smoothly into "Yesterday".

Reception and legacy

"Yesterday" is one of the most recorded songs in the history of popular music. Its entry in Guinness World Records states that, by January 1986, 1,600 cover versions had been made.[2] After Muzak switched in the 1990s to programs based on commercial recordings, its inventory grew to include about 500 "Yesterday" covers.[37]

"Yesterday" won the Ivor Novello Award for "Outstanding Song of 1965",[38] and came second for "Most Performed Work of the Year", behind the Lennon–McCartney composition "Michelle". The song has received its fair share of acclaim in more recent times as well, ranking 13th on Rolling Stone's 2004 list "The 500 Greatest Songs of All Time"[39] and fourth on the magazine's list "The Beatles 100 Greatest Songs" (compiled in 2010).[40][41] In 1999, Broadcast Music Incorporated (BMI) placed "Yesterday" third on their list of songs of the 20th century most performed on American radio and television, with approximately seven million performances. "Yesterday" was surpassed only by the Association's "Never My Love" and the Righteous Brothers' "You've Lost That Lovin' Feelin'".[42] "Yesterday" was voted Best Song of the 20th century in a 1999 BBC Radio 2 poll.[43]

The song was inducted into the Grammy Hall of Fame in 1997. Although it was nominated for Song of the Year at the 1966 Grammy Awards, it lost out to Tony Bennett's "The Shadow of Your Smile".[44][45] "Yesterday" was nominated for six Grammys in total that year, and "Help!" was also nominated in four categories.[46] After the band had failed to win any of the ten awards, Alan Livingston, the head of Capitol Records, officially protested about the results, saying that "Yesterday" being passed over for the Song of the Year "makes a mockery of the whole event".[47]

Following the Beatles' break-up, McCartney (pictured with his wife Linda in 1976) began performing the song live in 1975 during his Wings Over the World tour.

Chuck Berry said that "Yesterday" was the song that he wished that he had written.[48] "Yesterday" has also been criticised for being mundane and mawkish. Bob Dylan had a marked dislike for the song, stating that "If you go into the Library of Congress, you can find a lot better than that. There are millions of songs like 'Michelle' and 'Yesterday' written in Tin Pan Alley." Accompanied by Harrison, Dylan recorded his own version of "Yesterday" four years later, but it was never released.[25]

Shortly before his death in 1980, Lennon commented that "Although the lyrics don't resolve into any sense, they're good lines. They certainly work ... but if you read the whole song, it doesn't say anything" and added the song was "beautiful – and I never wished I'd written it".[49] Lennon made reference to "Yesterday" in his song "How Do You Sleep?" on his 1971 album Imagine. The song appears to attack McCartney with the line "The only thing you done was yesterday, but since you've gone you're just another day", a reference to McCartney's recent hit "Another Day". At the 2006 Grammy Awards, McCartney performed "Yesterday" live as a mash-up with Linkin Park and Jay Z's "Numb/Encore".

In 2012, the BBC reported that "Yesterday" remained the fourth most successful song of all-time in terms of royalties paid, having amassed a total of £19.5 million in payments.[50]

Personnel

According to Mark Lewisohn[27] and Ian MacDonald:[51]

  • Paul McCartney – vocal, acoustic guitar
  • Tony Gilbert – violin
  • Sidney Sax – violin
  • Kenneth Essex – viola
  • Peter Halling/Francisco Gabarro – cello
  • George Martin – producer, string arrangement
  • Norman Smith – engineer

Charts and certifications

Notes
  1. At one time, Guinness World Records cited "Yesterday" with the most cover versions of any song ever written – 2,200. However, "Summertime", an aria composed by George Gershwin for the 1935 opera Porgy and Bess has been claimed to have well over 30,000 recorded performances, far more than the 1,600 claimed for "Yesterday".[3]

