Pieter Hugo

Pieter Hugo (born 1976)[1] is a photographer who primarily works in portraiture and whose work considers the role of photography between documentary and art traditions with a focus on peripheral communities.[2] He lives in Cape Town.[3]

Pieter Hugo
Born (1976-10-29) 29 October 1976
Johannesburg, South Africa
OccupationPhotographer
Years active2002 – present
Websitewww.pieterhugo.com
Rwanda 20 Years: Portraits of Reconciliation

Education

Hugo was born 1976 in Johannesburg, South Africa. He began his career working in the film industry in Cape Town, before undertaking a two-year residency at Fabrica research centre, Treviso, Italy.[4]

Work

Hugo’s work is governed by an autodidactic approach to photography and a deep scepticism of the role of the photographic medium.[5][6] He is one of a generation of post-Apartheid photographers that seeks to confront photography’s history of representing marginalised and disempowered people. His work aims to challenge preconceptions around the representation of groups of people ‘other’ to the Western European norm.[7]

Hugo's first major work Looking Aside (2006) depicts portraits of people "whose appearance makes us look aside"[8] – the blind, people with albinism, the aged, his family and himself.[8] Each man, woman and child poses in a sterile studio setting, under crisp light against a blank background.[3] His Rwanda 2004: Vestiges of a Genocide (2011) was described by the Rwanda Genocide Institute as offering "a forensic view of some of the sites of mass execution and graves that stand as lingering memorials to the many thousands of people slaughtered."[9] Hugo's most recognized work is The Hyena & Other Men (2007), which has received a great deal of attention.[7][10]

His series Messina/Mussina (2007) was made in the town of Musina on the border between Zimbabwe and South Africa,[11] after Colors magazine asked Hugo to work on an AIDS story.[11] Nollywood (2009) consists of pictures of the Nigerian film industry.[12] For Permanent Error (2011) Hugo photographed the people and landscape of an expansive dump of obsolete technology in Ghana.[1] There is a Place in Hell for Me and My Friends (2012) depicts Hugo’s family and friends from South Africa in digitally manipulated black and white portraits that aim to explore the contradictions of racial classification based on skin colour.[13] Kin (2014) places even greater emphasis on the photographer’s family and community[14] which Hugo describes as “an engagement with the failure of the South African colonial experiment and my sense of being ‘colonial driftwood’.”[15]

In the Spring of 2014, Hugo was commissioned by Creative Court[16] to work in Rwanda for its "Rwanda 20 Years: Portraits of Forgiveness" project.[17] The project was displayed in The Hague in the Atrium of The Hague City Hall for the 20th commemoration of the 1994 genocide in Rwanda. A selection of the photos have also been displayed in New York at the exhibition Post-Conflict which was curated by Bradley McCallum, artist in residence for the Coalition for the International Criminal Court.[18][19] The project served as the impetus for the photographic series 1994 (2017) which explores the post-revolutionary era in both South Africa and Rwanda through a series of portraits of children from both countries.[20][21]

Flat Noodle Soup (2016) chronicles Hugo’s lengthly engagement with the city of Beijing, exploring how concerns with expressing personal identity within societal norms and pressures are universal and trans-national.[15]

Fashion

Hugo has produced fashion photography features for various publications. These include Arena Homme Plus,[22] Re-Edition Magazine,[23] Document Journal,[24] System Magazine[25] and AnOther Man.[26] He has also collaborated on publications with Louis Vuitton and Hood By Air.[27]

Editorial

Hugo is a regular contributor to titles such as the New Yorker,[28] Zeit magazine, Le Monde and The New York Time’s magazine. He has written extensively about his own work and that of other photographers with his article on Garth Walker being featured in Aperture magazine, Winter, 2013.[29] In May 2015 he was invited to guest edit the supplement DeLuxe for the Dutch newspaper NRC.nl.[30]

Film

In 2011 Hugo collaborated with Michael Cleary, co-directing the music video for South African musician Spoek Mathambo's cover version of Joy Division's "She's Lost Control". For the video, Hugo won the Young Director Award at the Cannes Lions International Festival of Creativity.[31][32] In 2015 he directed the music video for "Dirty", a song by controversial South African musical artists Dookoom.[33]

Publications
  • La Cucaracha. RM, 2019. Edition of 1500 copies.

Exhibitions

Pieter Hugo has exhibited extensively in various countries. He has had major museum solo exhibitions at the Museu Coleção Berardo, Lisbon, Portugal (2018), the Museum für Kuns und Kulturgeschichte, Dortmund, Germany (2017), the Kunstmuseum Wolfsburg, Germany (2017), The National Portrait Gallery, London (2015), the Ludwig Museum, Budapest (2013), the Institute of Modern Art, Brisbane, Australia (2010), the Multimedia Art Museum, Moscow (2012) and the South African National Gallery, Cape Town (2007).

He has been included on important group exhibitions such as Civilization: The Way We Live Now at the National Museum of Modern and Contemporary Art in Seoul, South Korea (2018), Another Kind of Life: Photography on the Margins at the Barbican Art Gallery, London, England (2018), Good Hope. South Africa and The Netherlands from 1600 at the Rijksmuseum, the Netherlands (2017), Street & Studio: An urban history of photography at the Tate Modern, London, UK (2008), reGeneration: 50 Photographers of Tomorrow at the DeVos Art Museum, Marquette, Michigan, USA (2008) and How to Live Together, 27th São Paulo Biennale, Brazil; Museo de Arte Contemporaneo de Santiago, Chile (2006) among many others.

