Steve Cochran

Cochran was born in Eureka, California,[2] but grew up in Laramie, Wyoming, the son of a logger. While he appeared in high school plays, he spent more time delving into athletics, particularly basketball.

After stints as a cowpuncher and railroad station hand, he studied at the University of Wyoming, where he also played basketball. Impulsively, he quit college in 1937 and decided to go straight to Hollywood to become a star.

Working as a carpenter and department store detective during his early days, he gained experience appearing in summer stock and in the early 1940s he was given the chance to work with the Shakespeare Festival in Carmel. There he played "Orsino" in "Twelfth Night", "Malcolm" in "Macbeth", "Horatio" in "Hamlet" and the ungainly title role of "Richard III".

Cochran performed in plays in the Federal Theatre Project in Detroit. During World War II he was rejected for military service due to a heart murmur but directed and performed in plays at a variety of Army camps.,[3]

In December 1943 he was appearing with Constance Bennett in a touring production of Without Love when he was signed by Sam Goldwyn.[4]

On Broadway, Cochran appeared in Hickory Stick (1944).[5]

Samuel Goldwyn brought Cochran to Hollywood in 1945.[2] Goldwyn only made a few films a year so he loaned Cochran to Columbia Pictures for Booked on Suspicion (1945), a Boston Blackie movie.

Goldwyn then put him in Wonder Man (1945) a Danny Kaye movie co-starring Virginia Mayo and Vera-Ellen; Cochran played a gangster. Columbia used him in another Boston Blackie, Blackie's Rendezvous (1945), where he played a villain, and in The Gay Senorita (1945), with Jinx Falkenburg.

Goldwyn used Cochran in another Danny Kaye movie with Mayo and Vera-Ellen, The Kid from Brooklyn (1946). After United Artists borrowed him to play a gangster in The Chase (1946), Cochran appeared in his prestigious drama, The Best Years of Our Lives (1946), playing a man who has an affair with Virginia Mayo while her husband Dana Andrews was away at war. The movie was a huge critical and commercial success.

Cochran had a supporting role opposite Groucho Marx in Copacabana (1947) for United Artists. Goldwyn got him to play another gangster opposite Kaye and Mayo in A Song is Born (1948), directed by Howard Hawks. He made his TV debut in "Dinner at Antoine's" for The Philco-Goodyear Television Playhouse (1949) and followed this with "Tin Can Skipper" for NBC Presents (1949). He returned to Broadway for a short lived revival of Mae West's Diamond Lil, supporting West. This revived Hollywood's interest in him.[6]

In 1949 Cochran went over to Warner Bros., where he played Big Ed Somers, a power hungry henchman to James Cagney’s psychotic mobster in White Heat (1949). He appeared opposite Mayo. Warner Bros. eventually took over Cochran's and Mayo's contracts from Goldwyn.

Cochran supported Joan Crawford in The Damned Don't Cry (1950), then was given his first lead role in Highway 301 (1950), playing a gangster. He was a villain to Gary Cooper's hero in Dallas (1950), and played a Ku Klux Klan member in Storm Warning (1951), with Ginger Rogers and Doris Day.

Cochran was a villain in Canyon Pass (1951), a Western, then was given the lead in Inside the Walls of Folsom Prison (1951), which inspired Johnny Cash to write his song "Folsom Prison Blues".

Warners gave him another lead in Tomorrow Is Another Day (1951), a film noir with Ruth Roman. He was back to support parts in Jim Thorpe – All-American (1951) with Burt Lancaster.

Warners starred him in The Tanks Are Coming (1951) and The Lion and the Horse (1952). He co-starred with Cornel Wilde in Operation Secret (1952) and supported Virginia Mayo in She's Back on Broadway (1953). In The Desert Song (1953), Cochran played Gordon Macrae's rival for Kathryn Grayson.[7] He then left Warners.

Cochran starred in the low budget action film Shark River (1953) for United Artists. At Universal he was a villain to Rock Hudson in Back to God's Country (1953).

He returned to television appearing in episodes of Lux Video Theatre ("Three Just Men" (1953)), and Studio One in Hollywood ("Letter of Love" (1953)). Cochran went to Germany to make Carnival Story (1954) for the King Brothers.

Back in Hollywood he costarred in Private Hell 36 (1954) with Ida Lupino for director Don Siegel. He did "Foreign Affair" (1954) for Robert Montgomery Presents and "The Role of a Lover" (1954) and "The Most Contagious Game" (1955) for Studio One, "Trip Around the Block" (1954) and "The Menace of Hasty Heights" (1956) for The Ford Television Theatre, "The After House" (1954), "Fear is the Hunter" (1956), "Bait for the Tiger" (1957) for Climax!, and "The Seeds of Hate" (1955) for General Electric Theatre.

Republic Pictures hired him to play Ann Sheridan's love interest in Come Next Spring (1956). Cochran then went to England to play the lead in The Weapon (1956).

Cochran supported Van Johnson in MGM's Slander (1957). He went to Italy to star in Il Grido (1957) for Michelangelo Antonioni alongside Alida Valli and Betsy Blair; filming took seven months.[8]

On TV he did "Outlaw's Boots" (1957) for Schlitz Playhouse, "Debt of Gratitude" (1958) for Zane Grey Theater, and "Strictly Personal" (1958) for The Loretta Young Show.

Cochran had the lead in an Allied Artists Western, Quantrill's Raiders (1958) and a Roger Corman gangster film, I Mobster (1959). Albert Zugsmith used him for the lead in The Beat Generation (1959) and The Big Operator (1959).

However from this point on Cochran worked mostly in television, guest starring in series such as Bonanza (Episode: "The Trap"; S6, Ep. 26; airdate: Mar. 28, 1965), The Untouchables, Route 66, Bus Stop, Stoney Burke, The Naked City, Shirley Temple's Storybook, The Dick Powell Theatre, The Virginian, Route 66, Death Valley Days, Mr. Broadway, Burke's Law and the 1959 episode "What You Need" (S1, Ep. 12; airdate: Dec. 25, 1959) of CBS's The Twilight Zone.

He had the lead in a TV movie The Renegade (1960) and was in Sam Peckinpah's debut feature The Deadly Companions (1961). They had first worked together when Peckinpah was dialogue director on the film-noir Private Hell 36 (1954).

Cochran was Merle Oberon's co star in Of Love and Desire (1963), shot in Mexico. He had the lead in Mozambique (1964) for Harry Alan Towers.

In 1953 Cochran formed his own production company, Robert Alexander Productions. His production company attempted to make some television series[9] and other films such as The Tom Mix Story (with Cochran as Mix), Hope is the Last Thing to Die about the Mexican War, and Klondike Lou.[8][10] However they were never produced with the exception of a television pilot where he played John C. Frémont in Fremont the Trailblazer.[11]

However Cochran did write, produce, direct and star in Tell Me in the Sunlight (1965).