F. Scott Fitzgerald

Fitzgerald as a child in Minnesota

Born in 1896 in Saint Paul, Minnesota, to an upper-middle-class family, Fitzgerald was named after his famous second cousin, three times removed on his father's side, Francis Scott Key,[1] but was always known as Scott Fitzgerald. He was also named after his deceased sister, Louise Scott Fitzgerald,[2] one of two sisters who died shortly before his birth. "Well, three months before I was born," he wrote as an adult, "my mother lost her other two children ... I think I started then to be a writer."[3]

His father, Edward Fitzgerald, was of Irish and English ancestry, and had moved to St. Paul from Maryland after the American Civil War, and was described as "a quiet gentlemanly man with beautiful Southern manners".[4][5][6] His mother was Mary "Molly" McQuillan Fitzgerald, the daughter of an Irish immigrant who had made his fortune in the wholesale grocery business.[4] Edward Fitzgerald's first cousin once removed Mary Surratt was hanged in 1865 for conspiring to assassinate Abraham Lincoln.[7][8][9]

The Fitzgerald's home in Buffalo, New York. The Fitzgerald family never owned a house; they only rented.[10]

Scott Fitzgerald spent the first decade of his childhood primarily in Buffalo, New York, where his father worked for Procter & Gamble,[11] with a short interlude in Syracuse, New York, (between January 1901 and September 1903).[12] Edward Fitzgerald had earlier worked as a wicker furniture salesman; he joined Procter & Gamble when the business failed.[13][14] His parents, both Catholic, sent Fitzgerald to two Catholic schools on the West Side of Buffalo, first Holy Angels Convent (1903–1904, now disused) and then Nardin Academy (1905–1908). His formative years in Buffalo revealed him to be a boy of unusual intelligence with a keen early interest in literature. His doting mother ensured that her son had all the advantages of an upper-middle-class upbringing.[15] Her inheritance and donations from an aunt allowed the family to live a comfortable lifestyle.[16] In a rather unconventional style of parenting, Fitzgerald attended Holy Angels with the peculiar arrangement that he go for only half a day—and was allowed to choose which half.[12]

In 1908, his father was fired from Procter & Gamble, and the family returned to Minnesota, where Fitzgerald attended St. Paul Academy in St. Paul from 1908 to 1911.[11] When he was 13, he saw his first piece of writing appear in print—a detective story published in the school newspaper.[17] In 1911, when Fitzgerald was 15 years old, his parents sent him to the Newman School, a prestigious Catholic prep school in Hackensack, New Jersey.[18] Fitzgerald played on the 1912 Newman football team.[19] At Newman, he met Father Sigourney Fay, who noticed his incipient talent with the written word and encouraged him to pursue his literary ambitions.[14]

After graduating from the Newman School in 1913, Fitzgerald enrolled at Princeton University, where he tried out for the football team and was cut the first day of practice.[19] Honing his craft as a writer, at Princeton became friends with future critics and writers, including Edmund Wilson and John Peale Bishop.[20] He wrote for the Princeton Triangle Club, the Nassau Lit,[21] and the Princeton Tiger. He also was involved in the American Whig-Cliosophic Society, which ran the Nassau Lit.[22] His absorption in the Triangle—a kind of musical-comedy society—led to his submission of a novel to Charles Scribner's Sons where the editor praised the writing but ultimately rejected the book.[11] Four of the University's eating clubs sent him bids at midyear, and he chose the University Cottage Club (where Fitzgerald's desk and writing materials are still displayed in its library) known as "the 'Big Four' club that was most committed to the ideal of the fashionable gentleman".[20]