References
  1. Gorlinski 2010, p. 275.
  2. Guinness World Records 2009.
  3. "The Summertime Connection". Archived from the original on 7 September 2011. Retrieved 31 August 2011.
  4. "BMI Announces Top 100 Songs of the Century". BMI. 13 December 1999. Retrieved 26 June 2016.
  5. "Top 21 Songs About Nostalgia". Consequence of Sound. 3 September 2018. Retrieved 30 June 2019.
  6. Turner 2005, p. 83.
  7. Cross 2005, pp. 464–465.
  8. Miles 1997, pp. 201–202.
  9. Miles 1997, p. 203.
  10. Coleman 1995, p. 11.
  11. Hammond 2001.
  12. Miles 1997, p. 204.
  13. Miles 1997, pp. 204–205.
  14. Napier-Bell 2001, p. 100.
  15. Howlett, Kevin (2013). The Beatles: The BBC Archives: 1962–1970. Harper Design. ISBN 978-0-06-228853-0.CS1 maint: ref=harv (link)
  16. BBC News 2003.
  17. Everett 1999, p. 12.
  18. Everett 1999, p. 13.
  19. Everett 1999, p. 15.
  20. Pollack calls it an E diminished, the published sheet music shows Em7.
  21. Pollack 1993.
  22. Cahill 2005, p. 162.
  23. Ray Colman. "A String Quartet". McCartney: Yesterday & Today.
  24. Paul McCartney sings "Scrambled Eggs" (the original "Yesterday"). Archived 26 December 2010 at the Wayback Machine
  25. Mallick 2000.
  26. Unterberger 2006.
  27. Lewisohn 1994, p. 10.
  28. Lewisohn 1988, p. 59.
  29. The Beatles 2000, pp. 2–10.
  30. Rees 2006.
  31. George Martin's liner notes to Love, Apple/Parlophone 094638078920.
  32. The Beatles 2000, p. 175.
  33. Wallgren 1982, p. 43.
  34. Cross 2004.
  35. "Billboard Magazine – Buy Mag – Billboards Charts – Top 10 20 40 100 Music Chart – Singles – Albums". Music.us. Archived from the original on 7 February 2012. Retrieved 9 January 2012.
  36. Wallgren 1982, pp. 38–45.
  37. Owen 2006.
  38. Miles 2001, p. 236.
  39. Rolling Stone 2007.
  40. Rolling Stone 2010.
  41. "4. Yesterday". 100 Greatest Beatles Songs. Rolling Stone. Retrieved 21 May 2013.
  42. BMI 2007.
  43. BBC News 1999.
  44. "GRAMMY Hall of Fame". Archived from the original on 22 January 2011. Retrieved 27 January 2014.
  45. "The Beatles". Grammy.com. Retrieved 27 January 2014.
  46. Miles 2001, p. 226.
  47. Miles 2001, p. 227.
  48. "FOX 2 Exclusive: An Interview With Chuck Berry". Retrieved 28 December 2013.
  49. Sheff, David. (1981) The Playboy Interviews with John Lennon and Yoko Ono p. 118
  50. "BBC4….The World's Richest Songs". Did You Watch It?. Archived from the original on 1 January 2016.
  51. MacDonald 2008, p. 157.
  52. Kent, David (2005). Australian Chart Book (1940–1969). Turramurra: Australian Chart Book. ISBN 0-646-44439-5.
  53. "Austriancharts.at – The Beatles – Yesterday" (in German). Ö3 Austria Top 40. Retrieved 16 May 2016.
  54. "Ultratop.be – The Beatles – Yesterday" (in Dutch). Ultratop 50. Retrieved 16 May 2016.
  55. "Dutchcharts.nl – The Beatles – Yesterday" (in Dutch). Single Top 100. Retrieved 16 May 2016.
  56. "Flavour of New Zealand, 11 November 1965". Flavourofnz.co.nz. Retrieved 30 June 2019.
  57. "Norwegiancharts.com – The Beatles – Yesterday". VG-lista. Retrieved 16 May 2016.
  58. "Swedish Charts 1962–March 1966/Kvällstoppen – Listresultaten vecka för vecka > November 1965" (PDF) (in Swedish). hitsallertijden.nl. Retrieved 27 June 2018.
  59. "The Beatles Chart History (Hot 100)". Billboard. Retrieved 16 May 2016.
  60. Hoffmann, Frank (1983). The Cash Box Singles Charts, 1950–1981. Metuchen, NJ & London: The Scarecrow Press, Inc. pp. 32–34.
  61. "Offizielle Deutsche Charts" (Enter "Beatles" in the search box) (in German). GfK Entertainment Charts. Retrieved 16 May 2016.
  62. "The Irish Charts – Search Results – Yesterday". Irish Singles Chart. Retrieved 16 May 2016.
  63. "Official Singles Chart Top 100". Official Charts Company. Retrieved 16 May 2016.
  64. "Spanishcharts.com – The Beatles – Yesterday" Canciones Top 50. Retrieved 17 May 2016.
  65. "Listy bestsellerów, wyróżnienia :: Związek Producentów Audio-Video". Polish Airplay Top 100. Retrieved 10 December 2011.
  66. "British single certifications – The Beatles – Yesterday". British Phonographic Industry. Retrieved 16 August 2019. Select singles in the Format field. Select Silver in the Certification field. Type Yesterday in the "Search BPI Awards" field and then press Enter.
  67. "American single certifications – The Beatles – Yesterday". Recording Industry Association of America. Retrieved 14 May 2016. If necessary, click Advanced, then click Format, then select Single, then click SEARCH. 
  • "All We Are Saying: Three Weeks with John Lennon". NPR News. 9 October 2010. Retrieved 9 October 2010.
