Zuzanna Janin

Janin was a teenage actress in a Polish TV serial Szalenstwo Majki Skowron (Madness of Majka Skowron) created in 1976.[3][4]

She is an visual artist and participated in numerous shows in Europe and worldwide i.e. Pompidou Metz, Museum of Contemporary Art Chicago, Whitechapel London, Hoffmann Sammlung Berlin, Galerie Progr Bern; Hamburger Bahnhof Berlin, Kunsthalle Bern, Museum Moderne Kunst Stockholm, Salm National Gallery Prague,[5] Tate Exchange / Tate Modern London, TOP Tokyo Photographic Art Museum,[6] NOMUS National Gallery Gdańsk, and many other institutions, museums and galleries. She took part in Sonbeek'92, Sydney Biennale 1992, Istambul Biennal 1992, Liverpool Biennale 1996, Fokus Lodz Biennale 2010 and 54th Venice Art Biennale 2011.[7]

Janin had a solo presentation and screening at Kunstverein Salzburg;[8] National Gallery Zacheta Warsaw; Foksal Gallery Warsaw; Center for Contemporary Art Warsaw; Kunsthalle Wien Project Space;[9] Momentum Berlin, Sculpture Museum at Królikarnia National Museum Warsaw;[10] Museum of Modern Art Warsaw;[11][12][13] National Museum Cracow;[14] lokal_30 Warsaw; Galeria Federico Bianchi Milano; A.v.Scholz Galerie Berlin; Galeria Labirynt Lublin, City Gallery Gdańsk, ASAB Bogota/Colombia; MAM Museu de Arte Moderna Rio de Janeiro;[15] Temporary Gallery Cologne; MODEM Debrecen; Foksal Gallery Warsaw,[16] RazemPomoja Gallery Cracow; Trafostacja Sztuki Szczecin.

Her work includes the sculpture of cotton candy "Sweet Girl, Sweet Boy",[17] an installation made out of car models "Dreaming of Speed & Adventure",[18] the video installation "All that Music!" made of 6 simultaneous HD videos showing teenagers playing at home or the video-performance "Fight",[19][20] which portrays her fighting a never-ending-box-mach with a Polish heavy-weight world champion. The work is included i.e. in the Collection of National Museum Cracow,[21] Sammlung Hoffmann Berlin.[22]

In 2005, until 2012, Zuzanna Janin opened her studio in Warsaw for exhibition and event creating together with art historian and curator Agnieszka Rayzacher independent space in Warsaw called lokal_30. In 2012 lokal_30 changed the location into bigger space and is now operating as contemporary art gallery lokal_30, directed by Agnieszka Rayzacher.[23]

In 2009-2010, Janin started working on the first series of video installations Majka from the Movie. The video series is composed of non-narrative episodes based on the 1970s Polish television series Szaleństwo Majki Skowron (Madness of Majka Skowron).[24] Majka, a teenage girl vagabonds through a kaleidoscope of cinema and television frames from the 70s till present. Majka from the Movie is in the collections i.e. MAM Rio, National Museum Warsaw, Museum of Modern Art Warsaw, Hoffmann Sammlung Berlin.[25]

In 2013, she realized the first part of project "A Trip to Fear" after her a trip to prison colony to deep Russia - a sort of research expedition, poetic trip and family archeological excavations, based on discovery of photograph of the three orphaned children from the 19th century – unfolds in the realm of modern-day Russia, linking the binds between personal and universal memory. Parallel to her trip and video projects the artist works on the sculptures and installations: "Pasygraphy. SOLARIS" (series of objects made of clothing, invite reflection on the arbitrariness of social roles, their fluid boundaries, and the place of individual freedom within the workings of state and society), "All my Videos", "Volvo 240, Transformed Into 4Drones", "Seven Fathers" (she breaks the traditionally understood fatherhood, re-evaluates it and turns the fragments of her biography into an important and universal statement on one of the crucial crises of the contemporary).

In 2014-2018 she have done series of sculptures dealing with the problems of today, f.ex. violence, xenophobia, refugees problem and planet destruction: SHAME,[26] Cyber-Violence, In Bed with M. Sleeping Blue, Red from Shame, Black Like Me(selfies),[27] ROOMS[28][29] and sculptures Anthropocene from epoxy resin.[30][31]

Her sculptures was shown in a series of solo presentation in i.e.: TOP Photographic Museum Tokyo.[32][6]

She was nominated to the prize Paszporty Polityki in 1999, 2000, 2001 for her solo shows at CCA Warsaw, Foksal Gallery Warsaw and Zacheta National Gallery Warsaw. She was awarded the prize of "The Best Artist" on Art Vilnius'16 for her solo show "Volvo 240 Transformed Into 4 Drones" on special shows presentation.[33] Her sculpture presented in a public space Home Transformed Into Sphere was shown in the Open City Festival awarded "The Best Event of 2017". In 2018 she was awarded by WO (Wysokie Obcasy weekly) among "50 Brave Women 2018"[34] (for her honest interview on art and domestic violence).[27]

The artist is a member of the group of women experienced domestic violence SURWIWALKI / SURVIVORS, established at the Women's Rights Center in Warsaw.[35][36]

Janin was collaborated with a numerous artists and writers including Olga Tokarczuk who wrote a text[7] for her first catalogue.[37][38]

She plays a role of Natalia Rosińska Siłaczka in a Polish film on "SIŁACZKi / Strong Women"(2018) directed by Marta Dzido and Piotr Śliwowski, about the history of the first Polish Feminists fighting for Women's Right in 1918 in Poland.[39]

Janin's mother who survived a transport to Auschwitz, was famous Polish painter Maria Anto Zunanna Janin was married to P. Baranowski and M.Bałka.[40] Her children are: Mel Baranowska and Ignacy Bałka.

• "At the Venice Biennale", e-flux.com
• "Tajemnica Majki Skowron", wysokieobcasy.pl
• "Zuzanna Janin at Foksal Gallery. Home Transformed Into Geometric Solids" blouinartinfo.com
• "The art of showing unseen abuse -- an interview with artist Zuzanna Janin" newsmavens.com