Richard Barone

Richard Barone was born in Tampa, Florida, and began his career at age seven on local top-40 radio station WALT (now known as WTIS) as the Littlest DJ.[1] By age sixteen he was producing local bands and recorded the idiosyncratic performer Tiny Tim after the two met following a Tampa performance. It was Tiny Tim who first suggested to Barone that he should live in Greenwich Village, where Tim himself had gotten his start.[2] Moving to New York after high school, Barone lived briefly at the Hotel Chelsea, modeled, and landed small acting roles.[3] Answering an advertisement in the Village Voice newspaper[3] led him to meet the musicians with whom he would soon form the Bongos, a critically acclaimed new wave band[4] that helped to create the 1980s Hoboken, New Jersey indie pop community.[5]

The Bongos quickly gained favor at New York City music venues and were invited to perform in London at the Rainbow Theatre, in a concert that included other new bands on the scene.[6] [7] After a string of independent singles released on the U.K.-based Fetish label were compiled in the U.S. as Drums Along the Hudson (PVC), the group signed to RCA Records where, with the advent of MTV, they made commercial impact with the Barone-penned "Numbers With Wings" and its accompanying video. [8]

Breaking out as a solo artist, Barone's albums have included chamber pop, orchestral, and narrative singer-songwriter material.[9] He has been called a "gifted pop-rock tunesmith" by The New York Times.[10]

Barone released his first solo album, Cool Blue Halo (recorded live at The Bottom Line in New York) prior to the Bongos' amicable breakup in 1987. Anthony DeCurtis, writing in Rolling Stone, praised Barone's "spare, elegant arrangements" and credited him with fashioning "a kind of rock chamber music."[11] While Trouser Press described the record as "intimate but confused",[12] NPR's Tom Moon, in a more recent assessment, called the album "a plaintive masterpiece", adding "Cool Blue Halo feels timeless, and maybe even exotic." Moon also credited Barone's version of David Bowie's "The Man Who Sold the World" with foreshadowing Nirvana's own cover of the song on their 1993 Unplugged performance.[13]

Two studio albums followed: the rock-dominated Primal Dream (MCA Records) in 1990, and the more acoustic-based Clouds Over Eden (Warner Bros. Records), dedicated to his late friend, rock journalist Nicholas Schaffner, in 1994. Trouser Press championed the "fine set of yearning love songs" on Primal Dream, while calling their production and arrangements as a "step backwards" from his debut album.[12] But David Browne, writing in Rolling Stone, gave the album four stars and commented that "Barone is fast moving beyond the limited vocabulary of twelve strings and wimp-pop vocals."[14] Billy Altman, in The New York Times, called his next album, Clouds Over Eden "unquestionably the most fully realized effort of Barone's career,"[15] while Trouser Press described the album as "wrenching and thoroughly worthwhile" and "the great album fans always imagined [Barone] making."[12]

In the mid-90s Barone performed and recorded with experimental guitarist Gary Lucas and his group Gods and Monsters, in which Barone handled lead vocals and played Mellotron. He also recorded Harry Nilsson's "I Guess the Lord Must Be in New York City", with Lucas on guitar, for the album For the Love of Harry: Everybody Sings Nilsson (BMG Records) and produced B-52's frontman Fred Schneider's version of "Coconut" for the same project. He performed the song with Schneider on Late Night With Conan O'Brien. [16]

In 1996, he partnered with Phil Ramone and Larry Rosen's N2K Records label to become one of the first five artists, each representing different genres, to make their music available as purchasable digital downloads on the pioneering Music Boulevard retail site. He appeared on The Wall Street Journal Report television show and other programs to explain and promote the then-new technology of music downloading as a legitimate method of distribution.[17]

In 1997, Barone released Between Heaven and Cello, a live album recorded at NYC's intimate Fez nightclub. In November he performed in Bryter Later: The Music of Nick Drake at St. Ann's Warehouse in Brooklyn, N.Y., performing Drake's "Cello Song" and "Northern Sky".