List of exhibitions

Solo exhibitions

  • 2002: Margin, the Cold Room Photographic Gallery, Cape Town, South Africa.
  • 2004: Rwanda 2004: Vestiges of a Genocide, Michael Stevenson Gallery, Cape Town, South Africa[34]
  • 2004: The Albino Project, National Gallery of Modern Art, Rome, Italy, 2004; Fabrica Features, Lisbon, Portugal, 2004.
  • 2006: Looking Aside, Warren Siebrits Contemporary, Johannesburg, South Africa[35] Stephen Cohen Gallery, Los Angeles, CA, 2007[36]
  • 2006: Presence, Michael Stevenson Gallery, Cape Town, South Africa;[37] Galerie Bertrand & Gruner, Geneva, Switzerland[38]
  • 2007: Messina/Musina, Extraspazio, Rome, Italy;[39] Standard Bank Young Artist Award 2007 touring exhibition, National Arts Festival, Grahamstown, South Africa; Nelson Mandela Metropolitan Museum, Port Elizabeth; Durban Art Gallery, Durban; Oliewenhuis Art Museum, Bloemfontein; Standard Bank Gallery, Johannesburg; Iziko South African National Gallery, Cape Town; National Gallery, Cape Town, South Africa, 2008; Standard Bank Gallery, Johannesburg, South Africa, 2008[40]
  • 2007: Pieter Hugo: The Hyena & Other Men, Yossi Milo Gallery, New York, 2007[41] Foam Fotografiemuseum Amsterdam, Netherlands, 2008;[42] Herzliya Museum of Contemporary Art, Herzliya, Israel, 2010;[43] Photographic Centre Peri, Turku, Finland, 2010; Multimedia Art Museum, Moscow, 2012[44]
  • 2008: Works 2002-2007, Galerie Bertrand & Gruner, Geneva, Switzerland[45]
  • 2008: Nollywood, Warren Siebrits Contemporary, 2008[46] Johannesburg, South Africa, 2008; Australian Center for Photography, Sydney, Australia, 2009;[47] Extraspazio, Rome, Italy, 2009;[47] Michael Stevenson Gallery, Cape Town, South Africa, 2009;[48] Greenaway Art Gallery, Adelaide, Australia, 2010;[49] Shoshana Wayne Gallery, Santa Monica, CA, 2010; Yossi Milo Gallery, New York, 2010;[50] Institute of Modern Art, Brisbane, Australia, 2010;[51] Cokkie Snoei Gallery, Amsterdam, The Netherlands, 2010;[52]
  • 2008: Portraits, Open Eye Gallery, Liverpool, UK, 2008; Ffotogallery, Cardiff, UK, 2008[53]
  • 2008: God’s Time is the Best, Cokkie Snoei Gallery, Rotterdam, The Netherlands[54]
  • 2008: Pieter Hugo: Selected Works, Tinglado 2, Tarragona, Spain, 2008[55] Tinglado 2, Tarragona, Spain, 2009.[56]
  • 2010: Be Prepared!, Cokkie Snoei Gallery, Rotterdam, The Netherlands[57]
  • 2010: On Reality and Other Stories, Le château d’eau, pôle photographique de Toulouse, Toulouse, France, 2010; Forest Centre Culturel, BRASS, Brussels, Belgium, 2010[58]
  • 2010: Permanent Error, Michael Stevenson, Cape Town, South Africa, 2010; Brodie Stevenson, Johannesburg, South Africa, 2010;[59] Scotiabank CONTACT Photography Festival, Toronto, Canada, 2011;[60] Yossi Milo Gallery, New York, 2011[50]
  • 2011-2012: There's A Place in Hell for Me and my Friends, Stevenson Gallery, Cape Town, South Africa[61]
  • 2013: This must be the place - Selected works 2003-2012, Ludwig Museum, Budapest[62]
  • 2013: Kin, Stevenson Gallery, Cape Town, South Africa, 2013;[63] Fondation Cartier-Bresson, Paris, 2015;[64] Priska Pasquer, Cologne, Germany, 2016.[65]
  • 2014: The Journey, Stevenson Gallery, Cape Town, South Africa [66][67]
  • 2015: Portraits: From the unsaid to the un-dead, Institute of Contemporary Art Indian Ocean, Mauritius[68]
  • 2015: In Focus, National Portrait Gallery, London, United Kingdom[69]
  • 2016: 1994, Stevenson Gallery, Cape Town, South Africa[70]
  • 2017: 1994, Yossi Milo, New York, USA.[71]
  • 2017: Peripheral Dispatches, Priska Pasquer, Cologne, Germany.[72]
  • 2017: 1994 and Californian Wildflowers, Cokkie Snoei, Rotterdam, The Netherlands.[73]
  • 2017: Between the Devil and the Deep Blue Sea, Kunstmuseum Wolfsburg, Wolfsburg, Germany.[74]
  • 2017: Verisimilar Worlds: The West African Works 2005-2010, Organ Vida International Photography Festival, Museum of Contemporary Art, Zagreb, Croatia.
  • 2017: Between the Devil and the Deep Blue Sea, Museum für Kunst und Kulturgeschichte, Dortmund, Germany.[75]
  • 2018: Between the Devil and the Deep Blue Sea, Museu Coleção Berardo, Lisbon, Portugal.[76]
  • 2019: Africa to China, Pékin Fine Arts, Hong Kong, China.[77]
  • 2020: La Cucaracha, Yossi Milo Gallery, New York, USA.[78]