Ginevra King in 1916

It was while attending Princeton that Fitzgerald met Chicago socialite and debutante Ginevra King on a visit back home in St. Paul.[23] King and Fitzgerald had a romantic relationship from 1915 to 1917.[24] Immediately infatuated with her, according to Mizner, Fitzgerald "remained devoted to Ginevra as long as she would allow him to", and wrote to her "daily the incoherent, expressive letters all young lovers write".[20] She would become his inspiration for the character of Isabelle Borgé, Amory Blaine's first love in This Side of Paradise,[25] for Daisy in The Great Gatsby, and several other characters in his novels and short stories.[26] Her father reportedly warned Fitzgerald that "Poor boys shouldn't think of marrying rich girls."[27] After their relationship ended in 1917, Fitzgerald requested that Ginevra destroy the letters that he had written to her.[24] He never destroyed the letters that King had sent him. After his death in 1940 his daughter "Scottie" sent the letters back to King where she kept them until her death. She never shared the letters with anyone.[28]

Fitzgerald's writing pursuits at Princeton came at the expense of his coursework, however, causing him to be placed on academic probation, and in 1917 he dropped out of university to join the Army. During the winter of 1917, Fitzgerald was stationed at Fort Leavenworth and was a student of future United States President and General of the Army Dwight Eisenhower whom he intensely disliked.[29] Worried that he might die in the War with his literary dreams unfulfilled, Fitzgerald hastily wrote The Romantic Egotist in the weeks before reporting for duty—and, although Scribners rejected it, the reviewer noted his novel's originality and encouraged Fitzgerald to submit more work in the future.[11][30] Fitzgerald would later regret not serving in combat, as detailed in his short story "I Didn’t Get Over" (1936).[31][32]

A photograph of Zelda published in Metropolitan Magazine

In 1918, Fitzgerald was commissioned a second lieutenant in the infantry and assigned to Camp Sheridan outside of Montgomery, Alabama. While at a country club, Fitzgerald met and fell in love with Zelda Sayre, the youngest daughter of Alabama Supreme Court justice Anthony D. Sayre and the "golden girl", in Fitzgerald's terms, of Montgomery society.[33] Their courtship was briefly interrupted in October when he was summoned north. He expected to be sent to France, but was instead assigned to Camp Mills, Long Island. While he was there, the Armistice with Germany was signed. He then returned to the base near Montgomery, and by December they were inseparable. Scott would later describe their behavior as "sexual recklessness."[34][35]

Upon his discharge on February 14, 1919, he moved to New York City, where he unsuccessfully begged each of the city editors of the seven newspapers for a job. He then turned to a career in advertising, hopeful that it would be lucrative enough to persuade Zelda to marry him.[36][37] Fitzgerald wrote to Zelda frequently, and by March 1920, Scott had sent Zelda his mother's ring, and the two had become engaged.[38] Many of Zelda's friends and members of her family were wary of the relationship, as they did not approve of Scott's excessive drinking, and Zelda's Episcopalian family did not like the fact that he was a Catholic.[39] At the time, Fitzgerald was working for the Barron Collier advertising agency, living in a single room at 200 Claremont Avenue in the Morningside Heights neighborhood on Manhattan's west side. Although he received a raise for creating a slogan for a laundry in Iowa: "We keep you clean in Muscatine", Fitzgerald was still relatively poor. Frustrated, he quit his job and left New York.[40][41]

F. Scott and Zelda in Minnesota in 1921

Despite working at an advertising firm and writing several short stories, he was unable to convince her that he would be able to support her, leading her to break off the engagement. Fitzgerald returned to his parents' house at 599 Summit Avenue, on Cathedral Hill, in St. Paul, to revise The Romantic Egotist, recast as This Side of Paradise, a semi-autobiographical account of Fitzgerald's undergraduate years at Princeton.[42] Fitzgerald was so short of money that he took up a job repairing car roofs.[30][43] His revised novel was accepted by Scribner's in the fall of 1919 and was published on March 26, 1920 and became an instant success, selling 41,075 copies in the first year.[44] It launched Fitzgerald's career as a writer and provided a steady income suitable to Zelda's needs. They resumed their engagement and were married at St. Patrick's Cathedral, New York.[45]

