Miracle of the roses

A miracle of the roses is a miracle in which roses manifest an activity of God or of a saint.[1] Such a miracle is presented in various hagiographies and legends in different forms,[2] and it occurs in connection with diverse individuals such as Saints Elizabeth of Hungary (1207–1231), Elizabeth of Portugal (1271–1336), St. Dorothy, a 4th-century virgin martyr at Caesarea in Cappadocia (died ca. 311), and Our Lady of Guadalupe (appeared in 1531).

St. Elizabeth of Hungary: Miracle of the roses by Karl von Blaas

Symbolism of the rose

In the Latin West the symbolism of the rose is of Greco-Roman heritage but influenced by and finally transformed through Latin biblical and liturgical texts. In Greco-Roman culture the rose's symbolic qualities represented beauty, the season of spring, and love. It also spoke of the fleetness of life, and therefore of death. In Rome the feast called "Rosalia" was a feast of the dead: thus the flower referred to the next world.[3]

This symbolism attained a deeper complexity when contrasted with the rose's thorns. This contrast inspired the Christian Latin poet Coelius Sedulius, who wrote (between 430-450) a very elaborate comparison between Eve, our first mother, and Mary, the Mother of Jesus our Savior. He illustrated the parallelism already made by Justin Martyr (around 150) and developed it in a deep poetic and doctrinal liturgical teaching in his Easter song, Carmen paschal.[3]

The rose was a privileged symbol for Mary, Queen of heaven and earth. One of her titles in Catholic Marian devotion is Rosa Mystica or Mystic Rose. During the Middle Ages, the rose became an attribute of many other holy women, including Elizabeth of Hungary, Elizabeth of Portugal and Casilda of Toledo, and of martyrs in general. The rose is even a symbol for Christ himself, as seen in the German Christmas song, "es ist ein 'Rose' entsprungen."[3]

During the Middle Ages the rose was cultivated in monastery gardens and used for medicinal purposes. It became a symbol in religious writing and iconography in different images and settings, to invoke a variety of intellectual and emotional responses.[4] The mystic rose appears in Dante's Divine Comedy, where it represents God's love. By the twelfth century, the red rose had come to represent Christ's passion, and the blood of the martyrs.[5]

The most common association of the rose is with the Virgin Mary. The third-century Saint Ambrose believed that there were roses in the Garden of Eden, initially without thorns, but which became thorny after the fall, and came to symbolize Original Sin itself. Thus the Blessed Virgin is often referred to as the 'rose without thorns', since she was immaculately conceived. Saint Bernard of Clairvaux compared her virginity to a white rose and her charity to a red rose. With the rise of Marian devotion and the Gothic cathedral in the twelfth century, the image of the rose became even more prominent in religious life. Cathedrals built around this time usually include a rose window, dedicated to the Virgin, at the end of a transept or above the entrance. The thirteenth century Saint Dominic is credited with the institution of the Rosary, a series of prayers to the Virgin, symbolized by garlands of roses worn in Heaven.[4]

Saint Elizabeth of Hungary

In Western Europe, the best-known version of a miracle of the roses concerns Saint Elizabeth of Hungary (also called Elisabeth of Thuringia), the daughter of King Andrew II of Hungary, who spent most of her life living with her in-laws in Germany (a ruling family of Thuringia), who kept court at Wartburg Castle.[6]

Origins

It has been suggested that the legend originated in a sermon given by Caesarius of Heisterbach in which he reflects on the occasion of the translation of the remains of Saint Elizabeth, in 1236. Caesarius speaks of a sweet aroma that emanates from the grave as soon as it is opened (a common theme in hagiography).[7] This metaphorical or actual aroma could have been translated into a physical event, the miracle of the roses.[6] The first report of a miracle resembling that of the roses is by Franciscans in the mid-13th century. Their account is of spring flowers, and the event takes place in Hungary, at Elizabeth's home when she was five years old.[8] The miracle as we know it, with roses and in Germany, is first reported in 1332, in a Franciscan book of prayers,[6] though it has also been proposed that the miracle was "translated" from Elizabeth of Portugal to Elisabeth of Hungary in the 19th century.[9][10]