Barone then increasingly turned his attention to producing, helming recordings including a duet between Liza Minnelli and pianist/vocalist Johnny Rodgers [18], a children's album for Jolie Jones (daughter of Quincy Jones) [19], Fred Schneider for his solo album Just Fred, and others.

In 1999 he provided musical direction and orchestration for the off-Broadway musical Bright Lights, Big City at the New York Theatre Workshop, working with Rent director Michael Greif. [20] From 1999-2004, Barone directed and performed in The Downtown Messiah, a unique, multi-genre interpretation of Handel's baroque oratorio that was broadcast annually in December on over 200 public radio stations nationwide, and combined elements of pop, folk, blues, and jazz.[21][22]

A boxed set of Barone's first three studio albums was released in Europe in 2000 as The Big Three by Line Records, Germany.

As a producer/director, he began to create large-scale concert events, including three all-star tributes to Peggy Lee at Carnegie Hall, the Hollywood Bowl, and Chicago's Ravinia Festival in 2003 and 2004. The fully-orchestrated concerts spanned Lee's entire career and were staged as a musical biography.[23]. For New York's Central Park SummerStage he created The Not-so Great American Songbook, a lovingly irreverent look at the guilty-pleasure hits of the 1970s, featuring an eclectic cast that included Justin Vivian Bond.[24][25]

In 2004, Barone released, on his own RBM label, a limited edition solo anthology entitled Collection: An Embarrassment of Richard, composed of highlights from his back catalogue. The cover was photographed by Mick Rock, the first of many collaborations.[26] In June, he performed in The Blood on the Tracks Project at Merkin Hall, a multi-artist tribute to Bob Dylan's landmark 1974 album on its thirtieth anniversary. He was accompanied by Tony Visconti on bass, Vernon Reid on guitar, and Buddy Cage on pedal steel.[27]

Also that year, Barone joined 1960s folk-rock icon Donovan for a series of the latter's Beat Café concert events, including nine performances at New York's Joe's Pub, singing and reading excerpts from Allen Ginsberg's Howl.[28]

Other projects during this time included executive-producing The Nomi Song DVD (Palm Pictures, 2005), which includes his remix of operatic New Wave countertenor Klaus Nomi's "Total Eclipse". [29] His songs and collaborations, including several written with singer-songwriter Jill Sobule, were heard on the TV shows The West Wing, Dawson's Creek, Felicity, and South of Nowhere.[30]

Richard Barone (right) with Moby in the studio mixing the Bongos in 2006. Photo by Brian T. Silak.

In 2006, the original three Bongos reunited in the studio with Moby to create a re-make and music video of "The Bulrushes", an early Bongos single, for the re-issue of the group's debut album, released by Cooking Vinyl Records in June, 2007. Several Bongos reunion concerts were held, culminating with an outdoor performance at the Hoboken Arts and Music Festival, during which the band was honored with a Mayoral Proclamation and the keys to the city.

In September 2007, Barone's memoir, Frontman: Surviving the Rock Star Myth, with cover and interior photos of the author by Mick Rock, was published by Backbeat/Hal Leonard Books. In late 2007, he began staging a series of musical readings of Frontman with excerpts of the book read by television actress Joyce DeWitt and radio personality Vin Scelsa, among others. On his birthday, October 1, 2008, he brought Frontman: A Musical Reading to the stage at Carnegie Hall in New York City, with "Special Guests and Legendary Friends," including Moby, Lou Reed, the Band's Garth Hudson, Marshall Crenshaw, Terre and Suzzy Roche, Randy Brecker, Carlos Alomar, DeWitt and others as a benefit for public radio station WFUV.[31]

In July 2009, Barone entered the recording studio to complete production work on the album he began at age 16 for performer Tiny Tim. The album, "I've Never Seen a Straight Banana - Rare Moments: Volume 1", was released in October 2009 on Collector's Choice Records. [32]

In May 2010, Barone produced a concert to benefit Anthology Film Archives and to honor avant-garde filmmaker/author Kenneth Anger. Anger performed, along with Lou Reed, Sonic Youth, Jonas Mekas, Moby, actors Ben Foster and Philip Seymour Hoffman and others.

