Raquel Salas Rivera

Raquel Salas Rivera was born in Mayagüez, Puerto Rico[3] and moved to Madison, Wisconsin when they were 6 months old.[4] During their childhood years, they lived in California, Nebraska, Alabama, and Texas. They returned to Puerto Rico during their teenage years and young adulthood, moving to Philadelphia for graduate studies.[1][5] Their grandfather, Sotero Rivera Avilés, was a Puerto Rican poet belonging to the Guajana Generation, as is their mother, linguist Yolanda Rivera Castillo.[3][4][6]

The poet attended the Universidad de Puerto Rico at Mayagüez for their undergraduate degree, and had an instrumental role in organizing student protests at that campus in 2010.[3]

External video

“Gringo Death Coloring Book by Eric Mena, Mariana Ramos Ortiz, and Raquel Salas Rivera"

"Raquel Salas Rivera Reads Four Poems in Spanish and English", October 23, 2018, Poets.org

"Raquel Salas Rivera - Philadelphia's Poet Laureate", February 28, 2018, AL DÍA News Media

Salas Rivera's writing emphasizes movement and often deals with themes of migration. In speaking about their heritage, the author acknowledges that migrating people have multiple homes and allegiances, and states that "My home is Philadelphia, and my home is Puerto Rico.”[5]

They prefer to write in Spanish, and later sometimes translate their works to English. For public readings, they often recite works only in Spanish.[5] According to the poet, "It's a political act" to have an audience of non-Spanish speakers listen to a language they don't understand, because the momentary discomfort echoes the everyday struggles of immigrants who don't yet understand the language of their new country.[7] In their writing, they often leave some words untranslated, which they refer to as "knots" that "resist assimilation and loss" because language and experience can be so tightly bound as to defy separation.[8]

Their work lo terciario/the tertiary focuses on the Puerto Rican debt crisis and the economic and social impact of the 2016 United States congressional measure called the PROMESA Law that transferred control of the island's finances and outstanding debt to an external control board. Salas Rivera titled each book section after Marxist economic ideas from Das Kapital: “The Debt-Production Process,” “The Debt-Circulation Process,” and “Notes on a Derailed Circulation", beginning each poem with a quote by Karl Marx, as both a critique and a subversion of Marxist language.[9]

The poet identifies as non-binary gender and refers to themself with the pronoun "they".[5] They have adopted the Spanish word "buchipluma", in as a neologism for a "non-binary feathered butch" to describe their gender identity.[10] One of their inspirations is the Puerto Rican Latin trap singer Bad Bunny.[10] To Salas Rivera, poetry has given them "an inside", "an outside", and "a means for talking about things", referencing gender identity.[2] Acknowledging a historical lack of transgender persons' voices in literature, Salas Rivera has attempted to "navigate" this gap by speaking from a transgender perspective.[2] Through their writing and civic activism, they seek to "engage people throughout Philadelphia neighborhoods" and "make a Philadelphia that is safe for difference".[8]

During their tenure as Poet Laureate of Philadelphia, Salas Rivera created a multilingual poetry festival called "We (Too) Are Philly" inspired by the work "I, Too" by the African-American poet Langston Hughes.[1] The summer 2018 festival, co-organized with poets Ashley Davis, Kirwyn Sutherland, and Raena Shirali, featured Philadelphia-based poets of color.[8][11] The goal of the organizers was to diversify the poetry scene to encourage the mixing or desegregation of audiences, while selecting locations of significance to particular Philadelphia neighborhoods that usually do not host poetry readings.[12]

Salas Rivera lives in San Juan, Puerto Rico. In 2017, Salas Rivera and Allison Harris raised thousands of dollars to assist lesbian, gay, bisexual, and transgender Puerto Ricans who were impacted by Hurricane Maria that year.[13] Through their efforts, they were able to bring 5 queer/transgender persons to the United States and support them, with assistance from the Mazzoni Center.[3] That same year, Salas Rivera, alongside Ricardo Alberto Maldonado, Erica Mena, and Carina del Valle Schorske, published Puerto Rico en mi corazón, a series of bilingual broadside of contemporary Puerto Rican poets. All profits from the sale of the broadsides were donated to the grassroots organization Taller Salud, in order to aid with recovery after the devastation caused by the impact of hurricanes Irma and María.

Books of Poetry

• 2020: x/ex/exis. Bilingual Press/Editorial Bilingüe.
• 2019: Puerto Rico en mi corazón, ed. Salas Rivera, Maldonado, Mena, Del Valle Schorske, Anomalous Press.
• 2019: while they sleep (under the bed is another country). Birds, LLC.
• 2018: lo terciario/the tertiary, ISBN 9781937421274 OCLC 1055273795
• 2017: tierra intermitente/intermittent land. Ediciones Alayubia, 1st ed.
• 2017: Desdominios. Douda Correria. (Portuguese translation) OCLC 1076641364
• 2016: oropel/tinsel. ISBN 9780996766920 OCLC 1021770124
• 2011: Caneca de anhelos turbios, ISBN 9781450760966 OCLC 764494213

Artist Books

• Gringo Death Coloring Book, with art by Erica Mena and Mariana Ramos Ortiz

Editorial Works

• #27 :: Indigenous Futures and Imagining the Decolonial, co-edited with BBP Hosmillo and Sarah Clark, Anomalous Press.
• Puerto Rico en Mi Corazón, co-edited with Erica Mena, Ricardo Alberto Maldonado, and Carina del Valle Schorske, Anomalous Press.
• The Wanderer, co-editor, 2016-2018.

Contributor to Anthologies

• 2018: Small blows against encroaching totalitarianism., ISBN 9781944211615 OCLC 1049785850

Salas Rivera has also published in periodicals such as the Revista del Instituto de Cultura Puertorriqueña, Apiary, Apogee, BOAAT, and the Boston Review.[14]

They were a resident artist of the 2018-2019 Kimmel Center Jazz Residency[15], a 2019 Playwright Fellow at the Sundance Institute Theater Program[16], a 2020 writer in residence for the Norwegian Festival of Literature, and a 2020 resident artist of the MacDowell Colony.

Salas Rivera was a 2018 fellow of the CantoMundo Poetry Workshop to develop Latinx poets and poetry.

Salas Rivera was chosen as the fourth poet laureate of Philadelphia in 2018, under the auspices of the Free Library of Philadelphia.[14] According to the selection committee, the poet was chosen because of their desire to use poetry to engage the subject of diversity in Philadelphia and its Puerto Rican community.[5]

They received the 2018 Ambroggio Prize from the Academy of American Poets, honoring poets whose first language is Spanish, for their manuscript x/ex/exis (poemas para la nación).[17]

Their work lo terciario/the tertiary was longlisted for the National Book Award for Poetry in 2018 [18][19] and won the 2018 Lambda Literary Award for Transgender Poetry.

In 2019, they won the Laureate Fellowship from the Academy of American Poets.

Their work while they sleep (under the bed is another country) was longlisted for the 2020 Pen America Open Book Award.

They are a 2019-2021 Writer for the Art for Justice Fund at the University of Arizona Poetry Center.

• List of Puerto Rican writers
• Puerto Rican literature

• Official website
• A Note on Translation (Waxwings Magazine)