The legend

In its most characteristic form the legend goes as follows. One day the young but pious Elizabeth, in the company of one or more serving women, descends from Wartburg Castle down to the village of Eisenach, below the castle. She is carrying meat, eggs, and bread under her mantle. Supposedly she has taken items from the family dining table to distribute to the poor in the village, against the wishes of her family, who frown upon such behavior. Halfway down, she unexpectedly meets her husband Ludwig IV of Thuringia, who asks, upon seeing her bulk, what she is carrying. Embarrassed and speechless as she is, she does not know what to say. Ludwig opens her mantle, and to his surprise (in some versions this takes place in the dead of winter) finds her carrying a bouquet of roses.[8]

Elizabeth of Portugal

Similar versions

Saint Elizabeth of Portugal

Very much the same story is told of Elizabeth of Portugal, also known as Elizabeth of Aragon (1271–4 July 1336), who was the great-niece of Elizabeth of Hungary. Married to the profligate King Denis of Portugal, she, like her great-aunt, showed great devotion at an early age, and likewise was charitable toward the poor, against the wishes of her husband. Caught one day by her husband, while carrying bread in her apron, the food was turned into roses. Since this occurred in January, King Denis reportedly had no response and let his wife continue. The story is somewhat apocryphal; while it shows up in popular versions of the saint's life,[11][12] the account is missing from more authoritative sources such as the revised 1991 edition of Alban Butler's Lives of the Saints.[13]

Santa Casilda

Saint Casilda of Toledo

Similar also is the legend of Casilda of Toledo (died c. 1050), a daughter of a Muslim king of Toledo, Spain during the rule of the Caliphate, who showed special kindness to Christian prisoners.[14][15] She would carry bread hidden in her clothes to feed these prisoners; one day, when caught, the bread was miraculously changed into roses.[16] In the famous painting of Saint Casilda by the 17th-century painter Francisco Zurbarán, roses are visible in the saint's lap; the miracle is also depicted in a painting by the 19th-century painter Jose Nogales. But while Saint Casilda supposedly died in the 11th century, predating the birth of both Elizabeth of Hungary and Elizabeth of Portugal, her hagiography was not written until three centuries after her death, and is likely influenced by the legend of one of these Elizabeths.[17]

Saint Didacus of Alcalá

Niccolo Betti San Diego de Alcalá Descalzas Reales

Of the 15th-century Franciscan St. Didacus of Alcalá, also known as San Diego, the same miracle is told: as a lay brother of the Franciscans in Spain, he often took bread from the monastery's dining table to give to the poor. One day, leaving the convent with a cloak full of food, he was accused and challenged to open his cloak; miraculously, the loaves of bread had changed into roses.[18][19]

Our Lady of Guadalupe

Miguel Cabrera, Juan Diego

The story of Our Lady of Guadalupe is of an entirely different character, although here again the miraculous presence of the roses in the middle of winter is a sign of the presence of the divinity. The account is a corollary to a Marian apparition, Our Lady of Guadalupe, found in the 1556 booklet Nican Mopohua, and supposedly taking place in 1531.[20] It concerns a native inhabitant of Mexico named Juan Diego, whom the Virgin chooses to convey a message to an unwilling bishop, that "Here I will hear their weeping, their sorrow and will remedy and alleviate all their multiple sufferings, necessities and misfortunes." The bishop however, does not believe Diego's story. He returns to his field, where again the Virgin appears to him, with the same message. Diego again goes to the bishop, with the same result, and the remark that he has to bring a token if he is to be believed. The fourth time the Virgin appears, she directs Diego toward "varied Castilian flowers" which he picks; she then places the flowers in his mantle.[21] (The identification of these flowers as Castilian roses or Damask roses, is a later addition.) This time the bishop is convinced, especially when an image of the Virgin miraculously appears on Diego's cloak.[22]

St. Rita of Cascia

A miracle involving roses occurred to Saint Rita of Cascia. The winter before the end of her life, a cousin visited her and asked her if she desired anything from her old home at Roccaporena. Saint Rita responded by asking for a rose and a fig from the garden. It was January and her cousin did not expect to find anything due to the snowy weather. However, when her relative went to the house, a single blooming rose was found in the garden, as well as a fully ripened and edible fig. Her cousin brought the rose and fig back to Saint Rita at the convent, who thanked her and gave the rose to her sisters.