In July, Barone collaborated with Pete Seeger (then 91 years old), producing and performing in "Reclaim the Coast: Gulf Coast Oil Spill Benefit" at City Winery in New York. The next month, he and co-producer Matthew Billy recorded Seeger performing a new song that had been debuted publicly at the show. The song and video, "God's Counting on Me, God's Counting on You", recorded while sailing aboard the Sloop Clearwater, were released on Election Day, November 6, 2012.[33][34]

Glow, Barone's fifth solo album, helmed by producer Tony Visconti, was released in September 2010 on Bar/None Records.[35] A majority of the album was also co-written with Visconti. Also working on the project were producers Steve Rosenthal and Steve Addabbo, songwriter Paul Williams, chief engineer Leslie Ann Jones at George Lucas' Skywalker Ranch, photographer Mick Rock, and others.[35] A portrait of Barone from the Glow photo sessions appeared in Rock's career retrospective book Exposed: The Faces of Rock n' Roll. [36] A tour of the U.S. and the U.K. followed in early 2011.

In August, Barone was named to the Board of Advisors of Anthology Film Archives where he worked closely with Jonas Mekas and produced live fundraising events for the organization.[37]

In Fall 2011, Richard made a cameo appearance and performed a song in the film Mr. Bricks: A Heavy Metal Murder Musical.[38][39]

On September 11, 2011, the tenth anniversary of 9/11, Barone released a re-write of the 1894 song The Sidewalks of New York with updated lyrics that referenced the World Trade Center attack, co-written and produced by collaborator Matthew Billy.[40][41]

In December 2011, Barone was appointed as a professor at the Clive Davis Institute of Recorded Music at New York University where he began teaching "Stage Presence: The Art of Performance."[42]

A second anthology released that month, Collection 2: Before & Afterglow, mined his back catalogue to his pre-Bongos days in Tampa and included recent work such as the Sidewalks of New York single.[43]

Matthew Billy and Richard Barone on the set of the "Hey, Can I Sleep On Your Futon?" video in April 2012.

Through his work with Pete Seeger, Barone was asked to contribute a song to the Occupy This Album project on Razor & Tie, to benefit the Occupy Wall Street Movement.[44] The four-disc set, subtitled "99 Songs for the 99%", was released on May 15, 2012. Co-written with Matthew Billy, "Hey, Can I Sleep On Your Futon?" was a new song with contemporary references that was inspired by "Brother, Can You Spare A Dime?", a popular song from the Great Depression. Both the track and music video, produced by film students from NYU, were included on the original album download.[45] Barone also performed at a series of concerts with other artists on the Occupy album including Michael Moore, David Amram, and Tom Chapin. [46]

On May 4, 2012, for the 25th Anniversary of his Cool Blue Halo album, a reunion concert of all the original musicians was held at City Winery in New York. The concert was filmed and recorded as part of a multi-disc box set released by DigSin Records.[47] In September 2012, he released the first single from the project, "I Belong To Me".[48] In December, I Belong To Me: The 'Cool Blue Halo' Story premiered at Anthology Film Archives, followed by a performance by Barone and musicians from the album. On the occasion of the box set's release, Donovan wrote: "Well-deserved appreciation to Richard on this 25th anniversary release of his album 'Cool Blue Halo.' He displayed the stance early, like the minstrel/actor/playwright of Renaissance London. We met and have shared many a stage together... I have always loved Ricardo's 'Bar-oque and Roll' music. Shine On Ricardo, Shine!" [49]

That same month, the Anna Nicole Smith documentary Addicted to Fame was released, along with Barone's single "(She's A Real) Live Wire" from the film. He also served as music supervisor for the feature documentary, directed by David Giancola. [50]

In June 2013, Barone joined forces with Beach Boys co-founder Al Jardine and friends to record a version of Pete Seeger's folk anthem "If I Had A Hammer (The Hammer Song)" for the ONE Campaign, produced by Steve Addabbo at Shelter Island Sound studios in New York. The video was released as ONE Campaign's worldwide protest song project.[51]

Al Jardine and Richard Barone recording Pete Seeger's "If I Had A Hammer (The Hammer Song)" in June 2013.

