Rabid Grannies

Two elderly sisters invite their wonderful nieces and nephews to a dinner party in celebration of the sisters' upcoming birthdays. The one nephew who is not invited is the ostracised black sheep of the family whose devil-worshipping activities have resulted in his being removed from the sisters' inheritance. The rest of the guests are merely putting in time; they are actually only waiting for their aunts to die, leaving them amply endowed via their respective inheritances. Unfortunately for all but the aunts, the nephew sends a party gift that turns the scene into a frolic of the macabre and ruins the party: under the gift's power, the aunts turn into cannibalistic demons and proceed to eat up all of their guests.

Jean-Bruno Castelain - was the co-composer on Rabid Grannies, producing the original music and score. He also worked on Maniac Nurses (1990) (another Troma Entertainment release) as an executive producer, as well as working on the overall sound, and more specifically sound effects. In 1992, he worked on State of Mind (release through Troma Entertainment as well) as a composer, co-producer, re-recording mixer, and sound recordist.

Pierre-Damien Castelain - was the co composer on Rabid Grannies, working alongside Jean-Bruno to produce the score and original music. He has worked on one documentary since, Une vie de chat, in 2004 as the main composer.

Phillip Lefebvre - worked as the Music Mixer on the film. Music Mixers  are tasked with making the original music in the film (provided by Jean-Bruno Castelain and Pierre-Damien Castelain) sound professional. This can be achieved by simply adjusting the volume of different musical elements of the score. However, it can quickly become more complex depending on the type of music used. Phillip has an extensive filmography, working on The Judge (1984) as director and writer, Antoine Rives, juge de terrorisme (1993) directing five episodes. He also directed an episode of C’est votre historie in 2007 and directed and wrote the screenplay for Une suit (2012). His only music mixing credit is for Rabid Grannies.

Chris Ketelaere - worked as the sound recordist on Rabid Grannies. A sound recordist is in charge of recording on set audio, such as dialogue, foley, and communicating with others on set in order to guarantee the recording of clean audio. Chris’ filmography consists currently of only Rabid Grannies.

Julien Naudin - provided sound effects for the film. Sound effects for film can range from minor sounds such as footsteps and doors opening and closing, to more dramatic and major effects. Julien’s filmography is quite extensive having worked as foley artist on The Others (2001), Cell 211 (2009), and Broken Embraces (2009), as well as the sound effects editor for Open Your Eyes (1997). In 2019, Julien was nominated for a Golden Reel Award in Outstanding Achievement in Sound Editing - Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film for RedBad (2018)

Frédéric Ullman - worked as the Sound Editor and Sound Mixer for the film. Sound Editors are in charge of arranging the sounds to line up with the film, including dialogue, sound effects, and other miscellaneous sounds. It is an intricate job that requires precision and attention to detail. Similarly, a sound mixer must be able to make subtle details like footsteps heard, but not be too loud as that would distract from more important elements from the film. This job includes the ability to properly mix music and dialogue to a preferred level that keeps the viewer comfortable yet engaged. His filmography includes Killer Elite (2011), for which he was the Sound Recording Engineer, The Rage (2002) as a Sound Mixer, and District B13 (2004) and Chaos and Desire (2002) for which he is listed as being in charge of sound.

Patrick Tacq - worked as the Assistant Sound Editor and Assistant Sound Mixer for Rabid Grannies. Assistant Sound Editors are tasked with helping organize all sounds used in the film including dialogue, sound effects, and other miscellaneous sounds. His filmography consists solely of Rabid Grannies.

After the production of Lucker the Necrophagus, Johan Vandewoestijne met with director Emmauel Kervyn at the Brussels offices of VDS Films. Emmanuel was a martial art expert and had a project called "Talion" that he wanted to shot with Jean-Claude Van Damme. André Coppens, manager of VDS Films engaged himself to produce the film . After doing long weeks of preparation there came a time when they had to order, for instance raw stock, rent camera equipment, rent lighting and grip material but producer Coppens had no money left on his account. Fortunately Kervyn had the script of an horror movie called 'The Long Night' ready to be used. The movie was shot from October 14th 1988 to January 8th 1989 on location in Kortrijk and in the castle of Ingelmunster[3]. To sell the movie internationnaly ,the director made all the French-speaking cast read their English lines phonetically.

Due to its unusual subject and title and its graphic scenes of gore, Rabid Grannies is one of the most infamous titles in the Troma library.[4]

The film was released and distributed in the United States on VHS and DVD by Troma Entertainment.[5] The Troma DVD removes a lot of the gore from the feature film. These scenes are available to be seen in the bonus features.[6] Its first time debut on Blu-ray was released on 10 March 2015, presenting the film in a "producer's cut" with the gore scenes reinstated. Special features are the same as the original Troma DVD.

In 1990, Rabid Grannies was nominated for one International Fantasy Film Award, Best Film for Emmanuel Kervyn.

• Mémés cannibales, Les on IMDb
• Rabid Grannies at AllMovie