On Valentine's Day in 1921, while Scott was working to finish his second novel, The Beautiful and Damned, Zelda discovered she was pregnant. They decided to go to Scott's home in St. Paul, Minnesota to have the baby.[46] On October 26, 1921, she gave birth to their daughter and only child Frances Scott "Scottie" Fitzgerald. As she emerged from the anesthesia, Scott recorded Zelda saying, "Oh, God, goofo I'm drunk. Mark Twain. Isn't she smart—she has the hiccups. I hope it's beautiful and a fool—a beautiful little fool." Many of her words found their way into Scott's novels: in The Great Gatsby, the character Daisy Buchanan expresses a similar hope for her daughter.[47][48]

F. Scott Fitzgerald in 1921

In New York City Scott and Zelda quickly became celebrities, as much for their wild behavior as for the success of This Side of Paradise. They were ordered to leave both the Biltmore Hotel and the Commodore Hotel for their drunkenness.[49] Zelda once jumped into the fountain at Union Square. When Dorothy Parker first met them, Zelda and Scott were sitting atop a taxi. Parker said, "They did both look as though they had just stepped out of the sun; their youth was striking. Everyone wanted to meet him."[50] Their social life was fueled with alcohol. Publicly, this meant little more than napping when they arrived at parties, but privately it increasingly led to bitter fights.[51] To their delight, in the pages of the New York newspapers Zelda and Scott had become icons of youth and success—enfants terribles of the Jazz Age.[52][53][54] The couple would later be seen as the epitome of the period, with Ring Lardner Jr. labelling them "the prince and princess of their generation."[55]

After the birth of Scottie, Fitzgerald returned to writing The Beautiful and Damned.[56] But in early 1922, Zelda again became pregnant. Although some writers have claimed that Scott's diaries include an entry referring to "Zelda and her abortionist", there is, in fact, no such entry. Zelda's thoughts on the second pregnancy are unknown, but in the first draft of The Beautiful and Damned, the novel Scott was completing, he wrote a scene in which the main female character Gloria believes she is pregnant and Anthony suggests she "talk to some woman and find out what's best to be done. Most of them fix it some way." Anthony's suggestion was removed from the final version, a change which shifted focus from the abortion choice to Gloria's concern that a baby would ruin her figure.[57][58] Chapters of the book were serialized in Metropolitan Magazine in late 1921, and in March 1922, the book was published. Scribner's prepared an initial print run of 20,000 copies, and mounted an advertising campaign. It sold well enough to warrant additional print runs reaching 50,000 copies.[59]

Following Fitzgerald's adaptation of his short story "The Vegetable" into a play, he move to Great Neck, Long Island to be near Broadway. Although he hoped that this was the beginning of a lucrative career in theater, the play failed at its tryout in November 1923. Fitzgerald turned to short stories to pay the debt he had incurred in developing his play.[60] He despised his short stories, saying they were "all trash and it nearly broke my heart."[61] In 1922, Fitzgerald released Tales of the Jazz Age, which was composed of 11 short stories, all but two written before 1920.[62] This collection's title would lend itself to the eponymous time period.[63]

In spring 1924, Fitzgerald and his family moved to France, where he would begin writing his third novel, which would eventually become The Great Gatsby.[60] Fitzgerald had been planning the novel since 1923, when he told his publisher Maxwell Perkins of his plans "to write something new - something extraordinary and beautiful and simple and intricately patterned."[64] Initially titled Trimalchio, an allusion to the Latin work Satyricon, it followed the rise of a freedman to wealth and power. During the Fitzgeralds’ sojourn in Rome in late 1924, Fitzgerald would rewrite his manuscript several times, replacing the freedman with Jay Gatsby.[60][33] He declined an offer of $10,000 for the serial rights, fearing it would delay the book's publication, set for April 10, 1925. Upon its release, fellow writers T. S. Eliot, Edith Wharton, and Willa Cather praised Fizgerald's latest work, but it was snubbed by most critics and audiences.[64] The New York World ran a headline declaring "Fitzgerald's Latest A Dud".[65] For the rest of his life, The Great Gatsby experienced tepid sales. For example, in 1929 Fitzgerald only received royalties of $5.10 from the American edition and just $0.34 from the English edition.[66] It would take many decades for the novel to gain its present acclaim and popularity.[64]

