Paul Dixon Show
The Paul Dixon Show was an American television variety program originating in Cincinnati on WLWT Television beginning in 1955 and ending in January 1975, one month after Dixon's death in December 1974. The show began as a 30-minute series expanding to 90 minutes in the 1960s, but the other stations along the Avco Network in nearby Dayton, Columbus and Indianapolis only ran 60 minutes of the show. Pre-recorded episodes were sold to other markets throughout the Midwest.
| The Paul Dixon Show | |
|---|---|
 | |
| Genre | Variety/Comedy/Talk/Music |
| Created by | John Murphy Paul Dixon |
| Directed by | Gordon Waltz |
| Presented by | Paul Dixon Bonnie Lou (co-host) Colleen Sharp (co-host) |
| Theme music composer | Bruce Brownfield |
| Country of origin | USA |
| Original language(s) | English |
| Production | |
| Executive producer(s) | John Murphy |
| Production location(s) | WLWT Studios, Crosley Square, Cincinnati, Ohio |
| Running time | 30 minutes (later expanded to 90) |
| Release | |
| Original release | September 29, 1952 (DuMont) - April 24, 1955 (WLWT) – April 8, 1955 (DuMont) - January 1975 (WLWT) |
The show was originally co-hosted by Bonnie Lou and Marian Spelman, who was later replaced with Colleen Sharp. The house band, originally called The Bel-Aires, was led by pianist Bruce Brownfield.
Early beginnings
Dixon originally hosted a show on rival station WCPO-TV with Dottie Mack and Wanda Lewis called Paul Dixon's Song Shop. The show consisted of Dixon, Mack, and Lewis pantomiming to popular songs of the day, and also featured in-house commercials. Fresh from a career in radio news, Dixon quickly endeared himself to countless viewers for years to come. Song Shop was picked up for a season by ABC in 1951 [1] and by the DuMont Television Network in 1954. For the DuMont show he moved to New York City, but as DuMont began to collapse in 1955, a homesick Dixon returned to Cincinnati a year later and, in a fateful move, hired on at WLWT.
While Dixon was at WCPO, Al Lewis (rapidly gaining fame in his own right as Uncle Al) was in charge of set design and artwork on Dixon's show. After Dixon moved to WLWT, The Paul Dixon Show and The Uncle Al Show would run opposite of each other on weekday mornings.
”This Dumb Show”
By 1955, Dixon was hired on at WLWT to host a daytime show originally geared to housewives, but ultimately appealed to people in all walks of life. Over time Dixon himself would refer to the program as "this dumb show". Every morning the show would start with Paul, using a pair of binoculars (one of what would become many of Dixon’s trademarks), to examine what came to be called “Kneesville”, which consisted of ladies sitting in the front row, all wearing either short skirts or “hot pants”. He would then award the best looking knees by either putting a garter on the lady's leg, or attaching a "knee tickler" to the hem of her skirt.
Some of his other trademarks included, but were not limited to:
- His nickname. Everyone who knew Dixon or watched his show took to calling him "Paul Baby". (Dixon acquired the nickname from a prop boy, Al Bischof, who replied to a request by Dixon saying, "Okay, Paul Baby!" The nickname stuck with Dixon for the rest of his life.)[2]
- A spray bottle, used to spritz the audience upon asking how many of them took a bath that morning, which was usually a segue into a commercial for bath soap.
- Dixon would strike a "runway pose" during a shampoo or hair care commercial (or some instance that might require him to take off his jacket), and the band played the first few bars of A Pretty Girl is Like A Melody.
- By the 70s, Dixon had taken to giving T-shirts to ladies in the audience, with Dixon putting them on the ladies himself, doing it in such a way that would work itself into an embrace between the two.
- On almost every show, Dixon would give an Osherwicz Kosher Salami to at least one member of the audience (usually a lady) after chatting with them or when they gave him something. (David Letterman would later incorporate a variation of this into his own show, instead giving canned hams to people in the audience for their participation in a skit.)