Group exhibitions

  • 2001: New South African Art, JAK Gallery, London[79]
  • 2009: A Life Less Ordinary: Performance and display in South African art, Djanogly Gallery, Nottingham, UK[80]
  • 2009: Creating Identity: Portraits Today, 21c Museum Hotels, Louisville, KY[81]
  • 2010: Halakasha!, Standard Bank Gallery, Johannesburg, South Africa[82]
  • 2010: Life Less Ordinary: Performance and display in South African art, Ffotogallery, Cardiff, Wales[83]
  • 2010: 1910-2010: From Pierneef to Gugulective, Iziko South African National Gallery, Cape Town, South Africa
  • 2010: Lie of the Land: Representations of the South African Landscape, Iziko Old Town House Museum,[84] Cape Town, South Africa; Sanlam Gallery, Bellville, South Africa
  • 2010: After A, Photo Notes on South Africa, Atri Reportage Festival, Atri, Italy[85]
  • 2010: This is Our Time, Michael Stevenson, Cape Town, South Africa[86]
  • 2010: Disquieting Images, Triennale di Milano, Milan, Italy[87]
  • 2010: Counterlives, Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, NC[88]
  • 2010: Sharon Stone in Abuja, Location One, New York, NY[89]
  • 2010: Breaking News: Contemporary photography from the Middle East and Africa, Fondazione Cassa di Risparmio Provincia di Modena, Italy.[90]
  • 2011: Figures and Fictions: Contemporary South African Photography, Victoria and Albert Museum, London[91][92]
  • 2011: For a Sustainable World, Les Rencontres de Bamako African Photography Biennial, Mali[93]
  • 2011: The Global Contemporary: Art Worlds after 1989, ZKM Center for Art and Media Karlsruhe, Germany[94]
  • 2011: The Eye is a Lonely Hunter: Images of Humankind, Fotofestival Mannheim Ludwigshafen Heidelberg, Germany[95]
  • 2011: Possible Cities: Africa in Photography and Video, Cantor Fitzgerald Gallery, Haverford College, Pennsylvania, USA [96]
  • 2011: ARS 11, Kiasma, Helsinki Museum of Contemporary Art, Helsinki, Finland[97]
  • 2011: Lens: Fractions of Contemporary Photography and Video in South Africa, Stellenbosch University Art Museum, South Africa [98]
  • 2011: Il corpo metafora di un'esperienza, CIAC Centro Italiano Arte Contemporanea, Foligno, Italy[99]
  • 2011: Contact Photography Festival, Toronto, Canada [100]
  • 2011: Beguiling: The Self and the Subject, Irma Stern Museum, Cape Town, South Africa;[101] Contact Photography Festival, Toronto, Canada
  • 2011: All Cannibals, Me Collectors Room, Berlin, Germany[102]
  • 2011: Urban Lives, Shoshana Wayne Gallery, California, USA [103]
  • 2011: Paraty em Foco photography festival, Brazil[104]
  • 2011: What we talk about when we talk about love, Stevenson, Cape Town, South Africa[105]
  • 2012: Bienal de Fotografía de Lima, Peru[106]
  • 2012: FotoTriennale.dk, Funen, Denmark[107]
  • 2012: Moscow Photobiennale, Moscow Multimedia Art Museum, Moscow[108]
  • 2012: International Art Exhibition, Rwesero Arts Museum, Nyanza, Rwanda [109]
  • 2012: Qui Vive? 3rd Moscow International Biennale for Young Art, Moscow[110]
  • 2012: Photography of The Rainbow Nation, Museum Beelden aan Zee, The Hague, the Netherlands[111]
  • 2012: Africa, There and Back, Folkwang Museum, Essen, Germany[112]
  • 2012: Transitions - Social Landscape Project, Market Photo Workshop, Johannesburg, South Africa[113]
  • 2012: Deutsche Börse Photography Prize 2012, The Photographers Gallery, London, UK[114]
  • 2012: Africa: Photographs and video from the Martin Margulies Collection, Bob Rauschenberg Gallery, Edison State College, Florida, USA [115]
  • 2012: Distance and Desire: Encounters with the African Archive Part II: Contemporary Reconfigurations, Walther Collection Project Space, New York, USA [116]
  • 2013: Loom of the Land, Stevenson, Johannesburg, South Africa[117]
  • 2013: Nothing to Declare?, Akademie der Kunste, Berlin, Germany[118] [119]
  • 2013: Landmark: The Fields of Photography, Somerset House, London, UK [120]
  • 2013: Either/Or, Nikolaj Copenhagen Contemporary Art Center, Denmark[121]
  • 2013: Some Views of Africa, Studio la Città di Verona, Italy [122]
  • 2013: The Glorious Rise and Fall ... (and so on), Groot Ziekengasthuis, 's-Hertogenbosch, the Netherlands [123]
  • 2013: Distance and Desire: Encounters with the African Archive, The Walther Collection, Ulm, Germany [124]
  • 2013: Transition: Social Landscape, Rencontres d'Arles festival, Arles, France [125]
  • 2013: Present Tense, Fundação Calouste Gulbenkian, Lisbon, Portugal; Fundação Calouste Gulbenkian - Délégation en France, Paris [126]
  • 2013: Art and Textile: Fabric as Material and Concept in Modern Art from Klimt to the Present, Kunstmuseum Wolfsburg, Germany [127]
  • 2014: Chroma, Stevenson, Cape Town, South Africa[128]
  • 2014: Public Intimacy: Art and Social Life in South Africa at the Yerba Buena Center for the Arts, San Francisco, USA[129]
  • 2014: Apartheid and After, Huis Marseille, Amsterdam, the Netherlands [130]
  • 2014: Present Tense, Galeria Municipal Almeida Garrett, Porto, Portugal [131]
  • 2014: Here Africa, Château de Penthes, Geneve-Pregny, Switzerland [132]
  • 2014: Between Subject and Object: Human remains at the interface of art and science, Michaelis Galleries, University of Cape Town, South Africa [133]
  • 2014: From Sitting to Selfie: 300 Years of South African Portraits, Standard Bank Art Gallery, Johannesburg, South Africa [134]
  • 2014: Animalis, Fundació Forvm per la Fotografia, Tarragona, Spain[135]
  • 2014: T.R.I.P. Travel Routes In Photography, Terme di Diocleziano, Rome, Italy [136]
  • 2014: Prospect.3: Notes for Now (P.3), New Orleans Biennial, USA [137]
  • 2015: Prix Pictet: Disorder, Musée d’Art Moderne de la Ville de Paris;[138] Somerset House, London; et al.[139]
  • 2015: Representations of Otherness and Resistance, Johannes Stegmann Art Gallery, Bloemfontein, South Africa [140]
  • 2015: I will go there, take me home, MAC Belfast, Northern Ireland, UK [141]
  • 2015: Spatial Stories: Topographies of Change in Africa, at the Center for Visual Arts, Metropolitan State University of Denver, USA [142]
  • 2015: Beastly/Tierisch, Fotomuseum Winterthur, Switzerland [143]
  • 2015: Strange Worlds, Fondazione Fotografia Modena, Foro Boario, Modena, Italy [144]
  • 2016: After Eden/Après Eden - The Walther Collection, La Maison Rouge, Paris, France [145]
  • 2016: A Closer Look: Portraits from the Paul G Allen Family Collection, Pivot Art + Culture, Seattle, USA [146]
  • 2016: Regarding Africa: Contemporary Art and Afro-Futurism, Tel Aviv Museum of Art, Israel [147][148]
  • 2017: Lavoro in Movimento/Work in Motion, MAST Foundation, Bologna [149]
  • 2017: Good Hope. South Africa and The Netherlands from 1600, Rijksmuseum, the Netherlands [150]
  • 2017: 10 Years Old 2007-2017: A History of the World Told Through the Images of the Fondazione Cassa, di Risparmio di Modena Collection, Fondazione Fotografia Modena, Foro Boario, Italy [151]
  • 2017: Up to Now. Fabrica Photography, Fondazione Palazzo Magnani, Reggio Emilia, Italy as part of Time maps. Memory, archives, future, Fotografia Europea Festival[152]
  • 2017: AFRICA. Telling a world, Padiglione d'Arte Contemporanea, Milan, Italy[153][154]
  • 2017: Dangerous Art, Haifa Museum of Art, Israel [155]
  • 2018: Another Kind of Life: Photography on the Margins, Barbican Art Gallery, London, England [156]
  • 2018: Both, and, Stevenson, Cape Town, South Africa [157]
  • 2018: In This Imperfect Present Moment, Seattle Art Museum, Washington, USA [158]
  • 2018: Troubled Intensions Ahead: Confusing Public and Private, 3rd Beijing Photo Biennial, China [159][160]
  • 2018: Civilization: The Way We Live Now, National Museum of Modern and Contemporary Art, Seoul, South Korea; Ullens Center for Contemporary Art in Beijing, China; the National Gallery of Victoria, Melbourne, Australia; and the National Museum of Civilization, Marseille, France.[161]
  • 2018: Hacer Noche (Crossing Night), Oaxaca, Mexico [162]
  • 2018: Evoking Reality, Daimler Contemporary, Berlin, Germany [163]
  • 2018: About Face, Stevenson, Cape Town, South Africa [157]
  • 2018: Recent Histories / Contemporary African Photography and Video Art from The Walther Collection, Huis Marseille, Amsterdam, The Netherlands [164]
  • 2019: Here We Are Today, Bucerius Kunst Forum, Hamburg, Germany [165]
  • 2019: African Spirits, Yossi Milo Gallery, New York [166]
  • 2019: Risk, A4 Arts Foundation, Cape Town, South Africa[167]
  • 2020: Through an African Lens: Sub-Saharan Photography from the Museum's Collection, The Museum of Fine Arts, Houston, Houston, Texas[168]