During their stay in Paris, the Fitzgeralds lived at 58 rue de Vaugirard, seen here during a yellow vests protest in 2019.

Fitzgerald returned to France, where he would alternate between Paris and the French Riviera until 1926. He began writing his fourth novel, provisionally named The Boy Who Killed His Mother, Our Type, and then The World’s Fair. During this period he became friends with many members of the American expatriate community in Paris, including a relatively unknown Ernest Hemingway, whom Fitzgerald greatly admired.[33] Fitzgerald's friendship with Hemingway was quite effusive, as many of Fitzgerald's relationships would prove to be. Hemingway did not get on well with Zelda, however, and in addition to describing her as "insane" in his memoir A Moveable Feast,[67] Hemingway claimed that Zelda "encouraged her husband to drink so as to distract Fitzgerald from his work on his novel",[68] so he could work on the short stories he sold to magazines to help support their lifestyle. Like most professional authors at the time, Fitzgerald supplemented his income by writing short stories for such magazines as The Saturday Evening Post, Collier's Weekly, and Esquire, and sold his stories and novels to Hollywood studios. This "whoring", as Fitzgerald and, subsequently, Hemingway called these sales,[69] was a sore point in the two authors' friendship. Fitzgerald claimed that he would first write his stories in an 'authentic' manner, then rewrite them to put in the "twists that made them into salable magazine stories".[68]

While Scott had been writing The Great Gatsby, Zelda had become infatuated with a young French aviator, Edouard S. Jozan.[70] She spent afternoons swimming at the beach and evenings dancing at the casinos with Jozan. After six weeks, Zelda asked for a divorce. Scott at first demanded to confront Jozan, but instead dealt with Zelda's demand by locking her in their house, until she abandoned her request for divorce. Jozan did not know she'd asked for a divorce. He left the Riviera later that year, and the Fitzgeralds never saw him again. Later in life he told Zelda's biographer Milford that any infidelity was imaginary: "They both had a need of drama, they made it up and perhaps they were the victims of their own unsettled and a little unhealthy imagination."[71] In A Moveable Feast, Hemingway claimed that Zelda taunted Fitzgerald over the size of his penis. After examining it in a public restroom, Hemingway told Fitzgerald "You're perfectly fine," assuring him that it was larger than those of statues at the Louvre.[72] One of the most serious rifts occurred when Zelda told Scott that their sex life had declined because he was "a fairy" and was likely having a homosexual affair with Hemingway. There is no evidence that either was homosexual, but Scott nonetheless decided to have sex with a prostitute to prove his heterosexuality. Zelda found condoms that he had purchased before any encounter occurred, and a bitter fight ensued, resulting in lingering jealousy.[73] She later threw herself down a flight of marble stairs at a party because Scott, engrossed in talking to Isadora Duncan, was ignoring her.[74] In September 1924, Zelda overdosed on sleeping pills. The couple never spoke of the incident and refused to discuss whether it was a suicide attempt.[75]

In 1927, the Fitzgeralds returned to the United States, where they would rent "Ellerslie," a mansion near Wilmington, Delaware until 1929. Fitzgerald tried to continue working on his fourth novel, but by this point it had become clear that Zelda had an extreme mental illness as her behavior grew increasingly erratic. By 1930 she was diagnosed with schizophrenia[note 1]. Fitzgerald had her treated at a clinic in Switzerland. They returned to America in September 1931.[33] But once again, February 1932, she was hospitalized at the Phipps Clinic at Johns Hopkins University in Baltimore, Maryland.[77]

