Works of Edith Maryon

The following is a substantially incomplete list of the works of Edith Maryon.

Image	Title/Description	Date	Dimensions	Location	Comments
	Panel for screen	1899			Displayed at the New Gallery for the 1899 Arts and Crafts Exhibition Society exhibition.[1]
	Religion	1900			Sketch model of a figure for a public building. Exhibited at the Royal Academy of Arts in 1900, with the catalogue quoting Ephesians 6:11, "Put on the whole armour of God."[2][3]
	Model of a figure from the nude	1900			Displayed at the Victoria and Albert Museum as part of the 1900 National Competition of Schools of Art and Art Classes, where it won a gold medal.[4]
	Plaster relief	1900			Displayed at the 1900 exhibition of the Royal College of Art's South Kensington Sketch Club, where Maryon (possibly for this piece) won an award offered by The Artist for an adaptation of the human figure to some applied art object.[5]
	A Sketch in Clay	1900			Displayed at the 1900 exhibition of the Royal College of Art's South Kensington Sketch Club, where it won an award for modelling offered by Édouard Lantéri.[6]
	May Morning	1901			Relief, portion of a fireplace. Exhibited at the Royal Academy of Arts in 1901, with the catalogue quoting William Wordsworth, "When youths and maids At peep of dawn would rise, And wander forth, in forest glades Thy birth to solemnize."[7][3][8]
	Portrait medallion	1901			Metal in relief. Exhibited at the Royal Academy of Arts in 1901.[9][3]
	Joan d'Arc	1901			Relief. Exhibited at the 1901 Glasgow International Exhibition.[10][11]
	Religion	1901			Displayed at the Leeds City Art Gallery for the 1901 spring exhibition, priced at £15 15s.[12]
	Auf Weidersehn	1902			Displayed at the Leeds City Art Gallery for the 1902 spring exhibition, priced at £12 12s.[13]
	Cupid and Psyche	1902			Clasp, silver enamel. Exhibited at the Royal Academy of Arts in 1902.[14][3]
	Francis, son of Sir Rennell and Lady Rodd	1902			Medallion. Exhibited at the Royal Academy of Arts in 1902.[15][3]
	Miss Mildred Maryon	1903			Bust. Exhibited at the Royal Academy of Arts in 1903.[16][3]
	Mother and child	1903			Group. Exhibited at the Royal Academy of Arts in 1903.[16][17][3]
	Rev. Canon Rawnsley	1903			Bronze relief. Exhibited at the Royal Academy of Arts in 1903.[16][3]
	"Listen!" Evelyn and Gloria, children of Sir Rennell and Lady Rodd	1903			Exhibited at the Royal Academy of Arts in 1903.[18][19][3]
	Evelyn and Gloria, children of Sir Rennell and Lady Rodd	1904			Exhibited at the Royal Academy of Arts in 1904.[20][21][22][3]
	The Messenger of Death	1904			Exhibited at the Royal Academy of Arts in 1904.[23][24][25][3]
	The Triumph of Peace	1904			[26][27]
	Miss Rose Gough, daughter of the Hon. Mrs. Denison	1904			Marble bust. Exhibited at the Royal Academy of Arts in 1904.[16][3]
	Peace and war	1905			Sketch model for a frieze. Exhibited at the Royal Academy of Arts in 1905.[28]
	The Pixies' Ring	1906			Exhibited at the Royal Academy of Arts in 1906.[29][30]
	A Poet of Umbria	1907			[31]
	The Enchanted Garden	1908			Exhibited at the Royal Academy of Arts in 1908 .[32][33]
	A future Darwin	1908			Bust. Exhibited at the Royal Academy of Arts in 1908.[34]
	The Passing of Winter—Miss Maude Allan as Spring	1909			[35][36]
	Miss Maud Allan, in the "Dance of Anitra"	1909			Bronze statuette. Exhibited at the Royal Academy of Arts in 1909.[37]
	To the Witches' Revels	1909	37 cm high	Private collection	Patinated bronze, signed and dated in the cast. Auctioned for £3,400 in 2015.[38][39][40][41]
	Psyche	1909	43 cm high	Private collection	Bronze statuette. Exhibited at the Royal Academy of Arts in 1910.[42] Auctioned by Christie's in 1993 with an estimate of £1,000–1,500, but was bought in.[43][44]
	La danse d'Anitra	1910			[45][46]
	Priestess of Isis	1911			Exhibited at the Royal Academy of Arts in 1911.[47][48]
	The Priest	1911			[49]
	Echo	1911			Bronze statuette. Exhibited at the Royal Academy of Arts in 1911.[47]
	The seeker of Divine wisdom	1912			Exhibited at the Royal Academy of Arts in 1912, with the catalogue including the line "The seeker kneels before Wisdom; behind him stand Religion, Knowledge, Purity, Change; on the left side Natural Law or Science, Love, Inspiration or Prayer; seated figures Contemplation or Research."[50]
	Portrait of Bishop Alfred Tucker				[51][52]
	Bronze figurine of an infant		8 cm high	Private collection	Sold by East Bristol Auctions in February 2019.[53]