Publications

Hugo has had four monographs published on his career. These include Pieter Hugo: The Hyena and Other Men (2008) by Aaron Schuman published by the Fotografiemuseum, Amsterdam; Pieter Hugo: Selected Works (2009) edited by the Área De Cultura / Ajuntament de Tarragona; This Must Be the Place (2012) with essays by TJ Demos and Aaron Schuman, published by Prestel: Munich; and Pieter Hugo: Between the Devil and the Deep Blue Sea (2017) with essays by the editors, Ralf Beil and Uta Ruthkamp, published by Prestel: Munich.

List of publications

Publications by Hugo

  • 1994. Munich: Prestel. 2017. ISBN 978-3-7913-8273-9. With text by Ashraf Jamal.
  • Flat Noodle Soup Talk. Paris: Bessard, 2016. ISBN 979-10-91406-48-2. Edition of 500 copies. Photographs made in Beijing.
  • The Journey. Self-published, 2015. Newspaper format.
  • Kin. New York: Aperture, 2014. ISBN 978-1597113014. With a short story by Ben Okri.
  • There's a Place in Hell for Me and My Friends. London; Paris: oodee, 2012. ISBN 978-095703-892-9.
  • This Must Be The Place: Selected Works. Munich: Prestel, 2012. ISBN 978-3791346892. With essays by TJ Demos and Aaron Schuman.
  • Permanent Error. Munich: Prestel, 2011. ISBN 978-3791345208.
  • Rwanda 2004: Vestiges of a Genocide. London; Paris: oodee, 2011. ISBN 978-0-9570389-0-5. Edition of 500 copies. With an essay by Linda Melvern.
  • Nollywood. Munich: Prestel, 2009. ISBN 978-3791343129. With texts by Chris Abani, Stacy Hardy and Zina Saro-Wiwa.
  • Messina/Musina. Munich: Punctum, 2007. ISBN 978-88-95410-03-6. With a short story by Stacy Hardy, "The Donkey Fuckers", and a conversation between Hugo and Joanna Lehan.
  • The Hyena & Other Men Munich: Prestel, 2007. ISBN 978-3791339603. With an essay by Adetokunbo Abiola.
  • Looking Aside. Punctum, 2006. ISBN 978-88-95410-00-5.

Selected books and catalogues

  • Ralf Beil & Uta Ruhkamp (ed.), 2017. PIETER HUGO. Between the Devil and the Deep Blue Sea. Munich: Prestel
  • Jamal, Ashraf. 2017. ‘Giants’. In the World: Essays on Contemporary South African Art. Skira: Milan. ISBN 978-8857235639
  • Nine Weeks. Cape Town: Stevenson, 2016. ISBN 978-0-620-69507-7. Pieter Hugo in conversation with Hansi Momodu-Gordon.
  • Markus Brüderlin (ed.), 2013. Art & Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present, 2013. Exhib. Cat. Kunstmuseum Wolfsburg. Ostfildern: Hatje Cantz
  • Beckmann, Anne-Marie and Freddy Langer. 2011. XL Photography 4: Art Collection. Deutsche Börse. Ostfildern: Hatje Cantz Verlag. ISBN 978-3775728027.
  • Fabiani, Francesca. 2011. Re-cycle. Strategie per l’architettura, la città e il pianeta. Rome: MAXXI and Elekta. ISBN 978-8837088965.
  • Garb, Tamar. 2011. Figures & Fictions: Contemporary South African Photography. Göttingen and London: Steidl and V&A Publishing. ISBN 9783869302669.
  • Gavin, Francesca. 2011.100 New Artists. London: Laurence King Publishing. ISBN 978-1856697347.
  • Herschdorfer, Nathalie. 2011. Afterwards: Contemporary Photography Confronting the Past. London: Thames & Hudson. ISBN 9780500543986.
  • Kemfert, Beate and Christina Leber (eds). 2011. Road Atlas: Street Photography from Helen Levitt to Pieter Hugo. Munich: Hirmer Verlag. ISBN 978-3777439617.
  • Krifa, Michket and Laura Serani (eds). 2011. For A Sustainable World. Rencontres de Bamako African Photography Biennial, 9th Edition. Arles and Paris: Actes Sud and Institut Français. ISBN 978-2330001551.
  • Ovesen, Solvej Helweg and Katerina Gregos (eds). 2011. The Eye is a Lonely Hunter: Images of Humankind. 4. Fotofestival Mannheim Ludwigshafen. Heidelberg: Kehrer. ISBN 978-3868282405.
  • Rubenstein, Bonnie, et al. 2011. Figure + Ground. Contact Photography Festival. Toronto: Scotiabank. 2011 Festival Catalogue.
  • Celant, Germano and Melissa Harris (eds). 2010. Immagini Inquietanti. Milan: La Triennale di Milano. Exhibition catalogue.
  • Enwezor, Okwui (ed). 2010. Contemporary African Photography from the Walther Collection. Events of the Self: Portraiture and Social Identity. Göttingen: Steidl. ISBN 978-3-86930-157-0.
  • Maggia, Filippo et al. 2010. Breaking News: Contemporary Photography from the Middle East and Africa. Milan: Skira. ISBN 978-8857206455.
  • Blackwell, Lewis. 2009. Photo-wisdom: Master Photographers on Their Art. Auckland: PQ Blackwell. ISBN 9780473150945.
  • Cresci, Mario (ed). 2009. Future Images. Milan: 24 ORE Cultura. ISBN 978-8864130170.
  • De Cultura, Área, and Ajuntament de Tarragona (eds). 2009. Pieter Hugo: Selected Works. Tarragona: Tinglado 2. ISBN 978-84-935674-6-0.
  • Dempsey, Kate (ed). 2008. Presumed Innocence. Lincoln, Massachusetts: DeCordova Museum and Sculpture Park. ISBN 978-0945506560.
  • Hug, Alfonso et al. 2008. The Tropics: Views from the Middle of the Globe. Bielefeld: Kerber Verlag. ISBN 978-3866781665.
  • Schuman, Aaron. 2008. Pieter Hugo: The Hyena and Other Men. Amsterdam: Foam Fotografiemuseum. [online](https://www.aaronschuman.com/pieterhugo.html)
  • Yildiz, Adnan et al. 2007. An Atlas of Events. Lisbon: Fundação Calouste Gulbenkian
  • Ewing, William (ed). 2006. Face: The New Photographic Portrait. London: Thames & Hudson. ISBN 978-0500287323.
  • Matt, Gerald et al. 2006. Black, Brown, White: Photography from South Africa. Vienna: Kunsthalle Wien. ISBN 978-3938821336.
  • Ewing, William; Nathalie Herschdorfer and Jean-Christophe Blaser. 2005. reGeneration: 50 Photographers of Tomorrow 2005-2006. New York: Aperture. ISBN 978-1931788984.