During this time, Fitzgerald rented the "La Paix" estate in the suburb of Towson, Maryland to work on his latest book, the story of the rise and fall of Dick Diver, a promising young psychiatrist who falls in love with and marries Nicole Warren, one of his patients. The book went through many versions, the first of which was to be a story of matricide. Some critics have seen the book as a thinly veiled autobiographical novel recounting Fitzgerald's problems with his wife, the corrosive effects of wealth and a decadent lifestyle, his own egoism and self-confidence, and his continuing alcoholism. Indeed, Fitzgerald was extremely protective of his "material" (i.e., their life together). When Zelda wrote and sent to Scribner's her own fictional version of their lives in Europe, Save Me the Waltz, Fitzgerald was angry and was able to make some changes prior to the novel's publication, and convince her doctors to keep her from writing any more about what he called his "material", which included their relationship. His book was finally published in 1934 as Tender Is the Night. Critics who had waited nine years for the followup to The Great Gatsby had mixed opinions about the novel. Most were thrown off by its three-part structure and many felt that Fitzgerald had not lived up to their expectations.[78] Hemingway and others have argued that such overly harsh criticism stemmed from superficial readings of the material, and Depression-era America's reaction to Fitzgerald's status as a symbol of Jazz Age excess.[79] The novel did not sell well upon publication, with only 12,000 sold in the first 3 months,[80] but, like the earlier Gatsby, the book's reputation has since risen significantly.[81]

Because of the their opulent lifestyle as well as the bills from Zelda's medical care, Fitzgerald was constantly in financial trouble and often required loans from his literary agent, Harold Ober, and his editor at Scribner's, Maxwell Perkins. When Ober decided not to continue advancing money to Fitzgerald, the author severed ties with his longtime friend and agent.[note 2][82] Fitzgerald's alcoholism and financial difficulties, in addition to Zelda's mental illness, made for difficult years in Baltimore. He was hospitalized nine times at Johns Hopkins Hospital, and his friend H. L. Mencken noted in a 1934 letter that "The case of F. Scott Fitzgerald has become distressing. He is boozing in a wild manner and has become a nuisance."[77] Nearly bankrupt, Fitzgerald spent most of 1936 and 1937 living in various hotels near Asheville, North Carolina.[83] Fitzgerald would later refer to this period of decline in his life as "The Crack-Up" in the eponymous short story.[84] Shortly after the release of this story, Hemingway would refer to Fitzgerald as "poor Scott" in his short story "The Snows of Kilimanjaro".[85]

With the arrival of the Great Depression, many of Fitzgerald's works were seen as elitist and materialistic. In 1933, Matthew Josephson scolded Fitzgerald: "There are ever so many Americans, we recall, who can’t be drinking champagne from morning to night, can’t ever go to Princeton or Montpar-nasse or even Greenwich Village for their finishing process."[86][87]

Fitzgerald wrote some unused dialogue for Gone with the Wind (1939), for which he received no credits.

In 1926, Fitzgerald was invited by producer John W. Considine Jr., to temporarily relocate to Hollywood in order to write a flapper comedy for United Artists. Scott and Zelda moved into a studio-owned bungalow in January of the following year and Fitzgerald soon met and began an affair with Lois Moran. The starlet became a temporary muse for the author and he rewrote Rosemary Hoyt, one of the central characters in Tender is the Night—who had been a male in earlier drafts—to closely mirror her. The trip exacerbated the couple's marital difficulties, and they left Hollywood after two months.[88][89] In the ensuing years, Zelda became increasingly violent and emotionally distressed, and in 1936, Fitzgerald had her placed in the Highland Hospital in Asheville, North Carolina.[90] The last time the two would see each other would be a 1939 trip to Cuba.[91] During this trip, Fitzgerald was beaten up when he tried to stop a cockfight and returned to the United States so intoxicated and exhausted that he was hospitalized.[92]

