Timothy Donnelly

Timothy Donnelly (born June 3, 1969 Providence, Rhode Island)[1] is an American poet.

Timothy Donnelly
BornJune 3, 1969
Providence, Rhode Island
Occupationprofessor
NationalityAmerican
Alma materThe Johns Hopkins University;
Columbia University
GenrePoetry

Life

He earned his BA from The Johns Hopkins University and his MFA in Poetry from Columbia University's MFA in Creative Writing program. He is an associate professor at Columbia University. He became a poetry editor for the Boston Review in 1996.[2] He later resigned from the Boston Review in protest over their handling of #metoo allegations against Junot Díaz, the fiction editor at the journal.[3]

Donnelly is the author of Twenty-Seven Props for a Production of Eine Lebenszeit (Grove Press, 2003), and The Cloud Corporation (Wave Books, 2010).[4]

Awards and honors

Bibliography
This list is incomplete; you can help by expanding it.

Poetry collections
  • Donnelly, Timothy (2003). Twenty-seven props for a production of Eine Lebenszeit. New York: Grove Press.
  • The Cloud Corporation (chapbook) (hand held editions, 2008)
  • The Cloud Corporation. Wave Books. 21 September 2010. pp. 13–. ISBN 978-1-933517-47-6.
  • Three Poets. Minus A Press. 2012. (coauthored with John Ashbery and Geoffrey G. O'Brien)
  • "Hymn to Life" (chapbook) (Factory Hollow Press, 2014)
  • "Poems for Political Disaster" (Chapbook). Boston Review. January 2017. ISBN 978-1946511010.
  • The Problem of the Many. Wave Books. 2019.

List of poems
Title Year First published Reprinted/collected
Diet Mountain Dew 2016 Donnelly, Timothy (March 21, 2016). "Diet Mountain Dew". The New Yorker. 92 (6): 72–73.

References
  1. http://www.poets.org/poetsorg/poet/timothy-donnelly
  2. "Timothy Donnelly - Faculty". Columbia University. Retrieved 2010-12-06.
  3. "Boston Review Poetry Editors Resign in Protest of Junot Díaz Decision". Poetry Foundation. 2018-12-08.
  4. Hillel Italie (Dec 19, 2003), Poetry; Changing readers a word at a time; For Timothy Donnelly, fame would be nice, but crafting language is its own reward., Los Angeles Times


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