  • "Artist chart history: Wet Wet Wet". The Official Charts. 2010. Retrieved 8 December 2010.
  • The Beatles (2000). The Beatles Anthology. San Francisco: Chronicle Books. ISBN 0-8118-2684-8.CS1 maint: ref=harv (link)
  • "BMI Announces Top 100 Songs of the Century". BMI. 2007. Retrieved 9 March 2007.
  • Cahill, Greg (June–July 2005). "Encore: It Was 40 Years Ago Today – How the Beatles Launched a String-Playing Revolution". Strings Go to Journal Record. 20:1:130.CS1 maint: ref=harv (link)
  • Coleman, Ray (1995). Yesterday & Today. London: Boxtree Limited. ISBN 0-7522-1669-4.CS1 maint: ref=harv (link)
  • Cross, Craig (2004). "American singles". Archived from the original on 22 March 2014. Retrieved 9 December 2004.CS1 maint: ref=harv (link)
  • Cross, Craig (2004). "BRITISH EPS". Retrieved 14 January 2006.CS1 maint: ref=harv (link)
  • Cross, Craig (2004). "British singles". Retrieved 9 December 2004.CS1 maint: ref=harv (link)
  • Cross, Craig (2005). The Beatles: Day-by-Day, Song-by-Song, Record-by-Record. Lincoln, NE: iUniverse, Inc. ISBN 0-595-34663-4.CS1 maint: ref=harv (link)
  • "ENTERTAINMENT | Bruch and Beatles top radio polls". BBC News. 6 April 1999. Retrieved 3 February 2009.
  • Everett, Walter (1999). The Beatles as Musicians: Revolver through the Anthology. Oxford University Press, USA. ISBN 978-0-19-512941-0.CS1 maint: ref=harv (link)
  • Gorlinski, Gini, ed. (2010). The 100 Most Influential Musicians of All Time. New York, NY: Britannica Educational Publishing. ISBN 978-1-61530-006-8.CS1 maint: ref=harv (link)
  • Hall, Claude (30 October 1965). Billboard. p. 40. ISSN 0006-2510.CS1 maint: ref=harv (link)
  • Hammond, Ian (2001). "Old sweet songs". Retrieved 28 August 2009.CS1 maint: ref=harv (link)
  • "Help!: Yesterday". Beatles Interview Database. 2009. Retrieved 17 May 2009.
  • Ignatius, Adi (19 December 2007). "A Tsar Is Born". Time. Retrieved 3 February 2009.CS1 maint: ref=harv (link)
  • "King Cole 'influenced' Beatles hit". BBC News. 7 July 2003.
  • Lewisohn, Mark (1988). The Beatles Recording Sessions. New York: Harmony Books. ISBN 0-517-57066-1.CS1 maint: ref=harv (link)
  • Lewisohn, Mark (1994). Anthology 2 (booklet). The Beatles. London: Apple Records. 31796.CS1 maint: ref=harv (link)
  • MacDonald, Ian (2008). Revolution in the Head, 2nd revised edition. London: Vintage Books. ISBN 978-0-09-952679-7.CS1 maint: ref=harv (link)
  • Mallick, Heather (22 November 2000). "Past Perfect". Globe and Mail. Canada. Retrieved 2 January 2011.CS1 maint: ref=harv (link)
  • Miles, Barry (1997). Paul McCartney: Many Years From Now. New York: Henry Holt & Company. ISBN 0-8050-5249-6.CS1 maint: ref=harv (link)
  • Miles, Barry (2001). The Beatles Diary Volume 1: The Beatles Years. London: Omnibus Press. ISBN 0-7119-8308-9.CS1 maint: ref=harv (link)
  • "Most Recorded Song". Guinness World Records. 2009. Archived from the original on 10 September 2006. Retrieved 12 May 2009.
  • Napier-Bell, Simon (2001). Black Vinyl, White Powder: The Real Story of the British Music Industry. Ebury Press. ISBN 978-0-09-186992-2.CS1 maint: ref=harv (link)
  • Ortiz, Marcos (2005). "Marcos' Beatles Page – Yesterday". Archived from the original on 20 December 2005. Retrieved 14 January 2006.CS1 maint: ref=harv (link)
  • Pollack, Alan W (1 February 1993). "Notes on "Yesterday"". Notes On ... Series. Retrieved 14 January 2006.CS1 maint: ref=harv (link)
  • Rees, Jasper (25 October 2006). "The Beatles as never before". The Telegraph. Retrieved 20 December 2011.CS1 maint: ref=harv (link)
  • "The RS 500 Greatest Songs of All Time". Rolling Stone. 2007. Retrieved 28 February 2007.
  • "The RS 100 Greatest Beatles Songs of All Time". Rolling Stone. 2011. Retrieved 19 September 2011.
  • Owen, David (10 April 2006). "The Soundtrack of Your Life". The New Yorker.CS1 maint: ref=harv (link)
  • Scott, Kirsty (2 June 2003). "Lennon and McCartney? Let it be". The Guardian. Retrieved 24 January 2010.CS1 maint: ref=harv (link)
  • Turner, Steve (2005). A Hard Day's Write: The Stories Behind Every Beatles Song (3rd ed.). New York: Harper Paperbacks. ISBN 0-06-084409-4.CS1 maint: ref=harv (link)
  • Unterberger, Richie (2006). "Review of Yesterday". Allmusic. Retrieved 14 January 2006.CS1 maint: ref=harv (link)
  • Wallgren, Mark (1982). The Beatles on Record. New York: Simon & Schuster. ISBN 0-671-45682-2.CS1 maint: ref=harv (link)

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.