Mr. Toad's Wild Ride

The very first iteration of Mr. Toad's Wild Ride was the least complex out of all three. Manufactured by Arrow Development and designed by Imagineers Bill Martin, Ken Anderson, Claude Coats, and Robert A. Mattey [4], the version of the attraction that opened to the public along with the rest of Disneyland in July of 1955 contained the simplest gags, the least setpieces and characters, and with a duration of 98 seconds, was the shortest in length. One notable quality of Mr. Toad's Wild Ride that was especially prevalent during its earliest years was the liberal use of painted plywood "flats" in its interior sets. Whereas its contemporary opening-day dark rides Snow White and her Adventures and Peter Pan's Flight employed three-dimensional figures and sculpts for either the majority or at least a significant quantity of their interior scenery, characters, and props, the various scenes of Mr. Toad's Wild Ride were rendered predominantly by means of two-dimensional flats, with only a negligible and scarce presence of three-dimensional objects. More three-dimensional gags and scene details would be added in later updates, although the attraction has always remained overwhelmingly "flat" in appearance despite the other Fantasyland dark rides having become considerably less so over the decades. As with the 1955 incarnations of the Snow White and Peter Pan dark rides, the exterior facade of Mr. Toad's Wild Ride was fashioned to resemble a medieval tournament tent, and its loading queue was located under an open-air canopy and featured a large, elaborately-painted mural spanning the entire front wall of the space housing the ride; this mural depicted both the cast of the film on which the ride was based as well as the events seen within the attraction.

Upon boarding a fiberglass replica of a 1900s-era one-seat roadster, guests "crashed" through the front doors of Toad Hall (the extravagant Tudor-style estate of Mr. Toad) at the left extent of the mural. Once inside the confines of the lavishly-detailed mansion, guests approached a large stained-glass bay window before their car performed a sudden U-turn and headed instead toward a forced-perspective mural of an open living parlor before two miniature "toad-shaped" suits of armor supported by pedestals (one on either side of the mural) swung down their halberds. Upon swerving into the opposite direction, guests rolled under a pointed Tudor arch and into a small sub-room where a third miniature suit of armor brought down its mace. Guests then veered to the left, crashed through the paneled wall, and found themselves in total darkness.

After swerving around several more times, guests passed under a natural archway and advanced toward a mural depicting the rustic cottage of Ratty the water rat along the riverbank, as well as a fully-sculpted boat docked in front. Upon swinging around another bend, guests approached a three-dimensional roadway leading off into a mural of a twisted intersection at the center of a rural village, while signs labeled with nonsensical place names such as "Woostershire" and "Notsoshire" made for a sense of confusion. Guests then swerved into a narrow village street, where a plethora of road signs fixed to the buildings and lampposts read, "TURN BACK," "DO NOT ENTER," "ONE WAY," and other such warnings. Despite this, guests had no choice but to continue down the long straightaway, eventually reaching the headlights of on oncoming vehicle in the darkness beyond the stretch and swerving out of the way to avoid it. As a police officer with a club blew his whistle and sirens were sounded, the car performed a U-turn and began down a dilapidated wooden pier flanked to the right with old bollards and a large ocean freighter. As guests advanced over a series of bumps emulating the rough surface of unsafe boards, a mural depicting London across from the harbor under a foggy night sky was seen beyond the edge of the wharf. Just before guests approached the end of the pier, their vehicle swung around and rammed through the doors of a dockside warehouse, now racing between long, towering rows of crates and kegs stocked with dynamite, blasting powder, and other dangerous contents. At the end of the corridor was a forced-perspective mural of an exit door marked with a sign reading, "THIS WAY OUT," next to which was a tall stack of three-dimensional kegs. As guests approached the false exit, the stack of barrels toppled down, blocking the way out and forcing the motorcar to instead turn toward a solid brick wall before slamming straight through it.