By the mid 1930s, Fitzgerald’s popularity and fame had greatly decreased, and consequently, he had begun to suffer financially. Public demand had decreased so much for Fitzgerald's works, that by 1936, his book royalties barely amounted to eighty dollars.[91] Although he reportedly found movie work degrading, Fitzgerald entered into a lucrative exclusive deal with Metro-Goldwyn-Mayer in 1937, that necessitated him moving to Hollywood, where he earned his highest annual income up to that point: $29,757.87.[93] During his two years in California, Fitzgerald rented a room at the Garden of Allah bungalow complex on Sunset Boulevard. In an effort to abstain from alcohol, Fitzgerald resorted to drinking large amounts of bottled Coca-Cola.[94] He also began a high-profile live-in affair with movie columnist Sheilah Graham.[95] At one point during their affair, Fitzgerald attempted to give her one of his books, but after visiting several bookstores, he realized that they had stopped carrying his books.[96] On occasions that Fitzgerald became drunk, he would tell others "whenever he was drunk, he would insist on telling people who he was and pressing them to recognize him - "I'm F. Scott Fitzgerald. You've read my books. You've read "The Great Gatsby," haven't you? Remember?"[97]

The projects Fitzgerald worked on included two weeks' unused dialog work on loanout to David Selznick for Gone with the Wind, and, for MGM, revisions on Madame Curie, for which he received no credits. His only screenplay credit is for Three Comrades. He also spent time during this period working on his fifth and final novel, The Love of the Last Tycoon, published posthumously as The Last Tycoon, based on film executive Irving Thalberg. In 1939, MGM terminated the contract, and Fitzgerald became a freelance screenwriter.[95] During his work on Winter Carnival, Fitzgerald went on an alcoholic binge and was treated by New York psychiatrist Richard H. Hoffmann.[98] Director Billy Wilder described Fitzgerald's foray into Hollywood as being like that of "a great sculptor who is hired to do a plumbing job."[99] From 1939 until his death in 1940, Fitzgerald mocked himself as a Hollywood hack through the character of Pat Hobby in a sequence of 17 short stories, later collected as "The Pat Hobby Stories", which garnered many positive reviews. The Pat Hobby Stories were originally published in Esquire between January 1940 and July 1941, even after Fitzgerald's death.[100] In his final year of life, Fitzgerald wrote his daughter "I wish now I'd never relaxed or looked back - but said at the end of 'The Great Gatsby': I've found my line - from now on this comes first. This is my immediate duty - without this I am nothing."[101]

Fitzgerald with a cigarette in 1937

Fitzgerald, an alcoholic since college, became notorious during the 1920s for his extraordinarily heavy drinking, which would undermine his health by the late 1930s. According to Zelda's biographer, Nancy Milford, Fitzgerald claimed that he had contracted tuberculosis, but Milford dismisses it as a pretext to cover his drinking problems; however, Fitzgerald scholar Matthew J. Bruccoli contends that Fitzgerald did in fact have recurring tuberculosis, and according to Milford, Fitzgerald biographer Arthur Mizener said that Fitzgerald suffered a mild attack of tuberculosis in 1919, and in 1929 he had "what proved to be a tubercular hemorrhage". Others have suggested that the writer's hemorrhage was caused by bleeding from esophageal varices.[102]

