Water Serpents II
Water Serpents II, also referred to as Wasserschlangen II, is an oil painting made by Gustav Klimt in 1907. It is the follow-up painting to the earlier painting Water Serpents I. Like the first painting, Water Serpents II deals with the sensuality of women's bodies and same-sex relationships. The painting has a rich history. During World War II, it was stolen by the Nazis, and more recently, it has been the center of a controversy surrounding its record 2013 sale. As of December 2019, it is the 6th most expensive painting in the world and the most expensive work by Klimt to ever sell.
| Water Serpents II | |
|---|---|
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| Artist | Gustav Klimt |
| Year | 1904-1907 |
| Medium | Oil on canvas |
| Dimensions | 80 cm × 145 cm (31 in × 57 in) |
| Location | Private collection |
Origins
The painting is composed of oil on canvas. It was started by Klimt in 1904 and finished in either 1906 or 1907. It was originally commissioned for and owned by Jenny Steiner, the daughter of a Viennese industrialist. The painting was the last in a series of works, which include Moving Water (1898), Medicine (1901), Goldfish (1902), and Water Serpents I (1904), that all had water nymphs as the subjects of the painting.
Subject and Meaning
The painting features a group of water nymphs, portrayed in lustful bliss. There are four figures in the piece. The main two can be seen in the foreground in full nudity. The other two figures can be found in the top right corner of the piece, and we can only see their heads. On the surface, this painting can be seen as a non-controversial portrayal of mythical figures, which had been common in art for centuries. But if you look under the surface and keep Klimt's history in mind, it is clear that there is more to the story. Many people say the true purpose of the painting was to secretly portray a lesbian orgy. And since same-sex relationships were not acceptable at the time, Klimt disguised the women as mythical figures. This is supported by the fact that the main character’s pubic hair is showing, and she is glaring sensually at the viewer. This glare is reminiscent of the way the subject glares at the viewer in the controversial painting Olympia by Manet. This painting, and its lesbian subjects, is seen as a precursor to later Klimt paintings such as Women Friends (1917), which displayed lesbian relationships more openly.
History
World War II
The painting's owner, Jenny Steiner, was Jewish, and she was forced to flee Vienna to Portugal in 1938 under threat from the Nazis. Following Steiner's escape, the painting, like many others owned by Jews, was confiscated by the Nazis. Like many others, this painting was given to a Nazi party member. In this case, the painting was given to a Nazi filmmaker named Gustav Ucicky. Ironically, Ucicky is actually rumored to be one of Klimt's many illegitimate children.
Post War
Following the end of the war, Gustav Ucicky retained possession of the painting, and it hung on a wall in his apartment in Vienna. In 1961, Ucicky died, and he left the painting to his wife, Ursula. This whole time, the painting was considered lost.
21st-Century
In 2012, Ursula Uicicky put the painting up for sale with Sotheby’s Auction House acting as the broker. Because the painting was still considered stolen art, Ursula had to come to an agreement with the heirs of Jenny Steiner, the rightful owner of the painting, in order to obtain an export license for the painting. The agreement, which was mediated by the Israelitische Kultusgemeinde Wien, or Vienesse Jewish Community, stipulated that the proceeds would be split 50/50 between Ursula and the heirs. That same year, the painting was sold to an art broker named Yves Bouvier for $112 million, which meant each party received around $56 million. The heirs of Jenny Seiner used their portion of the proceeds to found the New Klimt Foundation.
The Bouvier Affair
In 2013, the trouble started. Yves Bouvier turned around and sold the painting to the Russian billionaire Dmitry Rybolovlev, one of the largest private art collectors in the world. As he did to many other wealthy collectors, Bouvier tricked Rybololev. Bouvier didn't tell Rybolovlev that he was actually the owner of the painting and had paid $112 million for it. Instead, Bouvier made it seem like the painting was still owned by a third party and convinced Rybolovlev that the painting was worth much more than $112 million. In the end, Rybolovlev paid $183.3 million for the painting, plus an additional $3.7 million administrative fee. This means that Bouvier made a profit of $75 million by tricking Rybolovlev. Eventually, the deceit was uncovered. And now, Rybolovlev, along with Bouvier's many other victims, has brought charges and lawsuits against Bouvier. As of 2019, the litigation was still ongoing.
Present Day
In 2015, the painting was once again sold by Rybolovlev. This time, it was sold for $170 million to an undisclosed buyer. The painting is rumored to be in the private collection of an unnamed Qatari Princess. Unfortunately, it is not available for viewing to the public, and many consider the painting to be lost all over again.
References
- Florman, Lisa (June 1990). "Gustav Klimt and the precedent of Ancient Greece". Art Bulletin. 72: 310–326 – via EbscoHost.
- Gerlis, Melanie (January 11, 2018). "The tangled history of Klimt's '$170m' Water Serpents". Financial Times.
- O'Connor, Anne-Marie (December 6, 2017). "New Answers Coming to Light for Hidden-Away Klimt Paintings".
- "Serpents". Gustav Klimt.
- Marlowe-Storkovich, Tina (2003-01-01). ""Medicine" by Gustav Klimt". Artibus et Historiae. IRSA s.c. 24 (47): 231–252 – via JSTOR.