On July 31, 2013 The Bongos performed the final concert at their home club, Maxwell's, where the original members had also performed the venue's first show.[52][53] From the stage Richard announced that the group's long-lost album Phantom Train, recorded in Compass Point, Bahamas in 1986, would finally be released on October 1, 2013 on the re-launched JEM Records.[54]

Barone partnered with Alejandro Escovedo on March 14, 2014 to produce and co-host the first major tribute to the late Lou Reed at the Paramount Theatre in Austin, Texas, as part of the SXSW Music Festival. The three-hour concert included over twenty-four acts including Suzanne Vega, Lucinda Williams, Sean Lennon, and Spandau Ballet. The house band included members of Blondie, the Patti Smith Group, and the Voidoids. [55] Barone also released a recording of Reed's All Tomorrow's Parties, produced by Chris Seefried with a video by Jonas Mekas assembled from footage of the early Velvet Underground at Andy Warhol's Factory.[56]

In October 2014 Barone launched "A Circle of Songs", a live, monthly musical talk show series at the Lynn Redgrave Theater in Greenwich Village. Guests included Eric Andersen, Nellie McKay, Holly Near, and Captain Kirk Douglas of the Roots.

As 2015 began, Barone co-produced, with Tony Visconti, a retrospective concert of Visconti's most familiar work at New York's City Winery entitled "The TV Show." [57] He also began work on a new album Sorrows & Promises: Greenwich Village in the 1960s, composed of songs that emerged from the early days of the Greenwich Village singer-songwriter scene. The album was curated by journalist/Columbia Records executive Mitchell Cohen, with sessions produced by Steve Addabbo and featuring guest appearances from Dion, John Sebastian and David Amram. A series of musical panel discussions chronicling the music on Sorrows & Promises, hosted by the New York Public Library at the historic Jefferson Market Library branch in Greenwich Village preceded the album's October 14, 2016 release. [58] In March 2017, Barone brought the "Sorrows & Promises" project to the SXSW Music Festival in Austin, Texas where he hosted a five-and-a-half-hour showcase based on the album.[59]

Back in the studio, Barone produced an album for jazz singer Hilary Kole of songs made famous by Judy Garland [60] and a various-artists holiday album for the Miranda Music label on which he appears [61], as well as a second album of recordings made by Tiny Tim, entitled Tiny Tim's America, released in summer 2016. [62] In addition, he served as executive producer of the musical Tiny, based on the life of Tiny Tim [63], and produced a songbook album for composer Tracy Stark featuring performances by Lesley Gore, actress Karen Black, and Nona Hendryx, released in October 2016 [64]. Barone then contributed liner notes to the vinyl re-issue of The Holy Mackerel, the debut of the 1960s band featuring songwriter Paul Williams.[65] Later, in 2018, he would contribute liner notes for Williams' 1970 solo debut Someday Man.[66]

Richard Barone advocates for the Music Modernization Act (MMA) with Senator Patrick Leahy in April 2018, Washington D.C.

In April 2017, Barone was elected to the Board of Governors of the New York Chapter of The Recording Academy (The Grammys). He would be re-elected for a second term in 2019. [67]

In December 2017 he entered the studio to begin producing a tribute for Dean Martin's Centennial, performed by NJ-based group Remember Jones and featuring a duet with Martin's daughter Deana Martin. [68] In June of 2018 Barone would be invited by Martin to perform at the Friar's Club as she was honored with the Trobairitz title. [69]

On March 29, 2018, Barone performed at Brooklyn Museum with Burnt Sugar Arkestra in The Bowie Songbook, a reinterpretation of David Bowie's catalogue as part of the museum's David Bowie Is installation. [70]

Also in March, he began a new monthly Village Nights salon series at the historic Washington Square Hotel in New York City [71].

