Selima Hill

Selima Hill was born 13 October, 1945 in Hampstead, England to a family of artists. Her parents and her grandparent were painters. She lived in rural England and Wales when she was young. Hill attended boarding school and later won a scholarship to study Moral Sciences at New Hall College, Cambridge University. She attended Cambridge from 1965 to 1967.[1]

Hill's first poetry collection, Saying Hello at the Station (Chatto & Windus), was published in 1984.[2] Selima Hill won first prize in the 1988 Arvon Foundation/Observer International Poetry Competition for her long poem, The Accumulation of Small Acts of Kindness, and her 1997 collection, Violet, was shortlisted for the Forward Poetry Prize (Best Poetry Collection of the Year), the T. S. Eliot Prize and the Whitbread Poetry Award. Her poetry collection, Bunny (2001), a series of poems about a young girl growing up in the 1950s, won the Whitbread Poetry Award, was shortlisted for the T.S. Eliot Prize, and was a Poetry Book Society Choice.[3][4]

Her most recent collections are The Hat (2008); Fruitcake (2009); People Who Like Meatballs (2012), shortlisted for both the Forward Poetry Prize and the Costa Poetry Award; The Sparkling Jewel of Naturism (2014); Jutland (2015), a Poetry Book Society Special Commendation which was shortlisted for the 2015 T.S. Eliot Prize and was earlier shortlisted for the Roehampton Poetry Prize; The Magnitude of My Sublime Existence (2016), shortlisted for the Roehampton Poetry Prize 2017; and Splash like Jesus (2017). Her latest collection, I May Be Stupid, But I'm Not That Stupid will be published by Bloodaxe Books in 2019.[5]

Hill was awarded a 1991 Writing Fellowship at the University of East Anglia, was writer-in-residence at the Royal Festival Hall in 1992, and at the Science Museum in London in 1996. She taught at the Poetry School and Poetry Library in London in the late 1990s and early 2000s. Hill was awarded a Royal Literary Fund fellowship at the University of Exeter (2003—2006)."[1][6]

Hill has also taught creative writing in hospitals and prisons.[4] She has lived in Dorset for the last forty years.[3]

The Hill (Selima) Archive is held at Newcastle University Library Special Collections and Archives.

Poet Fiona Sampson says of her work,

"Selima Hill's 1984 collection Saying Hello at the Station introduced arguably the most distinctive truth teller to emerge in British poetry since Sylvia Plath. In the quarter-century since that debut, her voice has deepened and strengthened as its subject matter has widened from bereavement and life in a psychiatric unit to more general difficulties with men, family relationships, and the business of living. The simultaneous publication of Hill's new collection The Hat, and a Selected Poems, Gloria, is the perfect moment to rediscover this inimitably exhilarating poet".[7]

• 1986 Cholmondeley Award[3]
• 1988 Arvon Foundation/Observer International Poetry Competition, 1st prize[4]
• 2001 Whitbread Poetry Award, Bunny[4]
• University of East Anglia Writing Fellowship[6]
• 2010 Michael Marks Poetry Award, Advice on Wearing Animal Prints[8]

• Saying Hello at the Station. Chatto and Windus. 1984. ISBN 978-0-7011-2788-6.

• The Accumulation of Small Acts of Kindness. Chatto and Windus. 1989. ISBN 978-0-7011-3455-6.
• Trembling Hearts in the Bodies of Dogs: New and Selected Poems. Bloodaxe Books. 1994. ISBN 978-1-85224-288-6.
• Violet. Bloodaxe. 1997. ISBN 978-1-85224-400-2.
• Jumping Over Trees: Poems from the Poetry Library, London (The Poetry Library and Royal Festival Hall Education, 2000)
• Bunny. Bloodaxe Books. 2001. ISBN 978-1-85224-507-8.

• Lou-Lou. Bloodaxe Books. 2004. ISBN 978-1-85224-671-6.

• Gloria: Selected Poems. Bloodaxe Books. 2008. ISBN 978-1-85224-805-5.
• The Hat. Bloodaxe Books. 2008. ISBN 978-1-85224-806-2.

• People Who Like Meatballs. Bloodaxe Books. 2012. ISBN 978-1-85224-945-8.

• Jutland. Bloodaxe Books. 2015. ISBN 978-1-78037-149-8.
• The Magnitude of My Sublime Existence. Bloodaxe Books. 2016. ISBN 978-1-78037-305-8.
• Splash Like Jesus. Bloodaxe Books. 2016. ISBN 978-1-78037-349-2.