- At the mere mention of the word "letters" (referring to fan mail), Bruce Brownfield and the Band played a quick rendition of the song I'm Gonna Sit Right Down and Write Myself A Letter.
Despite the fact that Dixon did basically the same thing every day, viewers would continually watch his show, many of them admitting, often with varying degrees of embarrassment, that they were 'hooked' on Paul Baby.
Guest appearances by celebrities were a rarity at best. Among those who did make appearances were comedian Imogene Coca, actor David McCallum, Senator Robert Kennedy, and even Bob Hope showed up on occasion. Hope was close friends with Dixon and wrote the foreword for Dixon's first book.
Classic moments
Besides in-house commercials, a musical number from the house band, a song each from Colleen and Bonnie, and occasionally a song from Dixon himself, who swore he couldn't sing to save his own life, the show was primarily Paul talking with members of his audience, or reading letters from his viewers, both of which often resulted in hilarious situations:
- On the day of the Chicken Wedding, a lady in the audience told Dixon of her female neighbor's TV set having broken the night before. Her husband, who worked nights, got home in time to watch Dixon's show, so she wanted to tell him on the air to go next door to invite her neighbor over so the two could watch the show together. She finished by telling them, again on the air, to “be good and be careful”.
- Dixon once read a letter on the air from a farmer in Arkansas who had gotten “hooked” on the show while sick in bed (According to the letter, the farmer's illness had been brought on by bad whiskey); his wife had also gotten hooked shortly afterward. When Dixon called the farmer and talked to him live on the air, he asked Dixon to send him one of the T-shirts he gave to the ladies on his show so he could put it on his wife. The farmer later made an in-person appearance on the show.
- On upper management suggestion, Dixon held a "Mystery Voice Contest", in which he would call a number selected at random from the phone book. If there was an answer on the other end, Dixon played a pre-recorded voice for them to identify, winning a large prize if correct. The first voice was Ralph Lazarus, then-CEO of Federated Department Stores. After a huge promotion and build-up to Day 1 of the contest, the very first contestant Dixon called and played the voice for (keep in mind that he chose the number at random from the phone book) immediately guessed Ralph Lazarus. In disbelief, Dixon asked how the player, a lady, could possibly have known Lazarus' voice; she laughingly replied she used to be his private secretary![3]
- In the early 1950s, when Dixon's producer John Smith contracted polio, Dixon started a campaign for Smith to receive get well cards and over the course of a year Smith received thousands of cards from across the country. Unfortunately, Smith died from polio complications in 1954.
While Dixon's antics by today's standards might be construed as chauvinistic or even over-the-top sexist, there was an unspoken understanding between Dixon and his audience (both in-studio and at home) that dictated that he was only going for the laughs and cheers that the antics generated. (Dixon was happily married with two children.)
David Letterman credits Paul Dixon for inspiring his choice of career as talk-show host.
Dixon's pet expressions
- "This is the most beautiful, youngest group we've ever had on this television show!"
(usually said right before grabbing his binoculars to check out Kneesville) - Hold it, we've got a live one here, Gordy!"
(referring to someone in the audience who had something to say to Dixon. "Gordy" was director Gordon Waltz) - (singing) "...and the angels lit the candles!"
- "Isn't this the dumbest television show you ever saw in your life???"
- "How come you're not at home watching Uncle Al??"
(Dixon sometimes asked this of kids who appeared on the show)
The chicken wedding
At one point a fan had sent Dixon a rubber chicken as a souvenir. He took to calling the chicken Pauline, using it/her as a prop when he did commercials for Kroger, saying "Kroger has a special on chicken", and then invariably tossing it/her over his shoulder. Another fan sent him an additional rubber chicken which Dixon took to calling Harry, who became a "companion" for Pauline. Over time people began to ask if Dixon was going to marry the feathered couple. Dixon was initially against the idea, but as more and more people, including WLWT boss John Murphy, continued to ask when he would perform the "Chicken Wedding", Dixon finally capitulated,[4] and in so doing made television history.