References
  1. "Pieter Hugo". Pieter Hugo. Retrieved 1 February 2016.
  2. Hugh Montgomery (9 April 2011). "Africa united: Photographer Pieter Hugo casts a new light on tired stereotypes of his home continent | Features | Culture". The Independent. Retrieved 1 February 2016.
  3. Leah Ollman (February 9, 2007), Photography that goes only skin deep Los Angeles Times.
  4. "Pieter Hugo on artnet". Artnet.com. Retrieved 1 February 2016.
  5. "Pieter Hugo". Widewalls. Retrieved 10 July 2019.
  6. O'Hagan, Sean (19 July 2008). "Africa as you've never seen it". The Observer. ISSN 0029-7712. Retrieved 5 July 2019.
  7. Sean O'Hagan. "Africa as you've never seen it | Art and design". The Guardian. Retrieved 1 February 2016.
  8. "Looking Aside". Archived from the original on 6 June 2011. Retrieved 7 June 2011.
  9. "Rwanda 2004: Vestiges of a Genocide". Archived from the original on 29 May 2011. Retrieved 7 June 2011.
  10. "5B4: The Hyena & Other Men by Pieter Hugo". 5b4.blogspot.com. 30 November 2007. Retrieved 1 February 2016.
  11. "Messina/Musina". Pieter Hugo. Archived from the original on 21 May 2011. Retrieved 7 June 2011.
  12. "Nollywood". Pieter Hugo. Archived from the original on 6 June 2011. Retrieved 7 June 2011.
  13. "Pieter Hugo and Damien Poulain compile a striking book of undead friends". It’s Nice That. 11 December 2012. Retrieved 5 July 2019.
  14. LensCulture, Fondation Henri Cartier-Bresson |. "Pieter Hugo: Kin - Photographs by Pieter Hugo". LensCulture. Retrieved 5 July 2019.
  15. STEVENSON. "STEVENSON". STEVENSON. Retrieved 5 July 2019.
  16. "Creative Court". Creative Court. Retrieved 1 February 2016.
  17. "Creativecourt". Rwanda20years.org. Retrieved 1 February 2016.
  18. "Coalition launches Arts Initiative to enrich dialogue on global justice |". Ciccglobaljustice.wordpress.com. 8 April 2014. Retrieved 1 February 2016.
  19. "Kinz + Tillou Fine Art - RECENT: Bradley McCallum PORTRAITS OF JUSTICE & Post Conflict Exhibition - RECENT: Bradley McCallum PORTRAITS OF JUSTICE & Post Conflict". Ktfineart.com. Archived from the original on 15 February 2015. Retrieved 1 February 2016.
  20. LensCulture, Pieter Hugo |. "Children Facing the Future: Pieter Hugo's "1994" - Photographs by Pieter Hugo". LensCulture. Retrieved 5 July 2019.
  21. "Pieter Hugo 1994". Prestel Publishing (in German). Retrieved 5 July 2019.
  22. "Arena Homme + – Pieter Hugo". We Folk. Retrieved 5 July 2019.
  23. "Re-Edition Magazine with Ellie Grace Cumming – Pieter Hugo". We Folk. Retrieved 5 July 2019.
  24. "Pieter Hugo Archives". Document Journal. Retrieved 5 July 2019.
  25. "System Magazine issue No. 5". System Magazine. Retrieved 5 July 2019.
  26. "Another Man X Nike- Pieter Hugo - Morocco". Baker Kent. Retrieved 5 July 2019.
  27. "Archived copy". Archived from the original on 22 August 2016. Retrieved 30 July 2016.CS1 maint: archived copy as title (link)
  28. "Search | The New Yorker". The New Yorker. Retrieved 5 July 2019.
  29. "Pieter Hugo on designer Garth Walker". Aperture Foundation NY. Retrieved 5 July 2019.
  30. "Pieter Hugo Afrika in foto's". Issuu. Retrieved 5 July 2019.
  31. Van Wyk, Lisa (24 June 2011). "Pieter Hugo wins Young Director Award at Cannes". Mail & Guardian. Retrieved 10 December 2018.
  32. "Spoek Mathambo "Control"". Young Director Award. 2011. Retrieved 10 December 2018.
  33. "Texx and the City interview Dookoom about 'Dirty' music video (directed by Pieter Hugo)". 20 October 2015.
  34. "Michael Stevenson Contemporary". Stevenson.info. Archived from the original on 2 February 2016. Retrieved 1 February 2016.
  35. Warren Siebrits (26 January 2010). "modern and contemporary art". Warrensiebrits.co.za. Retrieved 1 February 2016.
  36. "Archives 2007". Stephen Cohen Gallery. Archived from the original on 16 July 2011. Retrieved 13 September 2011.
  37. "STEVENSON | Pieter Hugo". Stevenson.info. Retrieved 1 February 2016.
  38. "Exhibitions | Galerie Sébastien Bertrand". Bertrand-gruner.com. Retrieved 1 February 2016.
  39. "e x t r a s p a z i o". Extraspazio.it (in Italian). Retrieved 1 February 2016.
  40. "Event View - Calendar – Iziko Museums". Iziko.org.za. Archived from the original on 3 December 2013. Retrieved 1 February 2016.
  41. "Yossi Milo Gallery - Exhibitions - Pieter Hugo". Yossimilo.com. Retrieved 1 February 2016.
  42. "2008: Year in Review". Foam Fotografiemuseum Amsterdam. Retrieved 11 July 2018.
  43. "Herzliya Museum of Contemporary Art - pieter Hugo". Herzliyamuseum.co.il. Archived from the original on 2 April 2012. Retrieved 1 February 2016.
  44. Pieter Hugo. "Multimedia Art Museum, Moscow | Exhibitions | Pieter Hugo - The Hyena and Other Men". Mamm-mdf.ru. Retrieved 1 February 2016.
  45. "Galerie Sébastien Bertrand". Bertrand-gruner.com. Archived from the original on 20 March 2012. Retrieved 1 February 2016.