The rose is thought to represent God's love for Rita and Rita's ability to intercede on behalf of lost causes or impossible cases. Rita is often depicted holding roses or with roses nearby, and on her feast day, churches and shrines of Saint Rita provide roses to the congregation that are blessed by priests during Mass.

Statement of Pope John Paul II

On the occasion of the centenary of the canonization of Saint Rita of Cascia, Pope John Paul II stated that the worldwide devotion to Saint Rita is symbolized by the rose, and said: "It is to be hoped that the life of everyone devoted to her will be like the rose picked in the garden of Roccaporena the winter before the saint's death. That is, let it be a life sustained by passionate love for the Lord Jesus; a life capable of responding to suffering and to thorns with forgiveness and the total gift of self, in order to spread everywhere the good odour of Christ (cf. 2 Cor 2:15) through a consistently lived proclamation of the Gospel." He added that Saint Rita spiritually offers her rose to each of those he addressed as an exhortation to "live as witnesses to a hope that never disappoints and as missionaries of a life that conquers death".[23]

Saint Faustyna Kowalska

In her Diary: Divine Mercy in My Soul, Saint Faustyna Kowalska writes of potatoes converting into roses:

One time during the novitiate, when Mother Directress sent me to work in the wards' kitchen, I was very upset because I could not manage the pots, which were very large. The most difficult task for me was draining the potatoes, and sometimes I spilt half of them with the water. When I told this to Mother Directress, she said that with time I would get used to it and gain the necessary skill. Yet the task was not getting any easier, as I was growing weaker every day. So I would move away when it was time to drain the potatoes. The sisters noticed that I avoided this task and were very much surprised. They did not know that I could not help in spite of all my willingness to do this and not spare myself. At noon, during the examination of conscience, I complained to God about my weakness. Then I heard the following words in my soul, From today on you will do this easily; I shall strengthen you.

That evening, when the time came to drain off the water from the potatoes, I hurried to be the first to do it, trusting in the Lord's words. I took up the pot with ease and poured off the water perfectly. But when I took off the cover to let the potatoes steam off, I saw there in the pot, in the place of the potatoes, whole bunches of red roses, beautiful beyond description. I had never seen such roses before. Greatly astonished and unable to understand the meaning of this, I heard a voice within me saying, I change such hard work of yours into bouquets of most beautiful flowers, and their perfume rises up to My throne. From then on I have tried to drain the potatoes myself, not only during my week when it was my turn to cook, but also in replacement of other sisters when it was their turn. And not only do I do this, but I try to be the first to help in any other burdensome task, because I have experienced how much this pleases God.[24]

Critical theme in Heinrich Böll novel

The 1971 novel Group Portrait with Lady (German: Gruppenbild mit Dame) by Nobel Prize winning author Heinrich Böll - who had grown up in a Catholic environment - includes many passages taking up Catholic themes, in a way highly critical of the Church. One of the book's themes concerns a nun who had been born a Jew, became a heretical Catholic, and died during the war under questionable circumstances, while under custody of the Church authorities who were supposed to protect her from the Nazis. In the book's present during the 1960s, there happens a manifest Miracle of the Roses, with red roses growing again and again in mid-winter from the nun's ashes. However, the Church authorities persistently refuse to take notice of this miracle, which would have obliged them to consider canonizing her, since that would have required a recognition that the Church had wronged her and caused her death.