In April it was announced that Barone would host and curate Music + Revolution: Greenwich Village in the 1960s at City Parks Foundation's SummerStage in Central Park [72] on August 12, 2018. Performers included Jesse Colin Young, Melanie, José Feliciano, Maria Muldaur, John Sebastian, and others. The next week it was announced that Richard had joined the faculty of The New School for Jazz and Contemporary Music and was set to teach a 15-week music history course on 1960s Greenwich Village, with the same title as the Central Park concert.[73]

Barone represented the New York Chapter of the Recording Academy for Grammys on the Hill in Washington D.C., meeting with Congress in support of the Music Modernization Act (MMA), an omnibus bill supporting the rights of music creators. He met with Senator Patrick Leahy, Congressman David Cicilline, Representative Joseph Crowley, Representative Nancy Pelosi, and the office of Senator Sheldon Whitehouse.[74] Barone also met with New York Representative Jerrold Nadler, key supporter of the Music Modernization Act.[75] The bill passed unanimously by both houses of Congress and was signed into law on October 11, 2018.[76][77]

In January 2019, Barone accompanied Donovan for a series of recordings in Jamaica for a tribute to Harry Belafonte. Barone also photographed Donovan for the cover of the album's first single. [78] A second project with Donovan that year, a tribute to Brian Jones of the Rolling Stones, was recorded and filmed in Jones' hometown of Cheltenham, England on the fiftieth anniversary of his passing. Barone was musical director of the project, which celebrated the American blues music that inspired the early Stones.[79]

In fall 2019, a new guitar effect pedal "The Mambo Sun", a collaboration between Barone and boutique pedal manufacturer Left Coast Workshop, was launched for sale. It was designed to replicate Barone's distinctive double-tracked guitar tone.[80]

Joining forces with Glenn Mercer, guitarist/frontman of The Feelies, Barone began performing a series of concerts entitled Hazy Cosmic Jive, a tribute to the mid-1970s experimentation of David Bowie, Brian Eno, Roxy Music, Marc Bolan and others.[81]

In 2020 Barone made a cameo acting appearance in the indie film The Incoherents directed by Jared Barel, playing himself. [82][83]

Barone sang on the forthcoming T.Rex tribute album produced by Hal Willner, contributing backing vocals to tracks by Todd Rundgren, Lucinda Williams, and Kesha. The album is due for release in September, 2020 on BMG Records. [84]

For the Bongos' discography, see the Bongos.

• Nuts and Bolts (1983), with James Mastro; produced by Barone, Mastro, and Mitch Easter (Passport Records)
• Cool Blue Halo (1987), recorded live at The Bottom Line, New York City (Passport Records); Deluxe Edition released in 2012 (DigSin/RBM Special Editions)
• Primal Dream (1990), produced by Richard Gottehrer and Don Dixon (MCA Records)
• Primal Cuts (1991), remixes by Ben Grosse and live tracks (Line Records, Germany)
• Clouds over Eden (1993), produced by Hugh Jones (MESA/Bluemoon/Atlantic Records)
• Between Heaven and Cello (1997), recorded live (Line Records, Germany)
• The Big Three (2000), box set (Line Records, Germany)
• Collection: An Embarrassment of Richard (2004), compilation (RBM Special Editions)
• Glow (2010), produced by Tony Visconti, Steve Addabbo, Steve Rosenthal, and Richard Barone (Bar/None Records); Deluxe Edition released in 2019 (RBM Special Editions)
• Collection 2: Before & Afterglow (2011), compilation (RBM Special Editions/Billy Barone Productions)
• Cool Blue Halo: 25th Anniversary Concert (2012), Deluxe live album/concert movie, CD/DVD, produced by Matthew Billy (DigSin/RBM Special Editions)
• Sorrows & Promises: Greenwich Village in the 1960s (2016), produced by Steve Addabbo (RBM Special Editions/The Orchard; Ship To Shore PhonoCo)