  46. Warren Siebrits (26 January 2010). "modern and contemporary art". Warrensiebrits.co.za. Retrieved 1 February 2016.
  47. "e x t r a s p a z i o". Extraspazio.it (in Italian). Retrieved 1 February 2016.
  48. "Michael Stevenson - Pieter Hugo". Stevenson.info. 21 February 2009. Archived from the original on 6 October 2015. Retrieved 1 February 2016.
  49. "Greenaway Art Gallery : Adelaide Australia". Greenaway.com.au. 4 March 2007. Archived from the original on 31 August 2011. Retrieved 1 February 2016.
  50. "Yossi Milo Gallery - Exhibitions - Pieter Hugo". Yossimilo.com. Retrieved 1 February 2016.
  51. "Exhibitions". Institute of Modern Art. Archived from the original on 22 February 2011. Retrieved 7 June 2011.
  52. "Exhibition - Nollywood". Cokkie Snoei. Retrieved 1 February 2016.
  53. "Pieter Hugo – Portraits". Ffotogallery.org. 19 October 2008. Retrieved 1 February 2016.
  54. "Exhibition - GOD\'S TIME IS THE BEST". Cokkie Snoei. Retrieved 1 February 2016.
  55. "Tinglado 2 Espai d'art contemporani". Tinglado2.tarragona.cat. Retrieved 1 February 2016.
  56. "Yossi Milo Gallery - Pieter Hugo". www.yossimilo.com.
  57. "Exhibition - BE PREPARED!". Cokkie Snoei. Retrieved 1 February 2016.
  58. "Forest Centre Culturel". PDN Photo of the Day. 26 August 2010. Retrieved 1 February 2016.
  59. "Michael Stevenson - Pieter Hugo". Stevenson.info. 4 September 2010. Archived from the original on 31 January 2016. Retrieved 1 February 2016.
  60. Scotiabank CONTACT Festival. "Scotiabank CONTACT Photography Festival". Scotiabankcontactphoto.com. Archived from the original on 11 March 2016. Retrieved 1 February 2016.
  61. "STEVENSON - Pieter Hugo". archive.stevenson.info.
  62. "Pieter Hugo: This Must Be The Place - Válogatott munkák 2003-2012 | LUDWIG MÚZEUM - Kortárs Művészeti Múzeum". Ludwigmuseum.hu. 20 January 2013. Retrieved 1 February 2016.
  63. "STEVENSON - Pieter Hugo". archive.stevenson.info.
  64. "Portrait intime de l'Afrique du Sud par Pieter Hugo" par Stéphanie Pioda dans Artistik Rezo 19 janvier 2015.
  65. "Pieter Hugo, Kin – Priska Pasquer". Priskapasquer.com. 9 April 2016. Archived from the original on 1 July 2016. Retrieved 12 July 2018.
  66. STEVENSON. "STEVENSON". STEVENSON.
  67. "PIETER HUGO, THE JOURNEY, 2015". www.achtung.photography.
  68. "Archived copy". Archived from the original on 1 April 2016. Retrieved 26 May 2016.CS1 maint: archived copy as title (link)
  69. "News Release: TAYLOR WESSING PHOTOGRAPHIC PORTRAIT PRIZE ANNOUNCES CHANGES FOR 2015...UNSEEN PIETER HUGO PHOTOGRAPHS FORM FIRST IN FOCUS DISPLAY - National Portrait Gallery". www.npg.org.uk.
  70. "Archived copy". Archived from the original on 21 May 2016. Retrieved 26 May 2016.CS1 maint: archived copy as title (link)
  71. "Yossi Milo Gallery | 1994". www.yossimilo.com. Retrieved 7 July 2019.
  72. "PIETER HUGO | Peripheral Dispatches | PRISKA PASQUER | Artsy". www.artsy.net. Retrieved 7 July 2019.
  73. "Cokkie Snoei - Exhibitions | artist". www.cokkiesnoei.com. Retrieved 7 July 2019.
  74. "Pieter Hugo: Between the Devil and the deep blue Sea - Kunstmuseum Wolfsburg". www.kunstmuseum-wolfsburg.de. Retrieved 7 July 2019.
  75. "Exhibition Between the Devil and the Deep Blue Sea - artist, news & exhibitions - photography-now.com". photography-now.com. Retrieved 7 July 2019.
  76. "Pieter Hugo. Between the Devil and the Deep Blue Sea". en.museuberardo.pt. Retrieved 7 July 2019.
  77. "Pieter Hugo：Africa To China". Pekin Fine Arts. Retrieved 7 July 2019.
  78. "Yossi Milo Gallery | La Cucaracha". www.yossimilo.com. Retrieved 5 February 2020.
  79. "Pieter Hugo Exhibitions". Widewalls.
  80. "Exhibitions - A Life Less Ordinary - Performance And Display In South African Art". Archived from the original on 28 March 2012. Retrieved 12 July 2018.
  81. "Creating Identity: Portraits Today". 21c Museum. Archived from the original on 12 March 2010. Retrieved 13 September 2011.
  82. "Halakasha: 2 June – 17 July 2010". Standard Bank Gallery. Archived from the original on 12 March 2011. Retrieved 13 September 2011.
  83. "Life Less Ordinary: Performance and Display in South African Art". Ffotogallery.org. 19 June 2010. Retrieved 1 February 2016.
  84. "Event View - Calendar – Iziko Museums". Iziko.org.za. Retrieved 1 February 2016.
  85. "After A". Reportage Atri Festival. Archived from the original on 21 June 2010. Retrieved 13 September 2011.
  86. "Michael Stevenson - This is Our Time". Stevenson.info. 24 July 2010. Archived from the original on 4 March 2016. Retrieved 1 February 2016.
  87. "Triennale di Milano - Home". Triennale.org. Retrieved 1 February 2016.
  88. "Counterlives". Ackland Art Museum. Archived from the original on 26 March 2012. Retrieved 13 September 2011.
  89. "Location One » Sharon Stone in Abuja". Location1.org. Retrieved 1 February 2016.