See also

References

  1. Lafaye, Jacques (1987). Quetzalcoatl and Guadaloupe: The Formation of Mexican National Consciousness, 1531-1813. University of Chicago Press. p. 55. ISBN 0-521-42018-0. Retrieved 11 December 2008.
  2. Klaniczay, Gábor (2002). Holy Rulers and Blessed Princesses: Dynastic Cults in Medieval Central Europe. Cambridge University Press. p. 422. ISBN 0-521-42018-0. Retrieved 11 December 2008.
  3. Koehler, S.M., Rev. Theodore A., "The Christian Symbolism of the Rose" Archived 2016-03-03 at the Wayback Machine, Roses and the Arts: A Cultural and Horticultural Engagement, Central State University, Wilberforce, Ohio, May 8, 1986.
  4. Carleton, Sarah (Spring 2004). "A rose is a rose is a rose:The Rose as Symbol in the Ars antiqua Motet". Discourses in Music. Univ. of Toronto. 5 (1). Retrieved 15 December 2012.
  5. Wilson, Jean C. (2004). "'Richement et pompeusement parée': the collier of Margaret of York and the politics of love in late medieval Burgundy". Excavating the Medieval Image: Manuscripts, Artists, Audiences; Essays in Honor of Sandra Hindman. Ashgate. pp. 109–134. ISBN 978-0-7546-3143-9. 118.
  6. Reber, Ortrud (1982). Die heilige Elisabeth: Leben und Legende. St. Ottilien.
  7. Maresch, Maria (1931). Elisabeth von Thüringen: Schutzfrau des deutschen Volkes. Bonn: Verlag der Buchgemeinde. p. 220..
  8. Hohberg, Rainer; Weigelt, Sylvia (2006). Brot und Rosen: Das Leben der heiligen Elisabeth in Sagen und Legenden. Wartburg: Wartburg Verlag. ISBN 978-3-86160-183-8.
  9. Pörnbacher, Hans (2003). Die hl. Elisabeth von Thüringen. Regensburg: Schnell und Steiner. p. 20. ISBN 3-7954-8022-1. Diese Episode wurde spät erst von Elisabeth von Portugal auf 'unsere' Elisabeth übertragen. . . . Im 19. Jahrhundert erst wurde die Legende durch die Nazarener aus Italien importiert (M. Hartig).
  10. Hartig, Michael (1931). "Die hl. Elisabeth von Thüringen und die deutsche Kunst: Eine ikonographische Studie". Die christliche Kunst. 27: 194–223.
  11. "Saint Elizabeth of Portugal". The Portuguese in the United States. Library of Congress. 1998. Retrieved 2008-12-13.
  12. "St. Elizabeth of Portugal - July 8". Plinio Corrêa de Oliveira. Tradition in Action. 2008. Retrieved 2008-12-13.
  13. Butler, Alban; Michael J. Walsh (1991). Butler's Lives of the Saints. HarperCollins. p. 205. ISBN 978-0-06-069299-5.
  14. "Burgos". Catholic Encyclopedia. 1914. Retrieved 2008-12-13.
  15. "April 9: St. Casilda". Saint of the Day. American Catholic. 2008. Archived from the original on 2008-12-24. Retrieved 2008-12-13.
  16. Husenbeth, Frederick Charles (1860). Emblems of Saints: By which They are Distinguished in Works of Art. Longman, Green, Longman, and Roberts. p. 33. saint casilda.
  17. Weinstein, Donald; Rudolph M. Bell (1986). Saints and Society: The Two Worlds of Western Christendom, 1000-1700. Chicago: U of Chicago P. p. 256. ISBN 978-0-226-89056-2.
  18. Halavais, Mary H. (1999). "Rev. of La Historia de San Diego de Alcala. Su vida, su canonizacion y su legado by Thomas E. Case". The Journal of San Diego History. San Diego Historical Society. 45 (4). Retrieved 2008-12-22.
  19. Tabor, Margaret Emma (1908). The Saints in Arts: With Their Attributes and Symbols Alphabetically Arranged. Frederick A. Stokes. p. 59.
  20. Rodriguez, Jeanette (1996). "Sangre llama a sangre: Cultural Memory as a Source of Theological Insight". Hispanic/Latino Theology: Challenge and Promise. Fortress: 117–33. ISBN 978-0-8006-2921-2.
  21. Cawley, Martinus (1984). Guadalupe: from the Aztec language. CARA Studies of Popular Devotion No. 2: Guadalupan Studies No. 6. Guadalupe Abbey.
  22. "Shrine of Guadalupe". Catholic Encyclopedia. www.newadvent.org. 1914. Retrieved 2008-12-06.
  23. "Address of Holy Father John Paul II on the centenary of St. Rita's canonization". 20 May 2000.
  24. Kowalska, Faustyna. "Divine Mercy in My Soul". saint-faustina.com. Archived from the original on 26 September 2004. Retrieved 10 December 2019.
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