Nishat Khan

Khan was born 25 October 1965, in Kolkata, India. He comes from one of the most famous music families in the North Indian classical tradition that extends back for seven generations. He is the son of Imrat Khan and the nephew of Vilayat Khan.

A strong influence growing up was his grandmother, Inayat Khan. She was an incredibly strong lady with vast musical knowledge, a very strict disciplinarian but also very loving. She not only taught him a lot about music but also had a big part to play in his riyaaz (practice schedule). He started playing the sitar at the age of 3 when he was barely sitting. Riyaaz was rigorous, disciplined and enjoyable, and he rehearsed whenever he felt like playing the sitar, which was all the time. He was always around music and there was no conversation without it, all his entertainment was centred on music. His father Imrat Khan was known for his rigorous riyaaz. He has even skipped school to play. He also attended a lot of concerts, and when he returned home, an analysis of what he heard and taalim (training) would start; sometimes all through the night. He played his first concert when he was 7 years old.

His first concert was at the age of 6, in Kolkata. His first concert international was in 1977 in London, when he performed with his father, Imrat Khan, at the Queen Elizabeth Hall with the eminent musicians of India sitting together in the front row, Ravi Shankar, and Salamat Ali Khan.

He has collaborated with John McLaughlin, Philip Glass, Paco Pena, Evelyn Glennie and Django Bates.

Nishat Khan performed live with John McLaughlin in Italy in 1986 and featured on his album The Promise.[1] Performed at a comparative music concert with Philip Glass and collaborated with him on his opera of Satyagraha in which he played Tilak Kamod in South Germany in 1993. Paco Pena and Khan have had several tours in the UK and Europe as part of his group Spirit & Passion. With Evelyn Glennie, he performed at two concerts – one with BBC Scottish Symphony, a special piece Khan composed called Dancing with Seagulls. This was also performed in London at Wigmore Hall. Khan has also composed and recorded sitar and vocals on the rock song Love is the Answer by Weezer in 2009.

Nishat Khan has performed at major venues internationally, including Carnegie Hall, the Lincoln Center in New York, the Royal Albert Hall in London, and for Pope John Paul II at the Vatican. In 2004, he was invited to perform alongside Eric Clapton, Carlos Santana, Jeff Beck, John McLaughlin and others at the Crossroads Guitar Festival in Dallas. In 2007, he toured across India with violinist Vanessa Mae and performed at the Seagrams 100 Pipers Pure Music Show in August. In 2008, he toured Europe with his pioneering project, Spirit & Passion, featuring Flamenco guitar great Paco Pena, and later that year performed a solo concert at the BBC Proms. In 2009, he performed at Bovard Auditorium, Los Angeles. In October 2010, Nishat Khan worked on the concept of Mélange, a fusion-jazz show that features an eclectic mix of musicians from all around the world and performed at Tata Theatre, NCPA.

The world premiere of Nishat Khan's Sitar Concerto no. 1 The Gate of the Moon featured as part of the BBC Proms programme at the Royal Albert Hall on 12 August 2013. The occasion was Khan's third appearance as a soloist at The Proms but was the first time that one of his own compositions had featured. The work integrates a sitar concerto with Western orchestration to tell the love story between the mystical "unknown traveller" (sitar) and the princess. David Atherton conducted the BBC National Orchestra of Wales in the performance of The Gate of the Moon, which was broadcast live on both BBC Radio 3 and the BBC Asian network. He gave the US premiere of the work in February 2018, with the Seattle Symphony.

In November that year, Nishat Khan held the audience in a spell as he indulged dance guru Pt Birju Maharaj in a duet or juggalbandi on stage at the opening of the 44th International Film Festival of India in Goa.

In 2015, he performed at the Théâtre de la Ville in Paris, the Kennedy Centre in Washington DC and at a concert at the Budapest Festival 2015. He has also collaborated with the artist-sculptor Anish Kapoor in London. In 2016, he visited Tehran with the Prime Minister's delegation and performed a solo concert at the Vahdat Hall. He also performed at the Barbican Hall in London the same year. On 8 October 2017, he performed at the Merkin Concert Hall at the Kaufman Music Centre in Manhattan. He also opened the Sixth Edition of the Delhi Classical Music Festival in October 2017.

The son and disciple of Imrat Khan, Nishat stands at the threshold of the future of sitar and Indian music with his uniquely invigorating, contemporary approach. He draws on his own musical heritage as well as engages other genres as diverse as Western classical music, jazz, Flamenco and Gregorian chant. He has worked with other major performers and composers such as John McLaughlin, Philip Glass, Paco Peña, Evelyn Glennie.

In 2011, he composed his first Bollywood film score, Yeh Saali Zindagi, for the director Sudhir Mishra. In 2013, the Indian Government commissioned him to write a 70-minute orchestral score for the Indian silent film, A Throw of Dice. The work was commissioned especially for performance at the Centenary Film Festival, which celebrates 100 years of Indian cinema.

Besides these he has composed music for Heat and Dust (1983) and Little Buddha (1993).

"Nishat Khan's new Sitar Concerto offered an altogether more meditative engagement with India. This sitar legend (just the latest in a dynasty of great musicians in his family) is a familiar face at the Proms, but he has never before appeared as both composer and soloist. The concerto itself follows in the footsteps of Ravi Shankar's concerto, marrying the textures and techniques of Indian classical music with the instrumentation and symphonic structure of western music." — Alexandra Coghlan, The Arts Desk, 13 August 2013

"Nishat Khan himself and the orchestra gave an exemplary account of the concerto. The charismatic presence of Khan on his podium dominated the whole performance and his interactions with the orchestra were fascinating, genuinely touching and exciting by turns." — Chris Garlick, Bachtrack, 14 August 2013

"Khan's playing emerged from and receded into the textures like the mysterious traveller, the sitar was meant to represent. Although his performance cohered exactly with the mood and tempo of the orchestra, it also embodied a sense of autonomy from external constraints, not least by the resonance of its sympathetic strings outlasting all other tones, and by the increasingly virtuosic strumming towards the end, compounding the impression of a source of dynamic energy whose origins are unfathomable." - Curtis Rogers, Classicalsource.com, August 2013

"The main event of the evening was the world premiere of Nishat Khan's The Gate of the Moon. Like Ravi Shankar before him, this Calcutta-born sitar player has been impelled to create a sitar concerto with Western orchestration: with amplification, the two elements can be brought to a sort of parity. Nishat Khan was invited to puff his piece beforehand and did so fulsomely, describing his instrument as 'the unknown traveler introducing a mystical and positive energy'." — Michael Church, The Independent, 13 August 2013

• Sitar in jazz

Wikimedia Commons has media related to Nishat Khan.

• Official website
• "The Gate of the Moon" page at his publisher, Faber Music Ltd
• Gaana'
• Saavn
• Hungama
• Wynk Music