  90. "RDC-Cultures | Breaking news. Contemporary Photography from the Middle East and Africa". rdc.spla.pro. Retrieved 10 July 2019.
  91. "Today | What's On | Victoria and Albert Museum". Vam.ac.uk. 16 June 2015. Retrieved 1 February 2016.
  92. Gevisser, Mark (23 April 2011). "Figures & Fictions at the V&A". London: The Guardian. Retrieved 28 February 2017.
  93. isabelwilcox (14 November 2011). "Les Rencontres de Bamako". Happening Africa. Retrieved 10 July 2019.
  94. "The Global Contemporary. Art Worlds After 1989 - Announcements - e-flux". www.e-flux.com. Retrieved 10 July 2019.
  95. "2011: The Eye is a Lonely Hunter, Images of Humankind". Ravi Agarwal. 24 January 2018. Retrieved 10 July 2019.
  96. "POSSIBLE CITIES // IMAGING AFRICA | Organized by Ruti Talmor". Retrieved 10 July 2019.
  97. "ARS 11 at KIASMA will Change Your Perceptions About Africa and Contemporary Art". artdaily.com. Retrieved 10 July 2019.
  98. "STEVENSON | Pieter Hugo". archive.stevenson.info. Retrieved 10 July 2019.
  99. ""Il corpo metafora di un'esperienza": a Foligno fino al 12 giugno". LaStampa.it (in Italian). Retrieved 10 July 2019.
  100. "Ten Contact shows to see". Retrieved 10 July 2019.
  101. "Beguiling: The Self and the Subject Opens Saturday at Cape Town's Irma Stern Museum". Sunday Times Books LIVE @ Sunday Times Books LIVE. Retrieved 10 July 2019.
  102. "[lang_de]Alles Kannibalen? [lang_de] [lang_en] All Cannibals? [lang_en]". me Collectors Room Berlin. 26 May 2011. Retrieved 10 July 2019.
  103. MonicaCAUS, Shoshana Wayne Gallery 1541 Ocean Ave Suite 20090401 Santa. "exhibitions & events". ArtSlant. Retrieved 10 July 2019.
  104. "Rio de Janeiro : Paraty em Foco Photo Festival". The Eye of Photography Magazine. 26 September 2011. Retrieved 10 July 2019.
  105. "STEVENSON | What we talk about when we talk about love". archive.stevenson.info. Retrieved 10 July 2019.
  106. "Bienal de Fotografía de Lima (FOLI), presentan el FOLILAB". Serperuano.com. 28 March 2012. Retrieved 10 July 2019.
  107. "Press". fototriennale.dk. Retrieved 10 July 2019.
  108. "Exhibition Photobiennale Moscow 2012 - artist, news & exhibitions - photography-now.com". photography-now.com. Retrieved 10 July 2019.
  109. "The National Art Gallery, A Shining Gem On Rwesero Hill : Rozenberg Quarterly". Retrieved 10 July 2019.
  110. "art-agenda". www.art-agenda.com. Retrieved 10 July 2019.
  111. Times, The PasseNger (3 January 2013). "Pieter Hugo /best photographers" (in Italian). Retrieved 10 July 2019.
  112. "Africa, there and back at Folkwang Museum Essen - Artmap.com". artmap.com. Retrieved 10 July 2019.
  113. "New Photography Book Depicts the South African Social Landscape". africasacountry.com. Retrieved 10 July 2019.
  114. "Deutsche Börse Photography Prize 2012". www.deutscheboersephotographyfoundation.org. Retrieved 10 July 2019.
  115. "Rauschenberg Gallery focuses on photographers who saw Africa in original ways". www.naplesnews.com. Retrieved 10 July 2019.
  116. Cotter, Holland (24 January 2013). "'Distance and Desire': 'Encounters With the African Archive' '(Part II: Contemporary Reconfigurations)'". The New York Times. ISSN 0362-4331. Retrieved 10 July 2019.
  117. "STEVENSON | The Loom of the Land". archive.stevenson.info. Retrieved 12 July 2019.
  118. "Nothing to declare? – Weltkarten der Kunst nach '89". www.adk.de (in German). Retrieved 12 July 2019.
  119. "Aesthetica Magazine - Nothing to declare? World maps of art since '89 at Akademie der Künste in Berlin". Aesthetica Magazine. Retrieved 12 July 2019.
  120. "Aesthetica Magazine - Landmark: the Fields of Photography, London". Aesthetica Magazine. Retrieved 12 July 2019.
  121. "Either / Or | www.nikolajkunsthal.dk". www.nikolajkunsthal.dk. Retrieved 12 July 2019.
  122. ""Some Views of Africa", 2013 | Studio la Città". studiolacitta.it. Retrieved 12 July 2019.
  123. "Jasper de Beijer | THE GLORIOUS RISE AND FALL….(AND SO ON)". Retrieved 12 July 2019.
  124. "Distance and Desire: Encounters with the African Archive | Contemporary And". www.contemporaryand.com (in German). Retrieved 12 July 2019.
  125. d'Arles, Les Rencontres. "TRANSITION, SOCIAL LANDSCAPE". www.rencontres-arles.com. Retrieved 12 July 2019.
  126. "Present Tense: Photos from the South of Africa - Announcements - e-flux". www.e-flux.com. Retrieved 12 July 2019.
  127. Böhme, Hartmut; Brüderlin, Markus; Brock, Bazon; Gordon, Beverly; Heinen, Ulrich; Martin, Jean-Hubert; Petit, Emmanuel; Ruhkamp, Uta; Salm-Salm, Marie-Amélie zu (2013). Art & textiles fabric as material and concept in modern art from Klimt to the present. Ostfildern: Hatje Cantz. ISBN 9783775736275. OCLC 917156688.
  128. "STEVENSON | Chroma". archive.stevenson.info. Retrieved 12 July 2019.