Fitzgerald's deteriorating mental state and drinking habits were captured publicly in an article published by Michel Mok titled "The Other Side of Paradise, Scott Fitzgerald, 40, Engulfed in Despair", first published in the New York Post, September 25, 1936.[103] This is considered to have caused considerable damage to Fitzgerald's reputation and it is rumored that Fitzgerald tried to commit suicide after reading it.[104] Fitzgerald suffered two heart attacks in the late 1930s. After the first, in Schwab's Drug Store, he was ordered by his doctor to avoid strenuous exertion. He moved in with the gossip columnist Sheilah Graham, who lived in Hollywood on North Hayworth Avenue, one block east of Fitzgerald's apartment on North Laurel Avenue. [95] Fitzgerald had two flights of stairs to climb to his apartment; Graham's was on the ground floor. On the night of December 20, 1940, Fitzgerald and Graham attended the premiere of This Thing Called Love starring Rosalind Russell and Melvyn Douglas. As the two were leaving the Pantages Theater, Fitzgerald experienced a dizzy spell and had trouble walking; upset, he said to Graham, "They think I am drunk, don't they?" [95]

the Fitzgeralds' current grave at St. Mary's in Rockville, Maryland, inscribed with the final sentence of The Great Gatsby

The following day, as Fitzgerald ate a candy bar and made notes in his newly arrived Princeton Alumni Weekly,[105] Graham saw him jump from his armchair, grab the mantelpiece, gasp, and fall to the floor. She ran to the manager of the building, Harry Culver, founder of Culver City. Upon entering the apartment to assist Fitzgerald, he stated, "I'm afraid he's dead." Fitzgerald had died of a heart attack at the age of 44. Dr. Clarence H. Nelson, Fitzgerald's physician, signed the death certificate.[106] Fitzgerald's body was moved to the Pierce Brothers Mortuary.[95]

Among the attendees at a visitation held at a funeral home was Dorothy Parker, who reportedly cried and murmured "the poor son-of-a-bitch", a line from Jay Gatsby's funeral in Fitzgerald's The Great Gatsby.[107][108][109] His body was transported to Bethesda, Maryland, where his funeral was attended by only thirty people; among the attendees were his only child, Frances "Scottie" Fitzgerald Lanahan Smith[note 3], and his editor, Maxwell Perkins.[110]

At the time of his death, the Roman Catholic Church denied the family's request that Fitzgerald, a non-practicing Catholic, be buried in the family plot in the Catholic Saint Mary's Cemetery in Rockville, Maryland. Fitzgerald was instead buried at Rockville Union Cemetery. When Zelda Fitzgerald died in 1948, in a fire at the Highland Mental Hospital in Asheville, North Carolina, she was originally buried next to him at Rockville Union. Only one photograph of the original gravesite is known to exist. It was taken in 1970 by Fitzgerald scholar Richard Anderson and was first published as part of an essay by fellow-scholar Bryant Mangum, "An Affair of Youth: in search of flappers, belles, and the first grave of the Fitzgeralds", in Broad Street Magazine in 2016.[111] In 1975, their daughter Scottie successfully petitioned to have the earlier decision revisited and her parents' remains were moved to the family plot in Saint Mary's.[112][113]

The 1921 silent film The Off-Shore Pirate was the first adaptation of any of Fitzgerald's works.

Fitzgerald's works have been adapted into films many times. One of the earliest Fitzgerald short stories was adapted into a 1921 silent film The Off-Shore Pirate. His short story, The Curious Case of Benjamin Button, was the basis for a 2008 film. Tender Is the Night was the subject of the eponymous 1962 film, and made into a television miniseries in 1985. The Beautiful and Damned was filmed in 1922 and 2010. The Great Gatsby has been the basis for numerous films of the same name, spanning nearly 90 years: 1926, 1949, 1974, 2000, and 2013 adaptations. In 1976, The Last Tycoon was filmed by Elia Kazan, with Robert de Niro, Tony Curtis, Robert Mitchum, Jeanne Moreau and others.[129]