On Tuesday, March 11, 1969, Dixon staged the first ever wedding for two rubber chickens complete with all the trimmings. The wedding itself was broadcast live on the show, and featured then-WLWT news anchor Tom Atkins narrating and Bob Braun as Best Man, with co-hosts Bonnie Lou and Sharp as matrons of honor. Marian Spelman, still at WLWT appearing on other shows, made a guest appearance singing a humorous version of A Bird in a Gilded Cage.
People actually stayed home from work and school to watch the Chicken Wedding live. It went on to become the highest-rated episode in the show's history, and to this day WLWT gets more requests and questions about this particular episode than any other show in the station's near-70 year history.
Live at the Ohio State Fair
Beginning in 1966 on a request from then-Ohio Governor Jim Rhodes, The Paul Dixon Show (and other local shows on WLWT) began making annual visits to the Ohio State Fair, broadcasting their shows live on location. The following year attendance at the state fair increased by an estimated 1.2 million.[5] The live shows at the fair continued well into the 1970s.
By the end of the 1960s, nearly 600,000 people had been a part of Dixon's studio audience,[6] (by comparison, this figure is nearly twice the 2006 population of Cincinnati proper), and Dixon had given away upwards of 3,000 Osherwicz Kosher Salamis.[7] At the show's peak there was a two-year waiting list for tickets.
Sponsors and commercials
Most of Dixon's show consisted of live commercials, performed mainly by Dixon himself, but also by one of the ladies on occasion. Dixon shunned the use of scripts when doing commercials, much to the perpetual delight of his audience. In the tradition of Ruth Lyons, any product plugged by Dixon became the product to use.
- When Dixon did commercials for Bounty paper towels, he would always mention they were made in Green Bay, Wisconsin, at which point the band would launch into a quick chorus of the Wisconsin Fight Song.
- Dixon was also one of the first to jump on the bandwagon plugging what was then called Pringle's Newfangled Potato Chips, largely because they were invented in Montgomery, Ohio, near Cincinnati. For levity, Bonnie and Colleen often made duck bills out of them.
- In the early 70s, Dixon was among the first to sell Orville Redenbacher’s Gourmet Popcorn. During the commercial, the director would superimpose Redenbacher's face (as it looked on the jar) over Dixon's while he would talk about the product.
See also
References
- Cassidy, Marsha F. (2005). What Women Watched Daytime Television in the 1950s. University of Texas Press. p. 45. ISBN 978-0-292-70626-2 – via Project MUSE.CS1 maint: ref=harv (link)
- Dixon, Paul (1968). Paul Baby: Confessions Of The Mayor Of Kneesville. Cleveland, Ohio, New York, New York: World Publishing Company. p. 19. LCCN 68029836. OCLC 449528.
- Kelly, Mary Ann (1990). The Trouble Is Not In Your Set. Cincinnati, Ohio: C.J. Krehbiel Company. pp. 146–147. ISBN 0-9627159-0-5.
- Dixon, Paul (1970). Letters To Paul Baby. Cleveland, Ohio, New York, New York: The World Publishing Company. pp. 95–99. LCCN 76112434.
- Friedman, Jim (2007). "Images Of America: Cincinnati Television", page 98. Arcadia Publishing, ISBN 978-0-7385-5169-2
- Dixon, Paul (1968), Paul Baby: Confessions.. page 70
- Dixon, Paul (1968), Paul Baby: Confessions.., page 21
Bibliography
- David Weinstein, The Forgotten Network: DuMont and the Birth of American Television (Philadelphia: Temple University Press, 2004) ISBN 1-59213-245-6
- Alex McNeil, Total Television, Fourth edition (New York: Penguin Books, 1980) ISBN 0-14-024916-8
- Tim Brooks and Earle Marsh, The Complete Directory to Prime Time Network TV Shows, Third edition (New York: Ballantine Books, 1964) ISBN 0-345-31864-1