Piano nobile

The piano nobile (Italian for "noble floor" or "noble level", also sometimes referred to by the corresponding French term, bel étage) is the principal floor of a large house. This floor contains the principal reception and bedrooms of the house.

An early-15th-century piano nobile at the Palazzo dei Diamanti, Ferrara. Its larger windows indicate its superior status compared with the rooms on the floor below.
Palais Gise in Munich: the rich decor of the facade underlines the meaning of the piano nobile on the second floor.
At the 18th-century Kedleston Hall in Derbyshire, the piano nobile is placed above a rusticated ground floor, and reached by an external staircase. The uppermost windows indicate that the upper floor is of far lower status.

Characteristics

The piano nobile is usually the first storey (in European terminology; second floor in American terms), or sometimes the second storey, located above a ground floor (often rusticated) containing minor rooms and service rooms. The reasons for this were so the rooms would have finer views, and more practically to avoid the dampness and odours of the street level. This is especially true in Venice, where the piano nobile of the many palazzi is especially obvious from the exterior by virtue of its larger windows and balconies, and open loggias. Examples of this are Ca' Foscari, Ca' d'Oro, Ca' Vendramin Calergi, and Palazzo Barbarigo.

Larger windows than those on other floors are usually the most obvious feature of the piano nobile. In England and Italy, the piano nobile is often reached by an ornate outer staircase, which negated the need for the inhabitants of this floor to enter the house by the servant's floor below. Kedleston Hall is an example of this in England, as is Villa Capra "La Rotonda" in Italy.

Most houses contained a secondary floor above the piano nobile, which contained more intimate withdrawing and bedrooms for private use by the family of the house, when no honoured guests were present. Above this floor would often be an attic floor containing staff bedrooms.

This arrangement of floors continued throughout Europe for as long as large houses continued to be built in the classical style. This arrangement was designed at Buckingham Palace as recently as the mid-19th century. Holkham Hall, Osterley Park and Chiswick House are among the innumerable 18th-century English houses which employed this design.

Secondo piano nobile

At the Palazzo Barbarigo in Venice, the floor above the piano nobile is of almost equal status, so it is referred to as the secondo piano nobile.

In Italy, especially in Venetian palazzi, the floor above the piano nobile is sometimes referred to as the "secondo piano nobile" (second principal floor), especially if the loggias and balconies reflect those below on a slightly smaller scale. In these instances (occasionally in museums), the principal piano nobile is described as the primo piano nobile to differentiate it. Though often found, this usage is potentially misleading: rooms in the (primo) piano nobile are always the grandest, less so those in the secondo piano nobile (which is indeed 'secondary'). The term is not used in Britain.

Beletage

The Beletage of Dresden's Villa Martha, built in the 1870s.

In Germany, there is the Beletage (meaning "beautiful storey", from the French term bel étage), which fulfilled the same function as the piano nobile. Both date to the 17th century.

References

  • Chiarini, Marco (2001). Pitti Palace. Livorno: Sillabe s.r.l. ISBN 88-8347-047-8.
  • Chierici, Gino (1964). Il Palazzo Italiano. Milan.
  • Copplestone, Trewin (1963). World Architecture. Hamlyn.
  • Dynes, Wayne (1968). Palaces of Europe. London: Hamlyn.
  • Dal Lago, Adalbert (1966). Ville Antiche. Milan: Fratelli Fabbri.
  • Girouard, Mark (1978). Life in the English Country House. Yale University Press. ISBN 0-300-02273-5.
  • Halliday, E. E. (1967). Cultural History of England. London: Thames and Hudson.
  • Harris, John; de Bellaigue, Geoffrey; & Miller, Oliver (1968). Buckingham Palace.
  • Hussey, Christopher (1955). English Country Houses: Early Georgian 1715–1760 London, Country Life.
  • Jackson-Stops, Gervase (1990). The Country House in Perspective. Pavilion Books Ltd.
  • Kaminski Marion, Art and Architecture of Venice, 1999, Könemann, ISBN 3-8290-2657-9
  • Masson, Georgina (1959). Italian Villas and Palaces. London: Harry N. Abrams ltd.London:Nelson. ISBN 0-17-141011-4
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