Pa. Ranjith

Ranjith was introduced to a newcomer producer C. V. Kumar in 2011 by a mutual friend, Mani, who convinced Kumar to give Ranjith an opportunity to make a film. Consequently, Attakathi was completed in fifty days on a budget of ₹ 1.75 crores.[5] Following promising pre-release reviews, the venture became bigger when production house Studio Green chose to buy the distribution rights. The film opened to positive review in August 2012, with Rediff.com noting the film "looks at youth and romance in a most refreshing way" and added that Ranjith should take "the credit, completely, of taking an ordinary storyline and infusing it with warmth and hilarity."[6] Sify's critic, similarly, wrote "we recommend that you make time for this charming little treat of a film, as it has an inherent sweetness and honesty that will stay with you".[7]

Studio Green signed up Pa. Ranjith to direct a film for their production house and in December 2012, he confirmed that he would shortly begin work on a project titled Sarpatta Paramparai with Karthi in the lead role, though production was subsequently delayed and did not take off as planned.[8] In July 2013, it was announced that the pair would collaborate on a new script and that Sarpatta Parambarai and their ongoing venture, Madras, were two different scripts. Although the producers liked both scripts, Ranjith decided to shoot Madras first as Karthi had accidentally read the script of Madras and liked its concept and characters.[9] During pre-production of the film, Ranjith returned home to North Chennai to research and took stock of the residents' body language, sports, fashion, behaviour and dialogues. He revealed that through his script, he hoped to depict the angst and depression of the youth of the region and wrote several characters in the film including the two leads to represent individuals with "bottled up anger".[5] Ranjith also informed that some changes were made to the script to accommodate Karthi in the lead role.[10] Also featuring Catherine Tresa and Kalaiyarasan in prominent roles, Madras told the story of a dispute over a political message written on wall in North Chennai and how the region's political rivalry affects the inhabitants. Madras received highly positive reviews from critics, who praised the performances of the actors, as well as the technical aspects of the film.[11] Udhav Naig, writing for The Hindu said, "Rarely does one get to see a Tamil film that reflects the social reality so closely and sketching a detailed account of life that the middle and the upper middle class know little about. Full marks to Pa. Ranjith for that".[12] Writing for The New Indian Express, Malini Mannath said, "With an engaging screenplay, deft narration, well fleshed out characters and actors well cast, Madras captures the feel, flavour and ambiance of North Madras with perfect precision".[13] Sify said, "Madras works big time as writer and director Ranjith has given priority to his script, which hooks the audiences straightaway. It is a triumph of honest writing and heartfelt dialogues. It is a gutsy and outstanding film".[14]

He began pre-production work for a venture starring Suriya in October 2014, after the actor approached him being impressed with Madras.[5] The project has been put on hold, after he began working on Kabali (2016) featuring Rajinikanth in the title role. It is a gangster film. Ranjith explores actor Rajinikanth. This movie delivers class style acting of Rajinikanth.

Kaala a sociopolitical movie, was released worldwide on 7 June. The audio launch was held on 9 May 2018 at Chennai YMCA ground, and the album is an interesting mix of genres with politically loaded lyrics. Kaala is the first Indian film ever to be released in Saudi Arabia, following the country lifting its ban on public theatres in December 2017.[15][16][17] The movie received positive reviews. The Times of India rated the film 3.5 out of 5 and stated that Ranjith owes to his excellent technical crew for "helping him visualise and deliver this 51% Rajini-49% Ranjith movie".[18]

Ranjith’s next project is a Hindi-language biopic on freedom fighter Birsa Munda.

The film, which marks the Tamil filmmaker’s first non-Tamil project, will be produced by Namah Pictures, which had co-produced Iranian filmmaker Majid Majidi’s Beyond the Clouds in 2018. The cast of Ranjith’s film hasn’t been announced.[19]

Pa. Ranjith extended his social work in another form, which is 'Neelam Panpaatu Maiyam' (Neelam Cultural Center).

As part of this initiative, in honour of the 100 years of Dalit struggle, life-sized sculptures were established and the efforts of the Dalit activists were documented.[22]

Neelam Panpaatu maiyam also conducted the three day arts festival - 'Vaanam' in Chennai between December 29 to 31, 2018.[23] The festival was unticketed and many artists across Tamilandu participated in it. Also many artifacts were presented.[24] Ranjith explained that this festival would act as a platform to discuss more complex social issues through art.[25]

Neelam cultural center launched 'Koogai Thiraipada Iyakkam' (Koogai Film Movement).[26] This movement was started to bridge the gap between literature and cinema. As part of this movement, the first initiative was to set up a library named 'Koogai'.[27]

Neelam cultural center rolled out their new campaign '#VoteOutHate' and started producing short films on the same for a release in their official Youtube channel. The first film was Lovers in the afternoon directed by Rajesh Rajamani[28] and the second film was 'Share Auto' directed by Jenny Dolly.[29]

Ranjith’s organisation, Neelam Cultural Centre, collaborated with the label Madras Records to form a 19-piece band called The Casteless Collective that includes four rappers, seven instrumentalists and eight gaana musicians, a popular folk music style in Tamil Nadu. The name of the band was inspired by a phrase – "jaathi bedha matra Tamilargal" – used by Tamil anti-caste activist and writer C Iyothee Thass.[30] Iyothee Thassa Pandithar (1845-1914) was the first to moot the phrase "Jaathi Bedha Matra Tamizhargal" in the early 20th century by publishing the same in his Tamil Journal Tamizhan (1907-1914).[31]