Guests now found themselves back in the English countryside, swerving rapidly around stunted, gloomy trees and darting briefly toward police officers blowing their whistles and a mural portraying a dirt roadway leading away into the distance. After swinging past a signal tower and a railroad crossing sign, guests were briefly exposed to a mural of a precarious, winding path scaling the side of a cliff before racing by a sleepy railroad engineer and breaking through a crossing gate. Guests then entered the arched stone maw of "R.R. Tunnel No. 13", ran over a series of railroad ties, heard the roar of an oncoming steam locomotive, saw the front headlight of the approaching engine overhead in the darkness, and finally "collided" directly into it as a series of bright flashes were seen. The darkness then gave way to a menacing, demonic face with a gaping mouth; "The Jaws of Hell." As guests passed under the demon's sharp teeth, the word "WELCOME" written in flames greeted them into the depths of the underworld, where they found themselves swerving around red-hot stalagmites topped with miniature horned devils who laughed maniacally and wielded pitchforks. Several devils holding signs signifying redemption then directed guests toward the ride's final set of doors, which took them back out into the queue area.

In 1961, Mr. Toad's Wild Ride received an assortment of new gags, scene details, and technical improvements. Among these were additional character flats (MacBadger, Moley, and a butler in Toad Hall, as well as Ratty in front of one of the buildings constituting the village street scene and a handful of new police officers), new crash doors (these being a construction barricade located in the village street and multiple breakaway flats of stacked crates and kegs in the warehouse), improved crash doors in general, and fully-sculpted devils and red "rock" in the Hell scene replacing the original flats.

The interior of Toad Hall, seen from the queue shortly before boarding.

The interior.

Guests enter a re-creation of Toad Hall, passing by artistic works commemorating characters from The Wind in the Willows. A large mural shows the adventures of Toad and his motorcar, foreshadowing various scenes in the ride. This mural has a hidden reference to Walt Disney and his love for trains in the form of a train named "W.E.D. Rail".[5] Guests hop aboard miniature, early 1900s (decade)-era, multicolored motorcars. The name of one of the characters from the film (Mr. Toad, Toady, Ratty, Moley, MacBadger, Cyril, Winky, or Weasel) is inscribed on each motorcar.

Passengers begin their journey by crashing into a library, where MacBadger is seen teetering atop a ladder with a stack of books. They then crash through the fireplace, where fiberoptic effects simulate the scattering of embers on the floor. Narrowly avoiding a falling suit of armor, the passengers break through a set of doors to find the interior hallway of Toad Hall in disarray, as weasels swing from chandeliers. Guests then enter the dining room, where Moley is eating at a dinner table and gets knocked aside.

Upon leaving Toad Hall, guests travel through the countryside, passing Ratty's house, aggravating policemen and terrifying a farmer and his sheep. Making a right turn, guests head for the docks and get the impression that their car will plunge into the river, but quickly make a sharp turn in a different direction and enter a warehouse full of barrels and crates containing explosives. Guests crash through a brick wall as the warehouse's contents explode in a burst of bright, flashing lights. They then head out into the streets of London, narrowly avoid a collision with a delivery truck, and enter Winkie's Pub, where Mr. Winkie the bartender holds two beer mugs. He ducks down, leaving the mugs spinning in the air (this gag is recycled from the 1971 Florida version of the ride).

Passengers then enter the town square, where the cars wreak further havoc on the citizens. A working fountain featuring Toad and Cyril Proudbottom stands in the center of the town. Behind this statue is one of Lady Justice peeking out from under her blindfold. Next, guests enter a jury-less courtroom, where the riders are proclaimed guilty by a judge (based on the film's prosecutor for the Crown). The cars then enter what is presumed to be a dark prison cell before abruptly turning right and landing on railroad tracks. The vehicles bounce along the tracks in the dark before colliding head-on with an oncoming train.