  129. "Public Intimacy at Yerba Buena Center San Francisco - Artmap.com". artmap.com. Retrieved 12 July 2019.
  130. "Apartheid & After". Huis Marseille. Retrieved 12 July 2019.
  131. "Present Tense: Fotografias do sul de Africa | COLECTIVA | ARTECAPITAL.NET". www.artecapital.net. Retrieved 12 July 2019.
  132. "Here Africa / Ici l'Afrique at Château de Penthes - Announcements - e-flux". www.e-flux.com. Retrieved 12 July 2019.
  133. Galleries, Michaelis. "Exhibition - Between Subject and Object | GIPCA". Retrieved 12 July 2019.
  134. "From Sitting to Selfie: 300 years of South African Portraits | Group Sponsorships". sponsorships.standardbank.com. Retrieved 12 July 2019.
  135. ARTEINFORMADO (30 June 2014). "Animalis, Exposición, Fotografía, jul 2014". ARTEINFORMADO (in Spanish). Retrieved 12 July 2019.
  136. Mahdil, Maison. "T.R.I.P.: Travel Routes In Photography | BAB". eng.babelmed.net. Retrieved 12 July 2019.
  137. Clark, Ed; Locke, Hew; Arni, Claire; N, Pushpamala; Hugo, Pieter (4 October 2014). "Prospect.3: Notes for Now". Southern Review. 50 (4): 594–602. ISSN 2168-5541.
  138. agence, GAYA-La nouvelle. "Prix Pictet 2015 - " Disorder "". www.mam.paris.fr (in French). Retrieved 12 July 2019.
  139. "Venues announced for Prix Pictet Disorder global tour | Prix Pictet | The global award in photography and sustainability". www.prixpictet.com. Retrieved 12 July 2019.
  140. "Representations of Otherness and Resistance". Issuu. Retrieved 12 July 2019.
  141. "I Will Go There, Take Me Home | The MAC Belfast". themaclive.com. Retrieved 12 July 2019.
  142. "Spatial Stories | Topographies of Change in Africa". ArtThrob. 28 February 2015. Retrieved 12 July 2019.
  143. "Beastly / Tierisch, 30. May 2015 - 4. Oct 2015, Fotomuseum Winterthur". en.artoffer.com. Retrieved 12 July 2019.
  144. "Strange Worlds - Fondazione Fotografia". www.fondazionefotografia.org. Retrieved 12 July 2019.
  145. Ungan, Umut (20 October 2016). "Après Eden. La Collection Walther. Paris, La Maison rouge, 17 octobre 2015 – 24 janvier 2016". Marges. Revue d'art contemporain (in French) (23): 142–143. ISSN 1767-7114.
  146. "'A Closer Look' at more of Paul Allen's art collection at Pivot". The Seattle Times. 8 December 2016. Retrieved 12 July 2019.
  147. "Regarding Africa: Contemporary Art and Afro-Futurism, Tel Aviv Museum of Art". Regarding Africa: Contemporary Art and Afro-Futurism. Retrieved 12 July 2019.
  148. "Regarding Africa: Contemporary Art and Afro-Futurism - Tel Aviv Museum of Art". www.tamuseum.org.il. Retrieved 12 July 2019.
  149. "MAST Foundation : Work in Motion Exhibition". mast.org. 12 July 2019.
  150. "Good Hope. South Africa and The Netherlands from 1600 - Exhibitions – past - What's on". Rijksmuseum. Retrieved 12 July 2019.
  151. "10 years old - Fondazione Fotografia". www.fondazionefotografia.org. Retrieved 12 July 2019.
  152. "Fotografia Europea 2017 | Fabrica Photography". Retrieved 12 July 2019.
  153. Bria, Ginevra, editor. Africa, raccontare un mondo = Africa, telling a world. ISBN 9788836637553. OCLC 1002281292.CS1 maint: multiple names: authors list (link)
  154. "AFRICA. Telling a world | Contemporary And". www.contemporaryand.com (in German). Retrieved 12 July 2019.
  155. "opening of the exhibitions: Dangerous Art". Haifa Museums - Six Museums in One Frame. Retrieved 12 July 2019.
  156. "Another Kind of Life: Photography on the Margins | Barbican". www.barbican.org.uk. Retrieved 12 July 2019.
  157. STEVENSON. "STEVENSON". STEVENSON. Retrieved 12 July 2019.
  158. "Events Detail". seattleartmuseum.org. Retrieved 12 July 2019.
  159. "Troubled Intentions Ahead: Confusing Public and Private - 3rd Beijing Photo Biennial | exhibition | ARTLINKART | Chinese contemporary art database". www.artlinkart.com. Retrieved 12 July 2019.
  160. "Confusing Public and Private：The 3rd Beijing Photo Biennial CAFA Art Museum". www.cafamuseum.org. Retrieved 12 July 2019.
  161. "Exhibition Civilization: The Way We Live Now - artist, news & exhibitions - photography-now.com". photography-now.com. Retrieved 12 July 2019.
  162. douw (26 February 2019). "Hacer Noche/Crossing Night / Afro-Mexican". Art Africa Magazine. Retrieved 12 July 2019.
  163. "Daimler Art Collection". Daimler Art Collection. 15 August 2017. Retrieved 12 July 2019.
  164. "Recent Histories". Huis Marseille. Retrieved 12 July 2019.
  165. "Here we are today A View of the World in Photography & Video Art | Bucerius Kunst Forum". www.buceriuskunstforum.de. Retrieved 12 July 2019.
  166. "Yossi Milo Gallery | African Spirits Group Exhibition". www.yossimilo.com. Retrieved 12 July 2019.
  167. "Risk — A4". a4arts.org. Retrieved 5 February 2020.
  168. "Through an African Lens: Sub-Saharan Photography from the Museum's Collection". The Museum of Fine Arts, Houston. Retrieved 13 June 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.