• "Auf Weidersehn". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 8 March 2020.
• B., H. B. (January 1911). "Studio Talk: Liverpool". The Studio. LI (214): 231–232.
• B., H. B. (January 1911). "Studio Talk: Liverpool". The International Studio. XVII (167): 231–232.
• "British Sculpture, in 1903, Technically Considered". The Magazine of Art. 1: 436–440. 1903.
• Catalogue of the Sixth Exhibition. London: Arts & Crafts Exhibition Society. 1899.
• The Exhibition of the Royal Academy of Arts. 132. London: Royal Academy of Arts. 1900.
• The Exhibition of the Royal Academy of Arts. 133. London: Royal Academy of Arts. 1901.
• The Exhibition of the Royal Academy of Arts. 134. London: Royal Academy of Arts. 1902.
• The Exhibition of the Royal Academy of Arts. 135. London: Royal Academy of Arts. 1903.
• The Exhibition of the Royal Academy of Arts. 136. London: Royal Academy of Arts. 1904.
• The Exhibition of the Royal Academy of Arts. 137. London: Royal Academy of Arts. 1905.
• The Exhibition of the Royal Academy of Arts. 138. London: Royal Academy of Arts. 1906.
• The Exhibition of the Royal Academy of Arts. 140. London: Royal Academy of Arts. 1908.
• The Exhibition of the Royal Academy of Arts. 141. London: Royal Academy of Arts. 1909.
• The Exhibition of the Royal Academy of Arts. 142. London: Royal Academy of Arts. 1910.
• The Exhibition of the Royal Academy of Arts. 143. London: Royal Academy of Arts. 1911.
• The Exhibition of the Royal Academy of Arts. 144. London: Royal Academy of Arts. 1912.
• Faxneld, Per (2017). "Witches as Rebels against Patriarchy". Satanic Feminism: Lucifer as the Liberator of Woman in Nineteenth-Century Culture. Oxford Studies in Western Esotericism. London: Ocford University Press. pp. 197–250. ISBN 978-0-19-066447-3.CS1 maint: ref=harv (link)
• Forrer, Leonard (1907). Biographical Dictionary of Medallists. III. London: Spink & Son.CS1 maint: ref=harv (link)
• Forrer, Leonard (1930). Biographical Dictionary of Medallists. VIII. London: Spink & Son.CS1 maint: ref=harv (link)
• Graves, Algernon (1906). The Royal Academy of Arts: A Complete Dictionary of Contributors and their Work from its Foundation in 1769 to 1904. V. London: Henry Graves and Co. Ltd.CS1 maint: ref=harv (link)
• International Exhibition Glasgow, 1901: Official Catalogue of the Fine Art Section. Glasgow: Chas. P. Watson. 1901.
• "Joan D'Arc". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 8 March 2020.
• K., H. W. R. (1900–1901). "The South Kensington Sketch Club Holiday Competition". The Artist: An Illustrated Monthly Record of Arts Crafts and Industries. New York: Truslove, Hanson & Comba. XXIX: 192–196.CS1 maint: ref=harv (link)
• Koch, Alex, ed. (1904). "Sculptures". Academy Architecture. 25: 117–132.CS1 maint: ref=harv (link)
• Koch, Alex, ed. (1908). Sculptures from "Academy Architecture," 1904–1908. London: Academy Architecture.CS1 maint: ref=harv (link)
• Koch, Alex, ed. (1909). "Sculptures". Academy Architecture. 35: 81–96.CS1 maint: ref=harv (link)
• Koch, Alex, ed. (1912). Sculptures from "Academy Architecture," 1909–1912. London: Academy Architecture.CS1 maint: ref=harv (link)
• "Louisa Edith Maryon (1872–1924)". Woolley & Wallis. 2015. Retrieved 7 July 2019.
• "National Competition of Schools of Art and Art Classes, 1900". The Artist: An Illustrated Monthly Record of Arts Crafts and Industries. New York: Truslove, Hanson & Comba. XXIX: 74–90. 1900–1901.
• The Nineteenth Century: The Properties of the late Sir Basil Fraser, 2nd Baronet of Cromarty; Clare, Duchess of Sutherland; and from various sources. London: Christie, Manson & Woods Ltd. 1993. OCLC 171301145.
• "Psyche, 1909, by Edith C. Maryon". ArtPrice. Retrieved 20 February 2020.
• "Rare Louisa Edith Church Maryon Bronze Figurine of an Infant". The Salesroom. Retrieved 21 February 2020.
• "Religion". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Retrieved 8 March 2020.
• Spielmann, M. H. (1901). British Sculpture and Sculptors of To-Day. London: Cassell and Company.CS1 maint: ref=harv (link)
• Tucker, Alfred R. (1908). Eighteen Years in Uganda and East Africa. I. London: Edwin Arnold.CS1 maint: ref=harv (link)
• Wordsworth, William (1870). "Ode, Composed on May Morning". The Poetical Works of William Wordsworth. IV. London: E. Moxon, Son, & Co. pp. 272–274.CS1 maint: ref=harv (link)