Miles Malleson

Malleson was born in Avondale Road, South Croydon, Surrey, England, the son of Edmund Taylor Malleson (1859-1909), a manufacturing chemist, and Myrrha Bithynia Frances Borrell (1863-1931), a descendant of the numismatist Henry Perigal Borrell and the inventor Francis Maceroni. (Miles' cousin and contemporary Lucy Malleson had a long career as a mystery novelist, mostly under the pen name "Anthony Gilbert".)

He was educated at Brighton College and Emmanuel College, Cambridge. At Cambridge, he created a sensation when it was discovered that he had successfully posed as a politician and given a speech instead of the visitor who had failed to attend a debating society dinner.[1]

As an undergraduate, Malleson made his first stage appearance in November 1909, playing the slave Sosias in the biennial Cambridge Greek Play production of Aristophanes' 'The Wasps' presented at the New Theatre, Cambridge. He turned professional in November 1911. He studied acting at Herbert Beerbohm Tree's Academy of Dramatic Art, which later was renamed the Royal Academy of Dramatic Art (RADA). Here he met his first wife in 1913. In September 1914 he enlisted in the Army, and was sent to Malta, but was invalided home and discharged in January 1915. In late 1915, Malleson met Clifford Allen, who converted Malleson to pacifism and socialism.[2] Malleson subsequently became a member of the peace organisation, the No-Conscription Fellowship.[2] By June 1916 he was writing in support of conscientious objectors.[3] Malleson wrote two anti-war plays, "D" Company and Black 'Ell. When the plays were published in book form in 1916, copies were seized from the printers by the police, who described them as a "a deliberate calumny on the British soldier".[4][5] Malleson was a supporter of the Bolshevik revolution and a founder member of the socialist 1917 Club in Soho. Another play of Malleson's, Paddly Pools, (a children's play with a socialist message) was frequently performed by British amateur dramatic groups in the period after World War One.[6] In the 1920s, Malleson became director of the Arts Guild of the Independent Labour Party. In this capacity Malleson helped establish amateur dramatics companies across Britain. The Arts Guild also helped stage plays by George Bernard Shaw, John Galsworthy and Laurence Housman, as well as Malleson's own work.[7] His 1934 play Six Men of Dorset (written with Harvey Brooks), about the Tolpuddle Martyrs, was later performed by local theatre groups under the guidance of the Left Book Club Theatre Guild.[5][8]

He married three times and had many relationships. In 1915, he married writer and aspiring actress Lady Constance Malleson who was also interested in social reform. Theirs was an open marriage and they divorced amicably in 1923 so that he could marry Joan Billson; they divorced in 1940. His third wife was Tatiana Lieven, whom he married in 1946 and from whom he had been separated for several years at the time of his death.[9]

He had a receding hairline and a sharp nose that produced the effect of a double chin. His manner was gentle and absent-minded; his voice, soft and high. He is best remembered for his roles as the Sultan in The Thief of Bagdad (1940), the poetically-inclined hangman in Kind Hearts and Coronets (1949) and as Dr. Chasuble in The Importance of Being Earnest (1952).

Failing eyesight led to his being unable to work in his last years. He died in March 1969 following surgery to remove cataracts and was cremated in a private ceremony. A memorial service was held at St Martin-in-the-Fields during which Sybil Thorndike and Laurence Olivier both gave readings.[10]

• Youth A Play in Three Acts
• The Little White Thought A Fantastic Scrap
• "D" Company
• Six men of Dorset: A play in three acts (with Harvey Brooks)
• Paddly Pools: A Little Fairy Play
• Black 'Ell (1916); Malleson's anti-war play was refused permission for performance in 1916, and not produced in the UK until 1925
• ’’Conflict’’ (1925) Revived by Mint Theater Company
• Molière: Three Plays (1960); contains The Slave of Truth (Le Misanthrope), Tartuffe and The Imaginary Invalid
• Yours Unfaithfully (1933); Performed off-Broadway in New York City for a limited run in early-2017 starring Max von Essen.

Malleson translated many plays by Molière, including Le bourgeois gentilhomme, L'avare, L'école des femmes,[11] Le Misanthrope, Tartuffe, Le malade imaginaire and the one-act play Sganarelle. He also adapted a German play, Flieger, by Hermann Rossmann, under the English title The Ace. This was later filmed as Hell in the Heavens.

He wrote the subtitles for a filmed version of a Comédie Française production of Le Bourgeois Gentilhomme which was shown at the Academy Cinema in London in 1962.[12]

• Miles Malleson at Find a Grave
• Miles Malleson on IMDb
• Miles Malleson at the BFI's Screenonline
• Plays by Miles Malleson on the Great War Theatre website