Beyond his own characters, Fitzgerald himself has been portrayed in dozens of books, plays, and films. Fitzgerald was the main inspiration for Budd Schulberg's novel The Disenchanted (1950), which followed a screenplay writer in Hollywood working with a drunk and flawed novelist.[120] It was later adopted into a Broadway play starring Jason Robards.[130] A musical about the lives of Fitzgerald and wife Zelda Fitzgerald was composed by Frank Wildhorn titled Waiting for the Moon. Fitzgerald is of international appeal, as even the Japanese Takarazuka Revue has created a musical adaptation of Fitzgerald's life.[131] The last years of Fitzgerald and his affair with Sheilah Graham, the Hollywood gossip columnist, was the theme of the movie Beloved Infidel (1959) based on Graham's 1958 memoir by the same name.[95] The film depicts Fitzgerald (played by Gregory Peck) during his final years as a Hollywood scenarist and his relationship with Graham (played by Deborah Kerr). Another film, Last Call (2002) portrays the relationship between Fitzgerald (Jeremy Irons) and Frances Kroll Ring (Neve Campbell). David Hoflin and Christina Ricci portray the Fitzgerald’s in Amazon Prime's 2015 television series Z: The Beginning of Everything. Others include the TV movies Zelda (1993, with Timothy Hutton), F. Scott Fitzgerald in Hollywood (1976, with Jason Miller), and F. Scott Fitzgerald and 'The Last of the Belles' (1974, with Richard Chamberlain). Tom Hiddleston and Alison Pill appear briefly as Fitzgerald and Zelda in Woody Allen's 2011 feature film Midnight in Paris. Guy Pearce and Vanessa Kirby portray the couple in Genius (2016).

A mural depicting Fitzgerald in Saint Paul, Minnesota

Fitzgerald died before he could complete The Last Tycoon.[132][133] His manuscript, which included extensive notes for the unwritten part of the novel's story, was edited by his friend, the literary critic Edmund Wilson, and published in 1941 as The Last Tycoon. In 1994 the book was reissued under the original title The Love of The Last Tycoon, which is now agreed to have been Fitzgerald's preferred title.[134]

Some 2000 pages of work that Fitzgerald had written for Metro-Goldwyn-Mayer were purchased for $475,000 by the University of South Carolina in 2004. The school's Arlyn Bruccoli, a major archivist of work done by the Lost Generation, explained that the cache "corrects this distorted view of Fitzgerald's Hollywood years, the idea that he was just staggering around drunk all the time and not earning his salary."[94]

In 2015, an editor of The Strand Magazine discovered and published for the first time an 8,000-word manuscript, dated July 1939, of a Fitzgerald short story titled "Temperature".[135] Long thought lost, Fitzgerald's manuscript for the story was found in the rare books and manuscript archives at Princeton University, his alma mater.[136] As described by Strand, "Temperature", set in Los Angeles, tells the story of the failure, illness and decline of a once successful writer and his life among Hollywood idols, while suffering lingering fevers and indulging in light-hearted romance.[135] The protagonist is a 31-year-old self-destructive, alcoholic named Emmet Monsen, whom Fitzgerald describes in his story as "notably photogenic, slender and darkly handsome". It tells of his personal relationships as his health declined with various doctors, personal assistants, and a Hollywood actress who is his lover. "As for that current dodge 'No reference to any living character is intended' – no use even trying that", Fitzgerald writes at the beginning of the story.[136] Fitzgerald bibliographies had previously listed the story, sometimes referred to as "The Women in the House", as "unpublished", or as "Lost – mentioned in correspondence, but no surviving transcript or manuscript".[136]

An F. Scott Fitzgerald Society was established in 1992 at Hofstra University, and has since become an international association and an affiliate of the American Literature Association.[137] During the 2019–20 coronavirus pandemic, the society organized a mass online reading of This Side of Paradise to mark its centenary. [138] Fitzgerald is also the namesake of the Fitzgerald Theater in St. Paul, Minnesota, home of the radio broadcast of A Prairie Home Companion.[139]

Fitzgerald's childhood Summit Terrace home in St. Paul was listed as a National Historic Landmark in 1971.[140] Fitzgerald reportedly hated the house, labelling it "a mausoleum of American architectural monstrosities."[141]