Sidhi (film)

Ana (Nora Aunor), is a mute woman living in a remote mountain area with father, Badong (Ray Ventura). Badong is sick and is searching for a man that will marry his daughter. He finds Michael (Albert Martinez), a man who expresses interest to wed Anna, because of the land he could inherit from her father. In the absence of her traveling husband, Ah meets Mayang (Glydel Mercado), with whom she forms a great friendship. Soon, Ana discovers that Mayang is also married to Michael. Angered at first, Ah cozies up to the scandalous cohabitation, even setting up three scarecrows in the field to represent her ideal household. She even has herself crucified on Good Friday to atone for her sin of accommodation.

The three decide to live under one roof. Michael as the king of the house, and Ana and Mayang as wives and slaves. Gradually the two women would find out Michael's debaucheries. When Michael tries to play a dirty trick on her for money, Ah fights back. Eventually, Ana kills Michael and takes care of the Mayang's son.[2]

• Nora Aunor as Ah/Anna
• Albert Martinez as Michael
• Glydel Mercado as Mayang
• Caridad Sanchez as Tia Manuella
• Samantha Lopez as Dolores
• Ray Ventura as Badong
• Angie Ferro as Ina
• Tony Masbesa as Fr. Morales

• The real strength of the film is the actors, despite their sometimes incredible roles. ~ Constantino C.Tejero, Philippine Daily Inquirer, 1999
• Without a line of dialogue, Aunor uses her face to delineate character and draw pathos. This is a face that's not stranger to emotions, greatly devastated by time and human cruelty. Watch particularly how she builds up those emotions to that final cry. That is her moment in this film, comparable to all the highlights of her acting career—her weeping at the funeral procession in Himala, her delivery of “Ang kapatid ko ay hindi baboy-ramo,” in Minsa’y Isang Gamugamo… - Constantino C. Tejero, "A Strange Film Full of Strangers", Philippine Daily Inquirer, February 9, 1999
• Nora Aunor is undoubtedly the greatest living female actor in Philippine cinema. As the speech-impaired Ana, her performance is mesmerizing, possibly her best, even topping her performance in the critically acclaimed films Himala, Bona, and The Flor Contemplacion Story. With almost no spoken dialog (except in a couple of scenes with her dead mother played by Angie Ferro), Aunor is able to convey a variety of emotions through her eyes, facial muscles, her body language, and the guttural sound emanating from her voice box… - S.R.O (Short Review Only), Manila Standard, January 25, 1999

• 1999 - Chicago International Film Festival, Feature Film,
• 1999 - Cinemanila International Film Festival
• 2000 - 2nd New York Filipino Film Festival Lincoln

• Sidhi on IMDb