• For the Love of Harry: Everybody Sings Nilsson (1995), MusicMasters Records/BMG - "I Guess The Lord Must Be in New York City"
• Refuge: A Benefit for the People of Kosova (1999), ARC/The Orchard - "A Call To Prayer"
• Our Favorite Texan: Bobby Fuller Four-ever! (1999), #9 Records, Japan - "Nancy Jean"
• Lynne Me Your Ears – A Tribute to the Music of Jeff Lynne (2001), Not Lame Recordings - "Showdown"
• Simply Mad, Mad, Mad, Mad About The Loser's Lounge (2001), Zilcho Records - "Everybody's Talking"
• The Nomi Song Remixes (2005), Palm Pictures - "Total Eclipse: The Atomic Party Mix"
• October Project Uncovered: The Songs of Emil Adler & Julie Flanders (2006), October Project Recordings - "One Dream"
• Occupy This Album (2012), Razor & Tie - "Hey, Can I Sleep On Your Futon?"
• A New York Holiday (2015), Miranda Music - "I've Got My Love To Keep Me Warm"
• Joolz Juke: Blues Tribute to Brian Jones by his Grandson Joolz Jones (2019), Donovan Discs - "Who Do You Love?", "Not Fade Away"
• Willie Nile: Uncovered (2020), Paradiddle Records - "Streets of New York" [85]
• AngelHeaded Hipster - The Songs Of Marc Bolan And T. Rex (2020), BMG Records - Backing vocals on several tracks.

• "The Downtown Messiah" - Various Artists - The Bottom Line; Winter Garden Atrium at World Financial Center NYC, Broadcast via Public Radio International, 1999–2004.
• "There'll Be Another Spring: A Tribute to Miss Peggy Lee" - Various Artists - Carnegie Hall NYC, Broadcast via NPR; Hollywood Bowl, Los Angeles, CA; Ravinia Festival, Chicago, 2003-04.
• "The (Not So) Great American Songbook" - Various Artists - SummerStage in Central Park NYC, 2004.
• "Frontman: A Musical Reading" - Various Artists - Carnegie Hall NYC, 2008.
• "Reclaim the Coast: Benefit for the BP Oil Spill Cleanup" - Pete Seeger and Various Artists - City Winery NYC, 2010.
• "Return to the Pleasuredome: Benefit for Anthology Film Archives" - Various Artists including Lou Reed, Sonic Youth, and Kenneth Anger - Hiro Ballroom NYC, 2010.
• "The SXSW Tribute to Lou Reed" (Co-produced with Alejandro Escovedo) - Various Artists - Paramount Theater, Austin Texas, 2014.
• "The TV Show: Tony Visconti & Friends" (Co-produced with Tony Visconti) - Various Artists - City Winery NYC, 2015.
• "Sorrows & Promises SXSW: Greenwich Village in the 1960s" - Various Artists including Jesse Colin Young, Robyn Hitchcock - SXSW, Driskill Hotel, Austin Texas, 2017.
• "Music + Revolution: Greenwich Village in the 1960s, hosted by Richard Barone" - Various Artists - SummerStage in Central Park, NYC, August 12, 2018.
• "Remembering Jonas: A Tribute to Jonas Mekas" - Various Artists including Patti Smith, John Zorn, Jim Jarmusch, Steve Buscemi, Lee Ranaldo, others. - City Winery NYC, February 21, 2019.

• Frontman: Surviving the Rock Star Myth, Backbeat/Hal Leonard Books, 2007, ISBN 0-87930-912-1, ISBN 978-0-87930-912-1
• Tape Op Magazine; regular contributor

• Tony Visconti
• Mick Rock
• The Bongos

• Official website
• Richard Barone on IMDb
• Richard Barone at AllMusic