Passengers then arrive at the ride's final scene: a tongue-in-cheek depiction of Hell not inspired by any scene in the movie or book. The entire room is heated, and the scenery features small devils who bounce up and down. Passengers also see a demon who resembles the judge from the courtroom scene. Near the end of the scene, a towering green dragon emerges and attempts to burn the riders to a crisp. A glowing light is seen in the back of its throat and choking, coughing noises are heard while the motorcar speeds away. Granted a reprieve, the passengers eventually "escape" to the ride's loading and unloading area, where they disembark. In The Adventures of Ichabod and Mr. Toad, Mr. Toad never actually goes to hell at all. Instead, he escapes from jail by wearing a woman's night dress and affecting the voice of a female.

The installation at Disneyland was manufactured by Arrow Development.[6] Many of the voices of the characters on the attraction were provided by Corey Burton.

Mr. Toad's Wild Ride was one of the Magic Kingdom's opening day attractions on October 1, 1971. Although it was modeled after the Disneyland attraction and reused the soundtrack and various sound effects from the attraction, it had some unique characteristics that set it apart from its California counterpart. The most obvious was that the Florida incarnation had two separate boarding areas. The vehicles (in the form of jalopies) in each boarding area were on separate tracks that followed different paths, so riders would get a slightly different ride, depending on where they boarded.

Like its counterpart at Disneyland, it was not a thrill ride, but it was not slow and quiet like most dark rides. It made sudden turns and often the vehicle would move at full speed towards an obstacle, which would move out of the way at the last second. At one point the vehicles on different tracks would head directly towards each other, giving the sense of an oncoming collision. It was a very stylized attraction and resembled a cartoon more than any other Disney ride. It contained highly ornate plywood characters and sets that were very reminiscent of the multiplane camerawork featured in many Disney films.

Mr. Toad's Wild Ride closed at Walt Disney World on September 7, 1998, to make room for The Many Adventures of Winnie the Pooh which opened on June 4, 1999. Minor tributes to the ride can be found in Disney World, including paintings of Mr. Toad and Moley within the Many Adventures of Winnie the Pooh attraction and a statue of Toad in a pet cemetery outside of Haunted Mansion. There was much controversy over the attraction's closure, which sparked in-park protests.

The two tracks of the Walt Disney World version of Mr. Toad's Wild Ride did not pass through all of the same show scenes. Thus, each track gave riders an almost completely different set of scenes to pass through.

Disneyland Paris does not have a Mr. Toad's Wild Ride in operation. According to Tony Baxter, in early plans there was to be a version of the ride closer to the movie, with the most notable change being that instead of Hell for the ending Toad would blast off in his flying machine. The Fantasyland section of Disneyland Paris does have a restaurant named Toad Hall. This restaurant opened with the park on April 12, 1992. The exterior is based on Disneyland California's 1983 exterior, except the front sign says "Toad Hall" in gold letters. Inside, there are paintings of Toad in many famous paintings, like the Mona Lisa. You can also see "artifacts" from The Wind in the Willows and The Adventures of Ichabod and Mr. Toad. The restaurant sells British and American food, since the film on which the attraction is based takes place in the United Kingdom. There is both outdoor and indoor seating.

• List of Disneyland attractions
• List of Magic Kingdom attractions
• Mr. Toad's Wild Ride (film)

• MR. TOAD ATTRACTION WILL FINALLY CROAK September 2, 1998
• MR. TOAD LEARNS: IT AIN'T EASY BEING GREEN September 8, 1998

Wikimedia Commons has media related to Mr. Toad's Wild Ride.

• Official website at Disneyland
• Passport to Dreams Old & New in-depth article commemorating WDW's Mr. Toad's Wild Ride
• Jim Hill Media An up-close look at some figures from WDW's Mr. Toad's Wild Ride
• AllEarsNet
• Mr. Toad's Wild Ride from GoSleepGo
• Save Mr. Toad's Wild Ride!
• Virtual Toad a virtual reconstruction of WDW's Mr. Toad's Wild Ride
• Walt Dated World
• Widen Your World
• Fastpass Facts
• Yesterworld Entertainment's YouTube channel
• Mr. Toad's Wild Ride from YouTube
• Mickey Mouse Park (Disneyland version)