Miguel Coyula

Miguel Coyula Aquino (born March 31, 1977 in Havana) is a Cuban filmmaker and writer. At age 17, he made his first short with a VHS camcorder, which led to his admittance to Escuela Internacional de Cine y Television (The International Film and Television School) of San Antonio de los Baños, Cuba (EICTV). Since then he has won awards in his country with his short films Bailar Sobre Agujas (1999), Buena Onda, (1999), and Clase Z "Tropical" (2000). His work has always been shot on very low budgets, his features taking several years to complete, using heavy digital manipulation in postproduction.

In 2000, he traveled to the United States on an invitation from the Providence Latino Film Festival. While visiting New York City, he met Anna Strasberg of the Lee Strasberg Theatre Institute and after screening his thesis film was offered a scholarship. While attending the Strasberg Institute, Coyula made his first feature, Red Cockroaches (2003), for less than $2000 over a two-year period. The film was described by Variety as "a triumph of technology in the hands of a visionary with know-how..." The film won over twenty awards in film festivals around the world.

In 2009, Coyula was awarded the Guggenheim Fellowship by The John Simon Guggenheim Memorial Foundation for developing his second feature, the film Memories of Overdevelopment, a follow-up to the Cuban classic Memorias del Subdesarrollo (1968), based on the novel by Cuban writer Edmundo Desnoes. After its world premiere at the Sundance Film Festival, the film garenered several awards and honors. The International Film Guide described it as one of the best films Cuba has produced.[1] In 2013 La Pereza Ediciones published his first novel Mar Rojo, Mal Azul. From 2015 to the 2016 he produced the web Series Rafael Alcides and the documentary feature Nadie (Nobody) which won the Best Documentary award at the Global Film Festival in Santo Domingo and screened at MoMA. Currently Coyula working on his fourth feature, Corazon Azul (Blue Heart).